Saga reading report: ‘The Tale of Thorleif, the Earl’s Poet.’

Jarl Haakon, headed back to Norway from Denmark, jettisons a load of Christian priests who were forced on him. Illustration by Christian Krogh from Heimskringla.

Tonight, another report on one of the skalds’ sagas (technically a tale) from The Complete Sagas of Icelanders. “The Tale of Thorleif, the Earl’s Poet” is interesting primarily, I think, because of the picture it provides of its writers and editors. It’s taken from the 14th Century saga collection known as the Flatey Book (of which I’ve written here before). The tale may incorporate genuine old legendary material, but it’s been thoroughly massaged to conform to medieval Christian thinking.

The tale begins with a synopsis, in which the writer makes it extremely clear that (trigger warning!), although this story includes elements of heathen beliefs, magic, and cursing, the ultimate moral is going to be a good one – avoid that stuff or it’ll come back to bite you.

Our hero is Thorleif Asgeirsson, the son of a well-to-do Icelander, who shows early aptitude for poetry. After some preliminary adventures, he gets outlawed (learning magic while a fugitive) and manages to sail for Norway in a merchant ship his father buys for him and stocks with trading goods.

Thorleif arrives in Norway, where he meets the current ruler, Jarl Haakon (whom you may recall from The Year of the Warrior and Death’s Doors), at the wharf. Haakon offers to buy his cargo, but Thorleif prefers to offer his goods on the open market. His blunt refusal offends Haakon, who takes revenge by having his men burn Thorleif’s ship and steal all his goods. Thorleif then flees to King Svein Forkbeard in Denmark, and begins planning his magical revenge, which he achieves finally. However, the ultimate repercussions will bring disaster back on him.

The tale contains snippets of skaldic poetry, which probably indicates some basis in true events. However, the story as we have it is pretty fantastic. It contains, for instance, the old fairy tale motif of someone concealing a bag under his shirt (camouflaged by a false beard in this case), down which he shovels large quantities of food, amazing the spectators with his appetite. This motif is often capped in the fairy tales by the cutting open of the bag, mimicking disembowelment, allowing the hero to fake his own death – but nothing like that happens here.

Another point of interest is a mention of Thorgerd Altar-Bride (Holgabrud), who is identified as Jarl Haakon’s personal patron goddess. I’ve read of Thorgerd (who may be Freya under a different name) elsewhere, but I think this was the first time I’ve come across her in an actual saga story (Snorri never mentions her in Heimskringla). If this were the only source of information about her, I’d wonder if she wasn’t just an authorial invention – but I think she’s mentioned in at least one other place in Flatey Book. Just another indication of how much knowledge has been lost about Viking religion.

Final verdict: “The Tale of Thorleif, the Earl’s Poet” is not a well-told story. And it’s not very plausible as a historical source either. But it does offer some points for the curious to ponder.

Sunday Singing: When This Passing World Is Done

In 1837, the influential Scottish preacher Robert Murray McCheyne wrote today’s hymn of looking to the next life in faith.

“Therefore I tell you, her sins, iwhich are many, are forgiven—for she loved much. But he who is forgiven little, loves little” (Luke 7:47 ESV).

1 When this passing world is done,
when has sunk yon glaring sun,
when we stand with Christ on high
looking o’er life’s history,
then, Lord, shall I fully know,
not till then, how much I owe.

2 When I hear the wicked call
on the rocks and hills to fall,
when I see them start and shrink
on the fiery deluge brink,
then, Lord, shall I fully know,
not till then, how much I owe.

3 When I stand before the throne,
dressed in beauty not my own,
when I see thee as thou art,
love thee with unsinning heart,
then, Lord, shall I fully know,
not till then, how much I owe.

4 When the praise of heav’n I hear,
loud as thunders to the ear,
loud as many waters’ noise,
sweet as harp’s melodious voice,
then, Lord, shall I fully know,
not till then, how much I owe.

5 Chosen not for good in me,
wakened up from wrath to flee,
hidden in the Savior’s side,
by the Spirit sanctified,
teach me, Lord, on earth to show,
by my love, how much I owe.

