- Isaac Watts
Family Christian Stores (FCS) is filing bankruptcy with the desire to claim several million dollars worth of inventory that they haven't purchased. Publishers, who consigned that inventory to FCS, is suing to have their merchandise returned or purchased.
"As the nation's largest retailer of Christian books and gift items with 266 stores in 36 states, Family Christian said it needed to restructure its debt in the face of sales that had fallen from $305 million in 2008 to $230 million in 2014," reports Jim Harger.
Though Lifeway still sells The Jefferson Lies, Thomas Nelson does not and after an investigation will not publish it. The author, David Barton, has stated Simon & Schuster will pick it this year, but that claim has been denied by the publisher's spokesman.
"One of the dangers of evangelical publishing is the desire to say something novel," Tom Schreiner observes. "Our evangelical publishing houses could end up like those in Athens so long ago: 'Now all the Athenians and the strangers visiting there used to spend their time in nothing other than telling or hearing something new' (Acts 17:21, NASB)."
He says this in relation to the many books producing in support of egalitarian relationships.
Harper Lee has taken over the Internet for a few hours with a press release about a new book. From the AP story:
"In the mid-1950s, I completed a novel called 'Go Set a Watchman,'" the 88-year-old Lee said in a statement issued by Harper. "It features the character known as Scout as an adult woman, and I thought it a pretty decent effort. My editor, who was taken by the flashbacks to Scout's childhood, persuaded me to write a novel (what became 'To Kill a Mockingbird') from the point of view of the young Scout."
Gregory Peck could not be reached for comment.
Digital Book World’s new survey of just under 1,900 authors found fairly low annual earnings. Dana Beth Weinberg tells the Guardian, “We see for the third year in a row – even though we made a strong effort to get representation in the survey from successful indie authors – that most authors aren’t making much money and most books sell very few copies. We also find that traditionally published authors and authors who combine traditional and indie publishing have higher annual incomes on average than indie-only authors. Last year, we took a lot of heat for these unpopular findings, especially from the indie community.”
Authors publishing through both traditional and independent methods earned $7,500-$9,999 per year, thousands more than authors who published with either method exclusively.
Author Mike Duran takes on conventional wisdom for indie publishing success: "write faster and publish often." He says writers should consider the quality of their craft and how fewer, better books will make a stronger career than many adequate books.
In another post, Mike suggests we not discount near-death experiences entirely, but take a cautious approach to them, believing the jury is still out on their validity.
Industry insiders could probably make several lists of twenty-four secrets or misunderstood facts or contentious minutiae about publishing, but here's a good list on the writing life from Curtis Sittenfeld. I like this one most:
10. The goal is not to be a media darling; the goal is to have a career.
The publisher of the book The Boy Who Came Back From Heaven is saying it knew nothing of Beth and Alex Malarkey's complaints about the book until recently when Alex finally got through to the world that the book didn't tell his story.
Tyndale says they tried to meet with the family and the agent who largely wrote the book, but Beth would not agree. Phil Johnson interprets the situation as being less than supportive.
“The thread that runs through all their correspondence with Beth is that they wanted to corner her before they would be willing to investigate her concerns,” [Johnson] wrote to the Guardian. “They kept pressing her to agree to a meeting where she and Alex would have to face Kevin and a phalanx of editors who were determined to press ahead with the project, no matter what objections Alex and she might have.”
We saw the same thing in Beth's account from her blog. Company men had their own ideas, like journalists with a template, and kept pressing Alex to give them the details they wanted.
Warren Throckmorton notes Tyndale doubled down on this book last year when they released a pocket edition. These are not the marks of a Christian ministry. These are the marks of a purely market-driven organization.
The subject of the book The Boy Who Came Back from Heaven has released a letter denying his claims in the book, something his mother has been doing for a few years.
"I did not die," Alex says. "I did not go to Heaven. I said I went to heaven because I thought it would get me attention."
Publisher Tyndale has responded by pulling the book and related materials.
If you read the accounts from Alex's mother, Beth, you may ask how a publisher of Christian books for the body of Christ could railroad her and her son (apparently with the father's permission) to publish a book with such terrible theology. In a post from September 2013 which offers a timeline of details following the accident, Beth tells us some of her interaction with people wanting to turn her family's story into books and a movie.
