All posts by Lars Walker

Of Norwegians and coffee

Coffee has been a subject of some uneasiness on this blog from the time I climbed on. There used to be a mission statement around here somewhere that said (I quote from memory), “Book reviews, creative culture, and coffee.” It’s no secret to any fair-minded reader that Phil has discriminated against me constantly because I don’t consume the vile stuff.

My isolation is increased by the importance of coffee in Norwegian-American culture. If I had a nickel for every time somebody has said to me, “What kind of Norwegian are you? You don’t drink coffee!” I’d be able to afford… a cup of coffee, I guess, because they cost a lot of nickels these days. But how did coffee get to be so important to Norwegians? I now know the answer, thanks to a book I’m reading.

I was recently given, as a birthday present, an interesting work by Kathleen Stokker, Remedies and Rituals: Folk Medicine in Norway and the New Land. It’s mostly about the superstitious – but sometimes scientifically valid – remedies Norwegians have used through history, and the sometimes celebrated, sometimes persecuted, but always feared people who practiced them.

One of the subjects covered is the use of brennevin (distilled spirits), which held an important place in folk medicine. That touches on the subject of the general use of alcoholic beverages in Norwegian history. The Norwegians, like all Europeans, were drinkers from the earliest times. But they mostly drank beer, and often quite weak beer. Later brennevin appeared, but its use was generally restricted to medicine and celebrations. But in 1817 a law was passed giving every Norwegian farmer the right to distill as much liquor as he liked whenever he wanted.

The result was disastrous. Celebrations became drunken brawls, ending in injury and death. Accidents increased. Productivity decreased. More and more individuals became hopeless slaves to drink.

By the mid-19th Century, people were forming temperance and abstention organizations, and the distillery law was repealed. One of the substitutes suggested to people who wanted to kick the brennevin habit was coffee: Continue reading Of Norwegians and coffee

On the Job



Job’s Tormenters, by William Blake, 1793.

Thought thunk today: The Book of Job is the oldest book in the Bible, one of the oldest books in the world.

What does it say about humanity that in the 8,000 years since, we haven’t managed to surpass it in terms of wisdom?

Update: Ori, tedious pedant that he is, pointed out that my numbers are off by slight margin of maybe 5,000 years.

I wish I were surprised. I’m always doing that with numbers. A counselor once told me that the problem wasn’t in my brain, but in my emotions. Somewhere along the line I developed a fear of numbers that blossomed into functional innumeracy.

But with education, support, and billions of tax dollars you can make a difference. Give today through the United Fund.

Or just buy one of my books. Or double that and buy three.

R.I.P. Robin Williams, 1951-2014



Robin Williams greets the troops on a USO tour.

You’ve probably already heard the news that Robin Williams is dead at the age of 63. I sat thinking about which of his movies I’ve seen, and I realized I’ve only seen one – Popeye, a film of which I am, as far as I know, the only fan in the world (it helps to appreciate it if you know about the original comic strip, not the animated cartoons).

But the man had an unquestionable gift. Nobody ever did “off the wall” improvisational, stream of consciousness comedy like he did. He always admired Jonathan Winters, but he was better than Winters. He hit the bullseye more often.

Reports are that he died by his own hand, having struggled with depression and substance abuse for many years. One always suspected that he needed artificial stimulation to maintain that manic comic delivery. But he also seemed to be able to work just fine when he had dried out. Still, we don’t know the pressures he was under. I can speak from experience about the pain of depression. Someone like me can always tell himself that if we achieved this or that we’d feel better. What do you do when you’ve reached the top and still don’t feel good about yourself?

I had always assumed – stereotypically – that Robin Williams was Jewish. But his Wikipedia page says he was raised Episcopalian, and remained a member of that church.

We sacramentalists put great faith in the keeping power of God’s grace in baptism and holy communion. Let us pray that Robin Williams has found his long-sought peace in the grace of the Lord Jesus.

From our sports desk

I am given to understand that the Minnesota Vikings pre-season game tonight will feature a new attraction: Viking reenactors in authentic costumes doing… something or other between plays.

These reenactors will in fact be members of my own group, the Viking Age Club and Society of the Sons of Norway. We’ve been discussing this deal for some time, but I didn’t want to announce it before I had definite confirmation.

