Category Archives: Music

I Will Put Back to Sea

I feel the winds of God today; today my sail I lift,

Though heavy, oft with drenching spray, and torn with many a rift;

If hope but light the water’s crest, and Christ my bark will use,

I’ll seek the seas at His behest, and brave another cruise.

It is the wind of God that dries my vain regretful tears,

Until with braver thoughts shall rise the purer, brighter years;

If cast on shores of selfish ease or pleasure I should be;

Lord, let me feel Thy freshening breeze, and I’ll put back to sea.

If ever I forget Thy love and how that love was shown,

Lift high the blood red flag above; it bears Thy Name alone.

Great Pilot of my onward way, Thou wilt not let me drift;

I feel the winds of God today, today my sail I lift.

These words are by Jess­ie Ad­ams in 1906.

The concert was too short, and so was the hair

The Sissel concert on PBS last night was great. It was filmed in the picturesque Norwegian town of Røros in wintertime, the music itself performed in a historic church there. Very classy and reverent, I thought. And, needless to say, The Greatest Voice in the World soared through the pure, arctic air, delivering beauty like an angelic UPS truck. Or something.

My only unhappiness concerned Sissel’s hair. As is so often the case.

I care about women’s hair. It has something to do with an experience I had once, which it would be lugubrious to recount now (I suspect I’ve already told the story in this space, or on the old site, anyway). But I’ve always had strong opinions on women’s hair.

If you look at pictures of Sissel in the early stages of her career, you’ll see a lovely young girl with long, thick, honey-colored hair. That’s how she looked when I first became a fan, and that’s the image I imprinted on.

But it all changed around the time of the Winter Olympics in Norway in 1994. There she appeared, suddenly, and to the great shock of most, at the opening ceremonies with short, dark hair. Her hairstyle has changed constantly in the years since, but has generally been more or less that sort of thing.

Since her marriage broke up she seems to have grown it out a little, but for the concert she appeared in some kind of avant-garde coiffure that looked both oily and swirly. It was not becoming, in the eyes of this obsessive fan.

Why do women do this? I don’t know a lot about women, it goes without saying, but I’m pretty sure they tend to be more insecure about how they look than men are. That being true, why do they consistently put themselves in the hands of hairdressers of ambiguous gender, and trust them when they say, “Oh, darling, we’ll just streak your hair with purple, and lacquer it, and make it stand out straight from the left side of your skull so you look like a character from Anime! You’ll look divine!”

Any man can easily tell you what we want in a woman’s hair. Like most things about men, it’s very simple: “Long. Grow it as long as you can. Never cut it. Split ends? What are those? Dry, fly-away hair? Who cares?”

Show me a woman who wears her hair extremely long, and I’ll show you a woman who understands men deeply.

Of course a woman who wears her hair extremely short probably understands men deeply too.

Which sort is wiser, I’m not qualified to say.

Jared Singing “How Great Thou Art”

Jared Wilson talks about a thrilling hymn.

The scandalous beauty of the crucified king, the awful glory of the sacrificed Lord: this is the watershed moment of all of history, and it ought to be the watershed moment of your history. It is Jesus’ offering of himself to the torturous, murderous death on the cross that connects us to the potential of beholding him in his resurrected, exalted glory. . . .

Christ killed is Christ conquering; Christ raised is Christ in conquest.

That is amazing. Only a wild God could tell a story so fantastic.


Church Music

Point out the weaknesses in some, maybe most, praise music sung in churches today and what happens? A long rant-fest.

“‘Lord to give you up I’d be a fool’ almost literally gag-making”

“the lyrics of praise music is meaningless pop gestures”

“As the character in the Simpsons said, you can turn praise music into a love song merely by changing ‘Jesus’ to ‘Baby.'”

“Most “praise music” stinks. Use the Psalter or use the psalms of David in meter.”

“I remember the whole ‘rock music is evil’ debate. The same debate happens every time a new music genre enters the Christian space”

The Stirring Voice of Paul Potts

Have you seen this video of Britain’s Got Talent winner Paul Potts? A Bristol, England, native walks on stage, feeling nervous, and does not impress the judges by claiming a desire to sing opera. Oh, but when he sings! He went to the semi-finals to sing “A Time To Say Goodbye,” and returned to his first song in the finals, “Nessun Dorma.” Now he has a £1m record deal with Simon Cowell’s label and plans to sing with Katherine Jenkins at a Wales event.


Sissel song: “Marry Me”

I don’t usually post on weekends, but I just found a YouTube link to share. I’m about a light year behind everybody else on things like this, and I’ve only been exploring YouTube recently. I checked out The Divine Sissel, and found that this number is available.

It’s a country song, which isn’t her usual medium, but I think it’s a lot of fun, and it might help explain my enthusiasm for this really remarkable talent. Also check her rendition of the contemporary gospel number, “My Tribute.”

The Best Music at a Busy Time

So, there was this violinist, a violin player, in the metro lobby this morning. He was good. Played classical stuff. I didn’t have anything on me, so I didn’t chip in. I was in a hurry too.

Read what happens when a great violinist, Joshua Bell, starts playing for the crowds in Washington D.C. The music director of the National Symphony Orchestra thought a crowd would form to listen, “75 to 100 . . . if he’s really good.” (via World)

High Rates for Internet Radio

New rates from Copyright Royalty Board, if unchallenged, would shut down great Internet radio stations like Accuradio and Pandora. According to this Wired News article, the new fees are a flat “$0.0011 per song per listener,” increasing to $0.0019 by 2010, and they are retroactive to 2006, at a rate of $0.0008.

Kurt Hanson of Accuradio and “Radio and Internet Newsletter” has a breakdown. “That math suggests that the royalty rate decision — for the performance alone, not even including composers’ royalties! — is in the in the ballpark of 100% or more of total revenues.” Meaning, it would cost webcasters more to operate than they can make from it.

Hanson told Wired News that “he doesn’t ‘think the people actually running the record labels want to see internet radio shut down,’ but that SoundExchange’s lawyers had planned ‘an aggressive, win-all-you-can battle in Washington. I think they were more successful than they expected to be.'”

If the lawyers didn’t intend to gain this much ground, I hope they back off when the rate change goes to congress. Speaking of congress, when is Mrs. Clinton going to decry the evil music industry for their corporate malpractice at the people’s expense?

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An Opportunity for a Hoax

The classical world is one of arduous work but also miracles of artistry. Every year brings child prodigies wise beyond their years. Meanwhile, the demise of major classical recording labels over the last decade has given rise to an uncountable number of independent labels. Among the many musicians turned out each year by the world’s conservatories, the unknown ones who record for such operations are often as talented and distinctive as those who fill seats at Carnegie Hall.

So writes David Patrick Stearns in today’s Philadelphia Inquirer, “Ears don’t deceive – the CD covers do.” Partly for these reasons, the husband of a recently deceased pianist was able to republish under her name excellent concertos by musicians who were not readily known. When one critic put one of Joyce Hatto’s discs into his computer, it told him the performer was Laszlo Simon. You can read how that happened and exactly how the hoax of the greatest pianist of our time is currently unraveling on

James Brown on AccuRadio

I can’t confess to being a fan of James Brown, but I feel compelled to pass on this link to AccuRadio’s Classic Soul channel, which is playing a tribute to James Brown this month. “Throughout the month of January, we’re featuring dozens and dozens of songs by the Godfather of Soul, spanning the entire amazing career of The Hardest Working Man in Show Business,” reports one of the best, if not the best, internet radio sites.