I neither verbally nor in writing gave approval for any quotes. In fact I instead verbally gave my desire to not have any quotes by me put in any book. There was a time that I was sitting in PICU and told over the phone that some words from a webpage that no longer exists (prayforalex.com) that were written by me were going to be placed in the book. I was sitting in PICU with Alex! I told the person that they could not do that, to which they said they could and that that site was public. GRRR....the best I could do was to tell the person that they had better get every word correct. I have documentation of what is written in the book and that post from the webpage. The two do not match up :( It saddened me more to learn that that interaction that was twisted is part of a Bible study...what? I certainly have witnessed some shocking things!Money, she says, was the driving factor for these people, and they promised money to her for Alex, but she has not seen any of it.
NPR's Jordan Teicher reports, "Historically, a majority of books in Iceland are sold from late September to early November. It's a national tradition, and it has a name: Jolabokaflod, or the 'Christmas Book Flood.'
"'The culture of giving books as presents is very deeply rooted in how families perceive Christmas as a holiday,' says Kristjan B. Jonasson, president of the Iceland Publishers Association. 'Normally, we give the presents on the night of the 24th and people spend the night reading. In many ways, it's the backbone of the publishing sector here in Iceland.'"
Chris Hughes, the owner of The New Republic, and new CEO Guy Vidra apparently don't care nothing for the history and style of their magazine or the people who have worked for it most recently. Both men are relatively new to the organization. Last Friday, the two arrived at the Washington office, having previously announced its closure and moving to New York, and were greeted by the mice and a few orphans.
I'm joking only a little. Ten contributing editors resigned over the firing of leading editors Franklin Foer and Leon Wieseltier. Foer had been given repeated assurance that his job was secure until the day he read in Gawker.com that he had been replaced.
According to multiple sources, Hughes came to think of his writers and editors as “spoiled brats,” and especially disliked the flamboyant, feud-prone, white-maned Wieseltier, who was more than twice his age. Much of Hughes’s distaste was telegraphed in his body language; he strikes many TNR staffers as passive-aggressive and averse to confrontation.Vidra said to someone in the room, “Your brain is as dry as the remainder biscuit after voyage.” To which that someone replied, “There’s no more faith in thee than in a stewed prune.” They saw the writing on the wall at that point but did not leave until last week.
The friction escalated with the arrival of Vidra, who is said to have complained to Foer that the magazine was boring and that he couldn’t bring himself to read past the first 500 words of an article. According to witnesses, Vidra did little to hide his disrespect for TNR’s tradition of long-form storytelling and rigorous, if occasionally dense, intellectual and political analysis—to say nothing of his lack of interest in the magazine’s distinguished history—at an all-hands meeting in early October.
Hughes has been described as “a most notable coward, an infinite and endless liar, an hourly promise breaker, the owner of no one good quality.” I didn't get any sources for these quotations. In fact, you could say I made them up, but let's keep it nice, thou cream-faced loon.
Author Ursula Le Guin received the Medal for Distinguished Contribution to American Letters at this week's National Book Awards and inspired the crowd by holding up freedom as an author's best prize. "We will need writers who can remember freedom. Poets, visionaries—the realists of a larger reality."
She said many things needed to change, and that change often begins in art, specifically the art of words. Writing books according to marketing formulas for corporate profit is a rotten idea, she said. We need artists.
Her speech was short, so you can easily watch the whole thing here.
In an interview, Le Guin said, “If you’re going to create a world out of whole cloth, that is to say, out of words, then you better get the words right.” You can read about her and her many books in The Guardian.
The new George W. Hunt Prize, sponsored by America magazine and Yale University's Saint Thomas More Chapel, will recognize a variety of accomplished literature from Roman Catholics. The judges appear to be looking for good, expressly Catholic works by authors who lead moral lives.
“We’re trying to promote new creative thinking,” Beloin told The Washington Post's Ron Charles. “Catholic theology is a very wide umbrella — or at least it’s supposed to be.” The Hunt Prize will be awarded to an author who is “trying to write things that are true — to bring a fresh language to theology, to bring real creativity to intellectual life and Catholic imagination.” (via Literary Saloon)
The Authors Guild met with the Justice Department in August to request a federal investigation into Amazon.com's actions against Hachette Book Group in their ongoing dispute over ebook prices and service fees. They say the earth's largest bookdealer is using anti-trust tactics against publishers like Hachette. Authors United is also preparing to ask the DOJ to get involved. Does this make you want to find other bookseller options, or is this all so inside baseball you don't care?