However hard you look, however, you won’t see me. My mobility problems, plus my looming study schedule in the future, make it imprudent.

Still, just so you know, these are my friends. Maybe when they’re rich and famous they’ll remember me.

An announcement and an appeal

I’ve been keeping a secret from you. We plan, God willing, to release a new novel of mine within the near future. This is a draft of the cover, with a lovely painting by our friend Jeremiah Humphries, and cover design by our own Phil Wade.

How is this possible, you ask, when I keep complaining of having no writing time because of graduate school? Well, this is a book that’s been pretty much finished for some time, except for a couple plot problems. I took my brief study hiatus this summer to work on those holes, and now I think she’s ready for launch.

The novel, entitled (obviously) Death’s Doors, is sort of a sequel to Wolf Time, but not what you’d call a close sequel. The location is the same, the town of Epsom, Minnesota, but a few years later, and with only a couple of the same characters showing up. In the world of Death’s Doors, assisted suicide has become a constitutional right. The main character, Tom Galloway, is trying to keep his depressed daughter from exercising that right, with no help from the authorities. On top of that pressure, a stranger drops into his life — the Viking nobleman Jarl Haakon (whom you may remember from The Year of the Warrior), who has passed through a door in time.

What we’re asking of you, at this point, is just your opinion on the cover above. Phil isn’t sure he’s satisfied, and would appreciate your input.

Thank you for your support.

The Thomas Prescott novels, by Nick Pirog

Nick Pirog’s Thomas Prescott novels are worth reading just to watch a writer learning his craft. The first book in the series, Unforeseen, is even admitted by the author, in his introduction, to be a freshman effort. Still (I’m not sure why) he offers the Kindle edition without alteration. And yet… in spite of its faults I liked it enough to read the sequels, which show considerable progress and offer many rewards.

At the start of Unforeseen, Thomas Prescott, former cop, former FBI consultant, and current criminology professor and millionaire, is living in Maine with his sister Lacy, an artist with Multiple Sclerosis, and their narcoleptic pet pug, Baxter. Thomas is recovering, physically and emotionally, from a struggle with a serial killer which ended in a fall off a cliff into the ocean. Everyone thinks the killer is dead except for Thomas. Sure enough, soon identical murders begin to occur, and all the victims are women with whom Thomas has been, or is now, associated.

The story is lively, though there are improbable elements, but the big problems are Pirog’s occasional bad diction (“The building was large, gray, and projected a cadence of death”), and a problem with the main character. Pirog’s trying to write a thriller with comic relief here, but he seems to think the formula for such a work is equal parts dramatic tension and jokes. Too many jokes, especially when innocent people are suffering, just comes off as callousness.

Still, I was intrigued enough to move on to the next book, Gray Matter. Continue reading The Thomas Prescott novels, by Nick Pirog

Viewing report: ‘Ripper Street,’ ‘Single-Handed,’ and ‘Jack Taylor’

I took the past week off from work, and spent it at home, “pottering,” as they say, though no pots were in fact potted. I expected to blog more than I did (sorry about that), but relaxation is a demanding discipline. I spent a lot of time watching English and Irish mystery series on Amazon Prime and Netflix. Descriptions follow.

I had intended to watch the modern cop series Whitechapel, which had been recommended to me, but after one episode I realized I’d started with the second season instead of the first, and the end of the first season had been spoiled. I decide to leave it for a while, until my memory of it fades, which my memories are wont to do.

So I turned, without high expectations, to a series set in the same neighborhood but a different age – Ripper Street, a BBC series about policemen working in the wake of the Jack the Ripper scare. Inspector Edmund Reid (Matthew McFadyen) is an inspector recently returned to work after a steam ship accident in which his daughter was lost. Her body was never found, and he’s convinced she’s still alive, though he can’t find a clue as to her whereabouts. He’s assisted by Sgt. Bennett Drake (Jerome Flynn) a sort of Little John character, not especially bright but strong and brave, and soft at heart. Also an American doctor, Captain Homer Jackson (Adam Rothenberg), formerly of the Pinkertons, who serves as Inspector Reid’s forensic expert.

