Doug Wilson talks about Susan’s character arc in the Chronicles of Narnia. He walks through almost every scene she is in, noting the details show of her character. So what should we make of Susan becoming no “friend of Narnia”?
Why does the apparent apostasy of Susan seem like a gaping narratival hole that doesn’t fit with any part of the larger story? I want to argue that it does not seem to fit because it really doesn’t fit. My intention is to show that a final apostasy on the part of Susan is really a literary impossibility.
You may be thinking of Wilson’s end game already. We’ve seen it on this blog before. There are four thrones at Cair Paravel. All four will be filled, because (odd how this mists my eyes almost every time) “once a king or queen in Narnia, always a king or queen.”
Yesterday, November 16, was, as Stephen Bullivant puts it, “the actual feast day of the actual Blessed Lucy of Narnia.” He notes that Lucy was the one who observed in The Last Battle, “In our world too, a stable once had something inside it that was bigger than our whole world.”
So, if you want to visit the ancient, hillside city that gave Lewis’s magical country its name, you’ll have to go to Italy’s Umbria region and find the place presently called Narni.
Joshua Rogers describes how his view of Susan in The Chronicles of Narnia changed when we realized the impact of something Aslan says.
For the first time, it dawned on me that Susan’s story wasn’t over—not at all. It couldn’t be. One day, Susan was obsessing over “lipstick and nylons and invitations,” and the next, someone would telephone her to tell her that her mother, father, sister, two brothers, a cousin, and three old friends were dead.
Also, photos of the rare white stag, which is the animal the Narnian royalty sought when they returned to our world at the end of the first book.
“Innocence and faith are the weapons children bring to bear against open evils; wisdom is required to deal with evils better disguised.”
You might be tempted, on the basis of its description, to think John C. Wright’s novella, One Bright Star to Guide Them, is simple Narnia fanfic. A story of four adults, who were once children who entered a magical land peopled by magicians and talking animals.
But it’s more than that. This story is a transposition of Narnia. Author Wright moves the whole concept onto a different level. It’s a meditation on the most terrible line in all the Narnia books – “Susan is no longer a friend of Narnia.” Thomas, the protagonist, is summoned to take up a new fight against a revived evil. But when he contacts his childhood companions, he finds that – for one reason or another – they are not willing to join him. So he has to test his faith alone, except for the help of their old guide, a mystical kitten called Tybalt.
One Bright Star to Guide Them is a quick read, but entirely worthy of the material that inspired it. Beautiful in places. Highly recommended.
Jared has the goods on how allegory is defined and why Narnia really isn’t one despite what you may have heard.
How then does he define Allegory? Perhaps the clearest definition in the most common language comes via a letter to Mrs. Hook (found in Letters of C.S. Lewis, 12/29/58):
By an allegory I mean a composition (whether pictorial or literary) in which immaterial realities are represented by feigned physical objects, e.g. a pictured Cupid allegorically represents erotic love (which in reality is an experience, not an object occupying a given area of space) or, Bunyan, a giant represents Despair.
The next The Chronicles of Narnia movie is coming: The Voyage of the Dawn Treader