Peace, Long Sought and Fought For

“Hear my voice, O God, in my complaint;
    preserve my life from dread of the enemy.
Hide me from the secret plots of the wicked,
    from the throng of evildoers,
who whet their tongues like swords,
    who aim bitter words like arrows,
shooting from ambush at the blameless,
    shooting at him suddenly and without fear.” (Ps. 64:1-4 ESV)

Israel: Israel has fought for peace for decades. Here’s one story of the life-long war:

The occupation of Gaza was a burr, not a territorial benefit. In the decades following the 1967 war, hundreds of thousands of Israelis moved themselves to the West Bank, to the ancient provinces of Judea and Samaria, the historical home of the Jewish people, where they formed the “settlements” that have caused such controversy. But Jews do not hear the same mystic chords of memory from Gaza, and so efforts to settle them in Gaza to create geopolitical “facts on the ground” never really took root. By the early 2000s, 8,500 Israelis had moved to 21 tiny settlements, in a situation so dangerous that those 8,500 Jewish Gazans had to be guarded by 24,000 Israeli soldiers.

Israel’s enemies: Will the real neo-Nazi please stand up? “Contemporary Marxism is not some secret conspiracy. It is right there in the open telling us what it is and what it wants.”

Novels: Author Richard Russo “discovered that what really interested readers were his stories about growing up with an often-absent father in a declining upstate New York manufacturing community filled with struggling but memorable characters whom some might call ‘deplorables.’” 

Un-cancelation: Timothy L. Jackson, a professor of music theory, seems to be winning his fight against those who would censor him.

Family of C.S. Lewis: What happened to Warnie Lewis after his brother Jack’s death? A new book focuses on his correspondence with a missionary doctor in in Papua New Guinea.

Photo by Juli Kosolapova on Unsplash

Travel and lecture report: Brainerd, Minnesota

The only slightly creepy animated Paul Bunyan statue at the Paul Bunyan Amusement Park in Brainerd. I did not visit this attraction during my recent visit. Photo credit: John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division. 

I’m back from Brainerd. Just a tad over a two-hour drive either way. Not that far compared with other trips I’ve taken this summer.

My hosts asked me at one point whether I (like many other people) had the idea that Brainerd is a town in northern Minnesota. I had to admit I did. Brainerd is, in fact, they explained, just about at the geographical center of our state.

I have a vague idea that I made a visit or two to Brainerd in my youth, but I can only pin one memory down. I know my family visited there when I was a kid, and we saw the animated Paul Bunyan statue (photo above). I also traveled a lot with my musical group, and I have an idea that Brainerd fell victim to at least one of our visits.

But now I’m in a position to recommend the place unconditionally. A beautiful little city in lake country, wooded landscape… and very nice people.

The president of Sagatun Lodge, Sons of Norway bought me a hamburger at a local place first of all (great burger), and then took me to the church where they meet. And here’s an amazing thing – nothing went wrong. I’ve learned to regard it as an inevitability that there will always be some glitch in any PowerPoint presentation. It’s like a law of nature – that’s why I always bring my own projector as a back-up. But their tech guy was there waiting for me, everything ready. I plugged my laptop in and it all worked straightaway. This seemed wrong in some existential way.

The crowd was interested and attentive. Some of them bought books. Then I followed my hosts to their home, where I was shown into a “mother-in-law apartment” that I had all to myself. We had a long conversation before I turned in. I got one of the best night’s sleep I’ve had in some time, and in the morning some neighbors joined us for a delicious brunch before I left. I suspect they may have formed the erroneous impression that I’m an outgoing person. What might have confused them is that I can act outgoing when I feel welcome. And I did feel welcome there.

Another amazing thing – the lodge president, a Subaru owner, explained to me the secret protocol that allows you to unlatch the tail gate with the key fob. As a new owner of a used Forester, I had not known this. Ever been gobsmacked? I was gobsmacked.

Many thanks to the Sagatun folks for their hospitality.

County Highway 1.2: The Swifties Edition

“They’re Taylor Swift fans,” the woman cleaning the floor beside me helpfully explains. “They’re very nice, but they leave glitter everywhere.”

Is County Highway, the new newspaper for America written and edited by living human beings, selling out in its second issue or weeding out its readership by publishing a five-page article on Taylor Swift’s Eros concert in Seattle? I can’t say I was prepared to read it, but I did, and taking two pages before getting to Swift herself was helpful. (I shouldn’t say that, because I don’t dislike I’ve heard of her music. I can still a few lines, but as a 50+ year old man, I feel I have better things to listen to, like maybe K-pop.) Writer David Samuels contrasts the messaging in Swift’s concert with the reality of living in Seattle, where cops have no power to handle public harassers and residents learn to ignore all humans around them in an effort to Do No Harm to the ones who’ve intended harm to themselves. The mostly female concert audience affirmed they were cute and deserved better—yeah, that’s the message the city needs to hear. If only music would get them there.