There’s a lot more action than you usually expect in a British mystery series – in fact you might call it an English western. There’s a lot of talk about the poverty of Whitechapel, and so some leftist themes come in, but they didn’t drive me away. I found it a lot of fun. Cautions for language, themes, and brief nudity. Continue reading Viewing report: ‘Ripper Street,’ ‘Single-Handed,’ and ‘Jack Taylor’

‘The King’s Hounds,’ by Martin Jensen

This one should have been a winner. Certainly for me. A hard-boiled mystery set in the Viking Age, written by a modern Dane to illuminate King Cnut (or Canute, or Knut) the Great, conqueror of England, a remarkable man mostly forgotten by history. I really wanted to like this book.

Sadly, I was disappointed with The King’s Hounds by Martin Jensen. Not that it was awful. It just didn’t grab me much.

Our detectives in this story are Winston, an English illuminator (he paints pictures in books) and Halfdan, a half-Danish nobleman’s son, recently deprived of his family estates.

They join forces while on their way to the city of Oxford, where King Cnut has called an assembly. A noblewoman has summoned Winston to draw a portrait of the king for her. But when they get there the patroness is gone. Instead they meet the king who (for somewhat unconvincing reasons) decides Winston is just the man to investigate the recent murder of a Saxon nobleman. They have a three day deadline, or the king will Be Displeased, and probably kill them.

So they start wandering around the town and its many visitors’ camps, asking questions. Along the way Winston falls in love, Halfdan kills a couple assassins and saves a pretty girl’s life, and a bewildering number of nobles are forced to reveal their secrets.

It’s hard to say why it all bored me, but it did. The authenticity level wasn’t bad. The royal deadline on the investigation should have raised dramatic tension. But it seemed like just one repetitive scene after another. Characters blurred into one another; even Winston and Halfdan didn’t really come alive for me.

I don’t think I can blame the translator. I was impressed with the absence of the stiffness I generally note in translations from Scandinavian novels. In fact, the prose kind of reminded me of my own – except that I would never put neologisms like, “bugging me,” “debriefed,” and “gold digger” in a story set in the 11th Century.

Didn’t work for me, to my great regret. Your mileage may vary. Only mild cautions for language and mature content.

Viewing report: ‘Deadwood’

Just now I’m traversing what somebody (I think it was Bunyan) termed “a plain called Ease.” I have a few weeks off from graduate school, so I’m doing a little more reading for pleasure, and also watching quite a lot of TV, both the broadcast kind and the kind you get from Netflix and Amazon Prime.

A couple weeks ago I got to thinking, as I sometimes do, about Wild Bill Hickok, to me one of the more interesting characters of the wild west. I decided, with some reluctance, to watch the series “Deadwood,” which is getting to be fairly old as cable series go, but I’d avoided it.

It proved to be what I’d heard – lively, gritty, and profane. I watched the first season, mainly to see how they treated Wild Bill. Taken in that regard, I was mostly pleased. I’ve waited a long time for a really good portrayal of Wild Bill, and Keith Carradine’s character here is pretty close to the reality, as I see it.

Nevertheless, I finished that first season with the same resolve I reached when I finished the first season of “Mad Men.” I couldn’t think of a reason to spend more time with these extremely unpleasant people. Wild Bill is dead. Seth Bullock and his partner are pretty good, but most everybody else is either a fool or a knave. Continue reading Viewing report: ‘Deadwood’

‘A New Dawn Rising,’ by Michael Joseph

The scenario is an old standard, and still works just fine. Sam Carlisle used to be a cop in the English Midlands, but after a traumatic loss he climbed into a bottle, quit the job, and moved north. Now he’s out of money and looking for work. A local real estate big shot observes him stopping a purse snatcher and offers him a job as his driver and bodyguard. When Sam asks him why he doesn’t hire one of the established security firms, his answer is evasive.

Still, Sam needs the job and he takes it. And that’s the beginning of A New Dawn Rising by Michael Joseph. Things go all right for Sam until his employer is killed in a fire, and it looks like arson, and the police target Sam as the perpetrator.

I liked A New Dawn Rising, mostly, except for one very large plot problem. There’s supposed to be a big surprise near the end, but it’s one that’s been used a thousand times before. It was obvious even to me, and I’m pretty easy to fool. I felt badly for the author, because all in all the book was a creditable attempt, with interesting, well-drawn characters and good dialogue.

You might enjoy it too, if you’re tolerant of plot chestnuts.