How a novelist changed eveningwear forever

Memo from my subconscious:


You’ve got nothing today. Why do you persist in blogging, when you know you’ve exhausted your tiny store of things to write worth reading? Why do you persist in this failed strategy? Why don’t you have an exit strategy? It’s a quagmire! Admit it.

When in doubt, borrow. I shall tell you about a fact I learned years ago, which has stayed with me for all the intervening years. I share it with you freely, so that you can bore your friends, just as I do.

Back when I was doing community theater in Florida, I performed in the play, “The Elephant Man.” I played Dr. Gomm, and it wasn’t one of my better performances. Suffice it to say that I didn’t make anyone forget Sir John Gielgud in the movie.

The costume people procured Victorian clothing for us. The moment I saw the tan-colored suit they’d gotten me, I knew that what we had was “A Christmas Carol” costumes, not “The Elephant Man” costumes. Because between the time of Dickens and the time of John Merrick, Englishmen stopped wearing anything but black (or, if they were feeling extremely cheery, a dark gray). I knew this because I had read Frank Muir’s An Irreverent and Thoroughly Incomplete Social History of Almost Everything.

(By the way, did you know that Dr. Frederick Treves, whom Anthony Hopkins played in the movie, was an active and influential Christian evangelical? I learned this in Newfoundland, when I visited the Grenville Museum. Treves was one of Dr. Grenville’s [Grenville of Labrador] mentors.)

Anyway, this quote from Muir’s book:

Probably the most prolific novelist and playwright of the nineteenth century, for years the most popular writer of his day, was Edward George Bulwer-Lytton (Blogger’s note: Yes, this is the guy the annual award for bad writing is named after), later Baron Lytton, who managed to be a statesman as well….

Bulwer-Lytton made a lot of money from his books, plus a little more from playing whist. He moved easily in fashionable circles and his most popular novel, Pelham, had as its eponymous hero a society dandy who startled London by forsaking the bright colors then worn by gentlemen in the evening to appear in black. This fashion was taken up by society and Britain’s manhood has appeared on formal evening occasions ever since dressed like undertakers.

I note on re-reading that Muir is only talking about evening wear, so I remembered the story wrong. But it’s also a fact that Englishmen eschewed bright colors for all clothing not long thereafter (as a sign of respect for Queen Victoria’s mourning of Prince Albert, I think). I still blame Bulwer-Lytton.

No I don’t. I like black suits.

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