What’s in the rest of this issue? There’s a lengthy piece on Mule Days, “The Greatest Mule Show on Earth,” in Bishop, California, which used to be “one of the biggest agricultural festivals in America.” There’s an essay on logging in July, another on the equinox, and one about a 1986 cookbook called White Trash Cooking–“A Confederate general and a gay man who liked cole slaw have more in common with each other than with a Yankee.”

There’s an article about interviewing one of the men who claim to know Many Important Details about extraterrestrials and UFOs and is both eager and reluctant to share. If you watched some of the congressional hearings on UFOs several weeks ago, you probably saw this guy. Yes, he knew critical details; no, he couldn’t share them openly.

There’s an interesting piece on how GPS changes the way we understand our environment, our local world. Alex Perez has a humorous story about professional wrestling in Puerto Rico. There’s a chilling account of corrupt dealings with Columbian presidents and the Clinton Foundation.

Perhaps the heart of County Highway can be seen in this quote from the essay, “The Bull Calf,” by Sage Radecki.

Trying like hell to fix something we saw as a problem, when in reality, it wasn’t ours to fix. Nature, in all its beauty and sorrows, is something we cannot overcome. It’s simply something we need to make space for. I’m learning this daily here, on the ranch, in our work in the field and my time tending to the garden.

That’s a good word.

Hubristic musings on Story

Photo credit: Infralist.com. Unsplash license.

Let’s see. Where am I? I did a Zoom interview with a student from the University of Wisconsin-Green Bay this morning. Some kind of history class assignment. She was supposed to speak with a more impressive Viking reenactor, but had to settle for me due to a glitch in the system. It was nice. She was an intelligent young person. Gave me hope.

I’m trying to figure out Adobe Indesign (not Light Desk, as I erroneously termed it last night; I saw the I and D logo in my mind, and they looked like an L and a D, so I vamped). I was referred to a YouTube video for an introduction, but that created as much confusion as it cleared up for me. I bought a book, which I shall try out this evening. I intend to learn this irrational, user-unfriendly mouse maze of an app, or die in the attempt.

Packed for my trip to Brainerd tomorrow. Paid my bills a day early, because I’m flexible that way. Walked to the post office for stamps.

But what shall I blog about? I think, on consideration, that I still have things to say about Story as a key to the universe, as if I didn’t overtalk my intelligence in my previous post on the subject.

Dale Nelson, in commenting on that post, noted that our Lord, when He came to earth, did not come as a philosopher, but as a storyteller. This is an excellent point, one I wish I’d thought of.

So I’ll double down. When God chose to reveal Himself to us in written form, He did not give us a book of systematic theology (I’ve often wished He had, but oddly He did not consult me). Instead, He told us a story.

Wouldn’t it have been a relief if the Bible had begun with The Book of Epistemology? We could have a Book of Trinitarian Doctrine, and a Book of Soteriology, and it would all end up with a Book of Eschatology.

The Quran is kind of like that, as best I understand it, based on my limited examination of the book, though it’s not very organized. The Quran is essentially a book of doctrines and commands. It’s not what you’d call a gripping narrative.

The Bible we’ve been given, however, is a narrative. God chose to tell what is essentially a story. There’s other elements in there – poetry, and law, and wisdom literature, etc. But it’s all set within an epic dramatic narrative. The world is created, Man is created, Man falls, Man runs berserk, God begins calling out a series of individuals, then a family, then a nation, through whom He will – gradually – reveal His purposes for redemption. Finally the Hero – God Himself in human form – appears and – through great sacrifice – undoes the Fall, conquers death and the devil. Finally, we’re given a glimpse of Christ’s ultimate triumph and the eucatastrophe.

A lot of church schism and religious war could have been avoided if we’d had a divine book of unambiguous theology instead of the Bible we got. But God hasn’t chosen to reveal Himself that way, either in His written Word or in His incarnate Word. He seems to prefer stories. And stories tend to be so… ambivalent. The better the story, the harder it is to explain.

During my recent long road trips, I decided to splurge on a couple audio books. Both were by Andrew Klavan – books I’d read before but wanted to revisit. My Minot book was The Truth and the Beauty, Klavan’s manifesto of art-oriented theology. My Green Bay book was The Great Good Thing, his spiritual autobiography.

I found The Great Good Thing easier to grasp. It’s a straight memoir, with its lessons fairly obvious. Great story, too.