Ron Charles, editor of The Washington Post's Book World, asked Roger Sutton, editor in chief of Horn Book magazine, about reviewing self-published books.
Charles asked, “What do you say to the indie writer who reminds you that Walt Whitman was self-published?”
“You are not Walt Whitman,” Sutton said. “The 21st century is different in so many ways from the 19th that the comparison is meaningless. No one is forbidding you from self-publishing, but neither is anyone required to pay attention.”
Charles reviewed Sutton's recently expressed concerns over the glut of self-published books vying for place in our hands. Are there bound to be some great books out there? Yes, but there are too many bad one that look like it from a professional reviewer's outpost. The school of the self-published will only grow, and perhaps a new system of reviewing and judging will be organized to help readers find good books. Sutton isn't convinced it will matter. "People are more interested in writing self-published books than in reading them."
For years, the New York Times has curated the most coveted bestseller lists of our day. Now they are building on that strength by adding such topics as Travel, Humor, Family, Relationships, Animals, Politics, Manga, and many more, each list bound to occupy literary banterers and book ballyhoo-ers for an hour or so. These won't be published every week. Some will rotate through the month.
Melville House has dug up even more lists to be introduced by everyone's friends at the New York Times Book Review. Here are some of the lists you will want to keep on eye on.
Most Fully Realized: Every week, The New York Times Book Review describes dozens of books as being “fully realized.” This lists ranks the top ten fully realized books from “Most Fully Realized” to “Least Most Fully Realized.”
Bestselling Young Adult (Cancer): The most successful books for teenagers that include cancer as a major or minor subplot.
James Patterson: The 10 bestselling James Patterson books released this month. (BTW, Patterson has outsold every other living author and holds a Guinness record for most books on the NY Times Bestseller List.)
Bestselling Non-Sellers: Amazon gives lots of books away for free. The “Best Non-Sellers List” will rank the top books downloaded by Amazon users for $0.00.
Literature: No genre fiction. Unless, of course, genre is employed ironically.
Craig Silverman, the author of many words on media accuracy, said people generally believe books are more reliable than magazines or newspapers. "A lot of readers have the perception that when something arrives as a book, it’s gone through a more rigorous fact-checking process than a magazine or a newspaper or a website, and that’s simply not that case," he said.
Why don't publishing houses spend time and money making sure they aren't publishing the next fabricated memoir? Kate Newman suggests they don't pay enough in repercussions when an author slips them a phony victim story.
“Maybe there should be a warning, like on a pack of cigarettes,” said another author. “‘This book has not been fact-checked at all.’ Because when I realized that basically everything I had read until that point had not been verified, I felt a little bit lied to.”
Of course, I should warn you that I didn't verify any facts stated in Newman's article. No, I did verify one, but that's it. Who knows if they rest is true?
My new novel, Death's Doors, is now available for download for Amazon Kindle.
In the near future, suicide is a constitutional right. Tom Galloway is an ordinary single father, just trying to keep his rebellious and depressed daughter from going to the Happy Endings Clinic.
The last thing he needs is a ninth-century Viking time traveler dropping into his life.
But Tom is about to embark on the adventure of his life. One that will change the world.
The Amazon.com dispute with Hachette continues with full page ads in the New York Times and emails aplenty. Hachette's Michael Pietsch writes, “This dispute started because Amazon is seeking a lot more profit and even more market share, at the expense of authors, bricks and mortar bookstores, and ourselves.
“Both Hachette and Amazon are big businesses and neither should claim a monopoly on enlightenment, but we do believe in a book industry where talent is respected and choice continues to be offered to the reading public.”
Many authors are throwing their weight into the fray. "As writers--most of us not published by Hachette--we feel strongly that no bookseller should block the sale of books or otherwise prevent or discourage customers from ordering or receiving the books they want." Amazon argues that when paperbacks came out, publishers hated them just like cheap ebooks.
