Tag Archives: Limericks

Rejected Book Tour and Reading Dante in Ukraine

An original limerick for your weekend.

In meetings at Kensington Cross 
For lingo I searched at a loss. 
One word—marinara 
Was all I could bear, uh, 
For the spots on my shirt were all sauce.

No shirts were stained in the composition of that limerick. Now, on to the links.

Memoir: Rob Henderson has a memoir releasing next month called, Troubled: A Memoir of Foster Care, Family, and Social Class. J.D Vance praised it for a “gripping” message. Others called it “extraordinary.” But major city bookstores don’t want to schedule tour events for him, even though he had tens of thousands of social media followers (over 137k on Twitter).

Sherlock Holmes: Getting the great detective into print was a challenge for Conan Doyle in that he hoped to publish one of the better markets. Historian Lucy Worsley, who has a new BBC series on the author’s relationship with his detective, says the first stories were rejected thrice.

The rejections scarred Arthur and made him slightly ashamed of his character, because he wanted to be a high brow writer. Nevertheless, he persevered because he was short of money, and he had a family to support, and he was also very, very hardworking, and energetic.

After Sherlock’s first two outings, both of which were lacklustre in terms of readership, his literary agent suggested a new magazine called The Strand, which was a mid-market magazine aimed at commuters, who were hustling and making a life for themselves in the busy throbbing urban world of London, in the 1890s, that Arthur struck gold.

Self-Awareness: We seem to be overly aware of ourselves, don’t we? But we aren’t yet schizophrenic. “The cult of the ironic, distanced observer, aware of his own awareness, unable to break out of his solipsistic construction of himself and his world, has displaced what is now seen to be the naive, immediate relationship with reality as it is felt. This point of view has developed its own orthodoxy, even if most of us go about our lives as though we were actually involved with things, events and people not entirely of our making.” (via Rob Henderson)

Enraptured: February 12, 2024, will be the 100th anniversary of the first public performance of George Gershwin’s Rapsody in Blue. World Radio had a segment on it earlier this month, discussing the piece and how it’s been altered in many recording.

Dante’s Inferno: Somewhere in Ukraine right now, my friend who publishes books orders printers in the bombed out city of Kharkiv to produce thousands of copies of Inferno. The trucks deliver weapons into Kharkiv. And, going back, empty, they decide to pick up thousands of copies of Dante’s Inferno.

“This is an image of war that happens as I write it: cars are bringing weapons into the besieged city that’s bombed daily, and they leave full of books.” (via The Book Haven)

Photo by Danya Gutan on Pexels.com

Had the Crew Dealt in Books They Would Have Gone Broke

An original limerick for your weekend.

A ship with a creative crew
would trade in Newport and ports new
their haphazard wares,
their slapdash and spares,
for the loan on their ship had come due.

Live within your means, readers, and stay ahead of any judicious loans you take out. And now, on with the links.

2023 Books: Bookseller and podcaster David Kern offers “eight novels published in 2023 that I’ve been handing to people because they remind me why I love novels in the first place.”

And more recommendations, this time of the spy-thriller nature from John Wilson—”more than enough regional and global conflicts to keep spies and spymasters busy and readers turning the pages.”

Writing in the Woods: The writing life can take many forms, like when a friend lets you live in a cottage on their land for a summer.

Writing about Magic: During the Renaissance, the practice of and the writing about magic produced mixed results. “Renaissance magicians were often bookish.” Sounds like Mr. Norrell.

Photo by Hector John Periquin on Unsplash

There was a DISTINGUISHED Old Fellow

May 12th is Limerick Day, perhaps for the arbitrary reason any day is a national day of some kind. May 9th is Lost Sock Memorial Day as well as National Sleepover Day. May 17th is Cherry Cobbler Day, which must not be allowed to carryover into May 18th, because that, honey child, is Cheese Soufflé Day. There are so many of commemorative days for every day of the year it’s no wonder Congress can’t get anything passed between the cobbler and soufflé.

But I was talking about limericks, being an apt subject for the distinguished readers of this blog.

The form of the limerick is believed to have been created as a party or festival song that invited participants to spin their own verse of the marvelous attractions or mishaps of Limerick, Ireland. Each verse would be capped by a chorus inviting everyone up to Limerick. I get this from The Complete Limerick Book by Langford Reed, published in 1925.

Reed notes the artist and author Edward Lear is the name many people associate with limericks and could easily believe to be the one who created them whole clothe. Of all that he accomplished in his life, his Book of Nonsense is the main thing for which he is famous. Reed offers these lines on the subject of fame:

A goddess, capricious, is Fame;
You may strive to make noted your name
But she either neglects you
Or coolly selects you
For laurels distinct from your aim.

In honor of the day, let me repeat one of the most excellent of tongue-twisters, this one from Ogden Nash:

A flea and a fly in a flue
Were imprisoned, so what could they do?
Said the fly, “let us flee!”
“Let us fly!” said the flea.
So they flew through a flaw in the flue.

Limericized Classics

Our friend Ori posted a graphic on Facebook, showing a series of limerick versions of classic poems — “The Raven,” “Stopping in the Woods on a Snowy Evening,” etc.

I couldn’t find the original source, so I don’t care to republish it here. But I will publish the one I came up with on the spot (well, after a few minutes’ thought). It requires a sloppy but common pronunciation of “Ulysses”:

“The Odyssey”

There once was a Greek named Ulysses,
Who angered a god with his disses.
He paid for his crime,
But got home in time
To wedding-unplan for his missus.

Limericks, huh? Well two can play that game…

And just to show that limericks aren’t all giggles:

A trio was playing the blues
When she told me, “I have to refuse.”
I swayed with the band
As I stared at my hand,
And the tickets I never would use.

There Was an Old Man from . . . Stop Me If You’ve Heard This One

It’s still April, National Poetry Month, so I am compelled by the forces of nature and nature’s stewards, your neighborhood climatologists, to post a substantive poem for your cultural enrichment. What better choice could I make than an Edward Lear limerick.

There was an Old Person whose habits,
Induced him to feed upon rabbits;
When he’d eaten eighteen,
He turned perfectly green,
Upon which he relinquished those habits.

But wait! If you act now, you can get two limericks for the price of one.

There was a Young Lady whose eyes,
Were unique as to colour and size;
When she opened them wide,
People all turned aside,
And started away in surprise.

Limericks limited

During the last couple days, as some of you know, I’ve posted limericks on my Facebook page. I’ve done this because I couldn’t think of a mortal thing to say about my life that could possibly be of interest to anyone.

I hasten to add that I’m talking clean limericks here. My favorite limericks come from a collection of light verse that was in my childhood home (all decent). I did not learn about the scrofulous mass of the genre until I was a grown-up. According to Wikipedia, the experts say that “the true limerick as a folk form is always obscene.” I have no standing to challenge the experts, but the limericks I like are the ones that are clean and clever. Some marvelous effects have been achieved by geniuses (some of them anonymous) who used the form to create what seems to me transcendent nonsense. (I do not include Edward Lear in this group. I hate Lear’s limericks. His technique of repeating the first-line rhyme in the final line, in my opinion, destroys the very things that make limericks wonderful.)

Continue reading Limericks limited