Writer and artist Gene Luen Yang is telling a new Superman story under D.C. Comics Rebirth banner. A Chinese boy from Shanghai, named Kong Kenan, is chosen by the right people to receive abilities equivalent to the Man of Steel. He begins as a bully but plays the hero at the right time to attract someone’s attention and change his life forever.
Blaine Grimes of Christ and Pop Culture thinks it works.
With New Super-Man, Yang sets up a narrative that directly confronts and subverts the traditional American superhero origin story. The dominant arc in comic book narratives—be it books or films—suggests that superheroes typically start from a position of basic goodness (or at least innocence) before they are imbued with fantastic powers or take up the mantle of public defender. . . .
But New Super-Man gives us a space, a not-so-fictional-universe in which damaged, wounded, and prideful outcasts are given both a new identity and a call to push back against the very darkness and injustice out of which they were redeemed.