In related news, Amazon is disputing its contract with Disney and withholding pre-orders on select movies.
You know, when you find everyone around you acts like a jerk, the reason could be the common denominator--you.
Amazon owes 2/3 of the eBook market in part because they have followed their dreams to reach the unreachable star. Now we all may get burned.
Fantasy author Brent Weeks says the reality for many readers is that if they don't see a book on Amazon, they assume it isn't available. With eBooks, they may not know where to else to go to buy them. Amazon is also attracting authors as a publisher, not just a distributor. with promises of high royalty percentages. This and other factors are hurting big and small publishers alike.
“We're at the point now where the publishing houses are being undercut by the river of indie publishing, and at some point in time the front porch is going to drop in the river. At that point maybe they'll have to acknowledge it, but right now they just don't want to,” attorney David Vandagriff said.
Philip Yancey writes about this many years of experience in publishing.
I had an enlightening experience with e-books in 2013. In April I finished the book The Question That Never Goes Away, based on my visits to three places of great tragedy. My traditional publisher wanted at least nine months lead time to publish it, the typical schedule for a new book, yet new tragedies such as the Boston Marathon bombings, tornadoes, and school shootings were occurring almost weekly, the very situations my book addressed. So I signed on for an Amazon-exclusive program to publish an e-book for 90 days before the hard copy book came out. Leaning on my friends for email lists, I managed to sell about 3,000 copies. On September 11 and Thanksgiving weekend I offered free downloads and 40,000 people downloaded the book! The moral of the story, as many have learned: things can quickly go viral on the Internet but it's a tough place to generate income.
The National Religious Broadcasters has pressed WaterBrook Multnomah Publishing Group, a division of Penguin Random House, to resign from its organization over the publishing of a book under a new sister imprint, Convergent Books (for more on that book: "'Biblically Based' Author Argues Against Biblical Morality"). Convergent is a little more than a year old. I could care less about this, because I've been ramping up to lead the Lars Walker's Awesomest World Publishing Group for the last few months. Soon that will be the only label you'll want to watch for. You heard it here first.
But seriously, NRB President Jerry Johnson explained the problem in a letter to his board. According to Christianity Today:
"Unfortunately, while the Multnomah Publishing Group is separate from Convergent, as a legal and business entity, the staff of the Multnomah and Convergent operations are substantially the same," Johnson wrote. "Most notably, Steven W. Cobb serves as the chief publishing executive for both groups. … Other Christian workers do so as well. … This issue comes down to NRB members producing unbiblical material, regardless of the label under which they do it."
I understand how the book in question is unbiblical, but what about other books? For years, thoughtful Christians have criticized Christian bookstores for selling pablum and heresy. Are these publishers accepted in the NRB? It's one thing to sell The Prayer of Jabez; it's another to sell Joel Osteen's Break Out. Jabez was a mid-90s book from Multnomah. Osteen is published by Faithwords, a division of Hachette.
The publisher's About page shows its diversity: "Based near Nashville, Tennessee, FaithWords has grown dramatically by acquiring a solid list of faith-building fiction and high-profile authors with edifying messages, including bestselling authors Joyce Meyer, Joel Osteen, John Eldredge, and David Jeremiah. Several FaithWords titles have appeared on national bestseller lists, most recently Every Day a Friday, by Joel Osteen, Living Beyond Your Feelings, by Joyce Meyer, and I Never Thought I’d See the Day!, by David Jeremiah."
Two sister imprints to Faithwords target mainline and "uplifting" divisions in the broadly based spiritual book market, and none of them are members of NRB.
Ted Thompson, author of The Land of Steady Habits, talks about his business in ways that make him uncomfortable. "I feel like I’m bordering on saying something sacrilegious here, but here it goes: There’s a common strain of thinking among writers, particularly literary writers and the institutions that foster them (conference/colonies/workshops), that insists a book is only as good as its writing."
Although he still believes in the preeminence of good writing, he know believes subject is very, very, and also very important. "Once a manuscript leaves your desk, subject matter is the primary (and often only) way it is discussed. So if you haven’t figured out a quick way to answer that cringe-inducing question 'What’s your book about?' in a way that interests other people, somebody else will. And that will be how the book is sold..."
He goes on to say how surprised he was that people in publishing actually want to love your book and that the slowness of the whole process is understandable.