But The Truth and Beauty, though fascinating and inspiring, eludes me at some points. Even after two readings, I still have a hard time articulating what the point of the book is. It’s mostly about how the Romantic poets followed their perceptions of beauty, which led them (in some cases not very far) towards the truth of Christianity in a world gone apostate.

But I can’t grasp the nub. I can’t tell you what Klavan is trying to say we need to learn from the Romantic poets.

And it occurs to me that’s the whole mystery of the thing.

Great art generally can’t be reduced to a formula or a moral. It leads you to a place where you confront an idea that is a Person. And persons can’t be defined – not within the limits of human reason. (God can define it all, I have no doubt.)

It’s a little like Zen, where you sit around and meditate until you “get” some irrational concept. I reject Zen, and I reject the irrational too. But the Buddhists have an inkling of some truth there.

Stories can lead us to an encounter with God. Reason can too. But neither the story nor reason automatically produce faith. The faith comes from an encounter with Jesus Christ. That encounter is a miracle; St. Paul knew, and the theologians have agreed, that it’s nothing either our imagination or our reason can produce. It comes from outside. It’s something you receive.

And you can’t always put it into words. You can only tell stories about it.

The Labors of Lars (plus a personal appearance)

I look like this, according to legend, when I lecture.

From time to time, events in what’s laughingly known as my working life mean I have to alter my habits on this blog.

Or, to put it less pompously, I’ve got work (some of it even for money) that may – occasionally – keep me from posting here, without notice, for a while.

This Thursday, at 7:00 p.m., for instance, I’ll be speaking on Viking Legacy to Sagatun Lodge of the Sons of Norway, Brainerd, Minnesota. I think they meet at Trinity Lutheran Church, though such information is surprisingly difficult to learn from online sources. (The reason I don’t have the address myself is because someone’s generously taking me to dinner beforehand, and we’ll drive from there. But I think it’s Trinity Lutheran.)

I expect that if you’re in the area you’ll be welcome, even if you’re not a member of the lodge. Or Norwegian. Or all that good-looking.

What else am I doing? Oh yes, I have an agreement to write an article on the new Norwegian Nobel Laureate for Literature, Jon Fosse. It’s for a periodical which I will not name at this point, in case they don’t want to be publicly associated with me. But I have to read Fosse’s Septology, which is a very long book. I have no idea what I’ll blog about while I’m working my way through that unusual (but fascinating) work. We’ll see.

Also, I have to learn how to use Adobe Live Desk so I can produce a newsletter for the Valdres Samband’s (an organization of descendants of immigrants from the Norwegian region of Valdres) newsletter. Also a paying job.

And I have some translation to do for the Georg Sverdrup Society. They don’t pay money, but I think I go to Hell if I don’t deliver.

I’ve been loafing all summer, trying to drum up work, and now the stuff is falling on my head in the manner of Burt Bacharach’s raindrops. I just translated 11 pages of Norwegian for an author on a two-day deadline, and I got paid for that too.

And someday, like King Arthur, the script translation work may return from Avalon.

‘The Oceans and the Stars,’ by Mark Helprin

“How many orchids are there in the Amazon? Trillions? They’re beautiful. No one ever sees them, but they’re there. Value is independent of recognition. It must be. If a tree falls in the forest, of course it makes a sound. What kind of idiot would think it wouldn’t? A sound is not defined by its being heard.”

“This may be the most difficult and perhaps for some the last thing you will ever do. You’re doing it for others, for principle, for decency, and, in essence, out of love. Our actions and imperfections will always be with us. It’s impossible to kill a man, no matter how evil he may be, without a perpetual debit to one’s own conscience and a trespass against God. Anyone who tells you otherwise is blind to himself and the world. But we take on such a burden so that those at home need never bear it, nor even understand that for the sake of the innocent we protect, we accept the stain….”

Mark Helprin has released a new novel, and it hardly needs saying that it’s wonderful. I think The Oceans and the Stars may be one of my favorites from his pen.

Stephen Rensselaer was once a staff officer under the Secretary of the Navy, but he couldn’t resist telling the president what he really thought. So he was demoted and condemned to serve as commander of the innovative small ship whose design he defended to the commander in chief – the PC, a fast, nimble, heavily armed vessel intended for coastal service. When war breaks out with Iran (it was weird to read this in the wake of recent events in the real world), Stephen is assigned to the Athena, the only PC in existence, and dispatched with his crew to the Middle East.

This is awkward, because Stephen, in middle age, has just found Katy, the love of his life. But duty is in his blood, and he must go to war.

