I wrote, some time back, about “discovering” Leonard Cohen’s song “Hallelujah” – years and years after the rest of the world did, of course. And I mourned the man’s death, having found some of his stuff both intriguing and moving. I didn’t know a lot about his personal life, though. Kyle Smith fills in the details in his article about a new documentary on Cohen’s romantic life, over at National Review:
Directed by Nick Broomfield, the new documentary Marianne & Leonard: Words of Love is intended as a tribute to the relationship that inspired one of Cohen’s best-known songs. It is actually more of an indictment. In nauseating detail, it documents the damage wrought by open relationships and other errors of the counterculture. Cohen, once he achieved success as a performer, discovered he was the Elvis of bookish depressives and indulged himself with the women who stampeded to his shows. He was living with Marianne while writing songs about hooking up with Janis Joplin at the Chelsea Hotel. A friend of Cohen from those years, Julie Felix, recalls, “Leonard was a great, uh, feminist. He said to me once, ‘I can’t wait till women take over.’” Ladies, when a man says this, listen carefully. What is he really saying? Cohen was giving himself a license to treat women badly.
And there it is again, the sour legacy of the ‘60s. And the ‘70s. When I reminisce about those anarchic decades, you must bear in mind (in fairness) that I was not a neutral observer. I didn’t envy the hippies their drugs – I’ve never understood why anyone would want to lose control of their mind – but I envied them the sex. Sex in the Age of Aquarius was a loud party in the next room, keeping me awake all night.
From Leonard Cohen to Charles Manson to Ira Einhorn (the founder of Earth Day who murdered his girlfriend and stored her body in a suitcase), the Sexual Revolution was an era of the manipulation of young women, justified by high-sounding philosophical and psychological claptrap. We’ll never know the cost in ruined lives, ruined health, and actual deaths. (The movie Forrest Gump is one of the few honest treatments in cinema.)
When we look back at that era from the perspective of contemporary sensibilities (which happens rarely, because the old hippies are still around and still determined to hush it up) it’s hard to comprehend. “How could people allow this to happen?” you might ask. “With so many victims, why didn’t anyone say anything?”
The answer is that some people were saying something. Preachers were saying something. Church people were saying something. Small town people were objecting, and farm people.
Uncool people. People nobody listened to. People they made fun of on TV.
Today, the victims are different. My friend Moira Greyland Peat, author of The Last Closet, one of the earliest “guinea pigs” in the Great Gay Experiment, has chronicled how children in “gay families” are subject to sexual abuse far out of proportion to their percentage of the population.
Again, people are sounding the alarm. But we’re not the cool people. The very fact that we don’t parrot the approved public narrative is proof that we’re bigots, and unworthy of a hearing.
We live in a new age of ignorance, I think. Through most of history, information was limited by physical unavailability. Most people knew what their neighbors knew and what their priests told them, nothing more.
Nowadays there’s so much information around, we depend on great information aggregators to choose for us what we’ll hear. We’re back to depending on the neighbors and the priests, only those neighbors and priests are wealthy strangers far away, with their own motivations.
You can’t operate on lies forever. Structures with flimsy foundations must inevitably fall. So the falsehoods won’t stand forever.
I just fear how many more innocent victims will be crushed in the collapse.