Tag Archives: Dana Gioia

Southern Hospitality and Artificial Translation

Recently I had a conversation about something related to Southern culture, and a friend originally from another state asked me to define Southern hospitality. Having lived in the South my whole life, I was disappointed I couldn’t say more than I did. I have actually read a bit about manners and what it means to be Southern. I still know a thing or two about the history of the English language in the South, but I couldn’t define this hospitality thing.

It would be easy, if you took a superficial route. You could say Southern hospitality is fried chicken, corn bread, and iced tea, but that isn’t essentially different than, say, krauts and beer or hot dish and dinner rolls. (What do Midwesterners drink with a casserole? I always drink water, but I know I’m supposed to be drinking tea.)

Southern Living lists six qualities of Southern hospitality in this article from earlier this year: politeness, good home cooking, kindness, helpfulness, charm, and charity. I’m going to call this a puff piece (and maybe the whole magazine is too). This is the kind of thing we say about ourselves no matter who we are. Dang! If we ain’t the best, you know it? But if these are true as Southern characteristics, not Christian characteristics, then it demonstrates that Christ still haunts the South.

That’s part of what I said to my friend. I have a hard time distinguishing Christian hospitality from Southern or Yankee or any other kind of hospitality you might define. The differences seem only superficial b/c the virtue is found in Christ.

And maybe Southern hospitality is what it is because we’ve had the best branding.

In other news, Artificial Intelligence already works on video captioning and language translation. Now, a Japanese student of the Korean language has won translation award by editing an AI translation of a webtoon. She doesn’t know Korean enough to translate the work herself, but using AI and research tools, she got through it well enough to win Rookie of the Year from LTI Korea.

Kim Wook-dong, emeritus professor of English Literature and Linguistics at Sogang University, told The Korea Herald that AI can translate technical writing “almost perfectly,” but is has “limits in capturing the subtle emotions, connotations and nuances in literary translations. It can help and serve as an assistant to translators but AI cannot replace humans in literary translation. I doubt it ever will.” [via The Literary Saloon]

Normal Living, Extraordinary Prose: “Clean-shaved and conservatively dressed, with no oddities of posture or gait, he should have merged imperceptibly into a street crowd. But he didn’t. He stuck out, for reasons almost impossible to capture and fix in words. The best one can say is that he stood and walked and talked like other men, only more so. He was conspicuously normal.” 

This description from H.L. Mencken reminds me of H. Matisse in Ray Bradbury’s story about “a terrifyingly ordinary man.”

Poetry: The great Dana Gioia has a new collection of poems called Meet Me at the Lighthouse.

Photo by Sunira Moses on Unsplash

Can Poetry Be Popular, Fun Again?

No one has perfected a method to restore poetry’s place in public culture. It is unlikely that the art will ever return to the central position it once held. But is it unreasonable to hope that poetry can acquire some additional vitality or that the audience can be increased? Isn’t it silly to assume that current practices represent the best way to sustain the art into the future? There are surely opportunities for innovation, renovation, and improvement. Literary culture needs new ideas.

Poet Dana Gioia learned “students actually liked poetry once they took it off the page.” He recommends exploring new ways to revive the place of poems in our lives.

Dana Gioia on the Common Reader

The new poet laureate for California is the former chairman of the National Endowment for the Arts and USC poetry professor Dana Gioia. Micah Mattix asked him a few questions

Writing for “what we used to call the common reader . . . doesn’t mean dumbing things down,” Gioia told me. “It is possible to bring the best of poetry to a broad audience without condescension . . . The common reader is not an idiot. He or she is a lawyer, doctor, farmer, soldier, scientist, minister, civil servant.”

Mattix states, “Gioia’s own poetry ignores the current fashion for obscure, partially fragmented free verse whose allusions and assimilated jargon appeal mostly to academics and other poets.”

For example, here are a few words from “Becoming a Redwood,” a poem that sounds as if it were written by Robert Frost.

Yes, it’s hard to stand still, hour after hour,
fixed as a fencepost, hearing the steers
snort in the dark pasture, smelling the manure.
And paralyzed by the mystery of how a stone
can bear to be a stone, the pain
the grass endures breaking through the earth’s crust.