"I remember, as a teenager, reading through the books of Samuel and, upon finishing, thinking to myself, 'This story is as invigorating as any story I’ve ever read, seen, or heard.' What is strange to me now is how surprising a revelation that was. Having grown up with the literature, why didn’t I already think of it as engaging?"
Mark Bertrand interviews Adam Lewis Greene on his plan for an alternative reading experience for the Bible. Bibliotheca will be a four volume edition of the Bible made for readers with beautiful book design.
When The Hobbit was to be published in Germany, the publisher asked for Tolkien's Aryan street cred. Tolkien's personal reply to this English publisher began like this: "I must say the enclosed letter from Rütten & Loening is a bit stiff. Do I suffer this impertinence because of the possession of a German name, or do their lunatic laws require a certificate of arisch origin from all persons of all countries?"
By way of accommodation though, the author wrote two letters which could be sent to the German publishers, one a bit more harsh than the other. That letter, marked July 25, 1938, began:
"I regret that I am not clear as to what you intend by arisch. I am not of Aryan extraction: that is Indo-Iranian; as far as I am aware none of my ancestors spoke Hindustani, Persian, Gypsy, or any related dialects. But if I am to understand that you are enquiring whether I am of Jewish origin, I can only reply that I regret that I appear to have no ancestors of that gifted people."
"Tyndale House confirmed to The Daily Beast that it does not plan to reprint Driscoll’s 2013 book, A Call to Resurgence, and have put his forthcoming book, The Problem with Christianity, on hold. Once slated to be released this fall, The Problem with Christianity now has no publication date scheduled." (via Prufrock)
Hachette, one of five largest U.S. publishers, has acquired the imprints of Perseus Books Group, giving it more clout in its dispute with Amazon, though that's not the reason they made the deal. It follows the pattern of a major merger 2011 of Random House and Penguin. The new publishing megagroup is said to have the most bargaining ability with Amazon, which controls a third of bookselling market.
James Stewart asked someone at Hachette about their dispute with Amazon. "This person said that Amazon has been demanding payments for a range of services, including the pre-order button, personalized recommendations and a dedicated employee at Amazon for Hachette books. This is similar to so-called co-op arrangements with traditional retailers, like paying Barnes & Noble for placing a book in the front of the store."
Stewart report describes the efforts Third Place Books has made to capitalize on Amazon's refusal to pre-order a popular book. They offered The Silkworm at 20% off with free, personal delivery the day it was released. The owner, Robert Sindelar, "along with several other store employees, delivered the books (although a surprising number of customers said not to bother — they wanted to come into the store for their copy). He also handed out what he called 'Hachette swag bags' with a T-shirt and advance copy of a coming Hachette novel. Some buyers also received a surprise visit from a local author, Maria Semple, who wrote the best-selling book Where’d You Go, Bernadette."
Sindelar calls the promotion successful. He sold 60 books that day. Normally, he doesn't believe he would have gotten any pre-orders and maybe a few sales on the day of the release. (via Shelf Awareness)
Tony Horwitz, author of Confederates in the Attic and Midnight Rising: John Brown and the Raid That Sparked the Civil War, writes about the thrills and spills of being a digital bestseller.
I finished writing in late January, just as the State Department prepared to issue a much anticipated report on the Keystone XL. If I were writing for a traditional publisher, I’d have to wait months to see my work in print. This time, I’d be read within days, right on top of the news!And there's more.
Exhausted but exhilarated, I headed to the liquor store for a celebratory bottle and returned to an urgent call from my editor in Sydney. “Mate, we’re [bleeped],” she said. The Global Mail’s backer had had a bad financial setback at his firm and evidently decided he could no longer afford a folly like quality journalism. He’d abruptly pulled the plug just hours before I filed my copy, making The Global Mail a dead letter.
Worse still, for me, Byliner hadn’t yet inked its deal with the Aussies. Suddenly I had no platform for a very long story on a subject that was about to be all over the news. And I’d yet to be paid anything beyond my original travel budget (which I’d overrun, in any case).
At this point I called my literary agent, whom I’d foolishly failed to involve in the project. (Another fantasy of the digital world: Writers can do it themselves and dispense with all those middlemen.)