Under Stephen’s inspired command, the Athena punches well above its weight, even destroying a much larger ship. It takes a while for his crew to warm to him – they think him old, they don’t understand his jokes or his Shakespeare quotations, and sometimes his actions make no sense to them (as when he forbids porn aboard his ship). But when a group of Somali pirates hijack a French cruise ship off the horn of Africa, and begin executing prisoners at the rate of one per hour, Captain Rensselaer and the Athena meet their destiny. Because their orders are to stay out of it, but there’s a higher law – a law that may demand the highest price from a warrior.

I saw echoes of Conrad’s Heart of Darkness in The Oceans and the Stars, and also of Pasternak’s Doctor Zhivago. No doubt there were other references I missed. The book engaged me entirely, keeping me up when I wanted to go to sleep. It bears comparison with Helprin’s excellent earlier anti-war novel, A Soldier of the Great War. But that book focused on the futility of war, where the finest souls and most heroic deeds were thrown away in a meaningless cause. In The Oceans and the Stars, the cause is not meaningless, but the souls and the deeds are unappreciated or even punished. Nevertheless, there is no question that right is right, and that moral choices matter in a Higher Court.

I loved it. I recommend it highly. Cautions for chilling descriptions of terrorist atrocities.

Sunday Singing: Saints Bound for Heaven

Today’s hymn is a traditional one on returning home. The arrangement above is by Alice Parker and Robert Shaw. The text below is from the 1916 National Jubilee Melodies, which includes two more verses than the recording above.

“Every place that the sole of your foot will tread upon I have given to you, just as I promised to Moses.” (Joshua 1:3 ESV)

1 Our bondage it shall end,
By and by, by and by;
Our bondage here shall end, by and by;
From Egypt’s yoke set free,
Hail the glorious jubilee,
And to Canaan we’ll return,
By and by, by and by,
And to Canaan we’ll return by and by.

2 Our Deliverer will come,
By and by, by and by;
Our Deliverer will come, by and by;
And our sorrows have an end,
With our threescore years and ten,
And vast glory crown the day,
By and by, by and by,
And vast glory crown the day, by and by.

3 Tho’ our enemies are strong,
We’ll go on, we’ll go on;
Tho’ our enemies are strong, we’ll go on;
Tho’ our hearts dissolve with fear,
Lo, Sinai’s God is near,
While the fiery pillar moves,
We’ll go on, we’ll go on,
While the fiery pillar moves, we’ll go on.

4 Thro’ Mara’s bitter streams
We’ll go on, we’ll go on;
Thro’ Marah’s bitter streams, we’ll go on;
Tho’ Baca’s vale be dry,
And the land yield no supply,
To a land of corn and wine,
We’ll go on, we’ll go on,
To a land of corn and wine, we’ll go on.

5 And when to Jordan’s floods,
We are come, we are come,
And when to Jordan’s floods, we are come;
Jehovah rules the tide,
And the waters He’ll divide,
And the ransomed host shall shout,
We are come, we are come,
And the ransomed host shall shout, we are come.

6 Then with all the happy throng,
We’ll rejoice, we’ll rejoice;
Then with all the happy throng, we’ll rejoice;
Shouting glory to our King,
Till the vaults of heav’n ring,
And thro’ all eternity,
We’ll rejoice, we’ll rejoice,
And thro’ all eternity, we’ll rejoice.

Herta Müller Asks If You Have a Handkerchief

Herta Müller, author of The Hunger Angel and The Fox Was Ever the Hunter, won the 2009 Nobel Prize for Literature, as John Wilson notes in his piece on the value of this award. For her lecture at the Swedish Academy, she talked about handkerchiefs.

The harassment was passed down; the rumor was set into circulation among my colleagues. That was the worst. You can defend yourself against an attack, but there’s nothing you can do against libel. Every day I prepared myself for anything, including death. But I couldn’t cope with this perfidy. No preparation made it bearable. Libel stuffs you with filth; you suffocate because you can’t defend yourself. . . .

Since now I really had to make sure I came to work, but no longer had an office, and since my friend could no longer let me into hers, I stood in the stairwell, unable to decide what to do. I climbed up and down the stairs a few times and suddenly I was again my mother’s child, because I HAD A HANDKERCHIEF. I placed it on one of the stairs between the second and third floors, carefully smoothed it out and sat down. I rested my thick dictionaries on my knee and translated the descriptions of hydraulic machines. I was a staircase wit and my office was a handkerchief. 

Music: And just one more thing, critic Ted Gioia shares his 12 favorite problems, such as how can music change lives and how can artists sustain creativity.