Everyone is podcasting these days. Your aunt is probably planning one if she can only get Clippy and Bob to show her how to record it. There are over 630,000 podcasts available today on just about everything. True crime is a popular topic. For months I’ve daydreamed about the details of a mock crime podcast that could use the song above as a theme, present itself in the tone and rhythm of true crime shows, but actually tell a story about nothing at all. If I could find one or more colorful Southerners who tell jokes and funny stories for hours, I would have material for a great recurring segment. I’d probably be the only one who thought it was funny though.
Podcasting has been taken up by both professionals and amateurs, like anything on the Internet. A couple of my favorites are “The World and Everything in It,” the news show from World News Group. It is the best news out there. I recommend playing the show from your desktop, if you don’t do podcasts in a mobile-like devicy kind of way. (You might ask Alexa to play “The World and Everything in It” and see what you get. I have no idea.) Also I’m new to a show that has been around since 2009, “The Sporkful,” a show about food for the rest of us. It’s a ton of fun. A recent episode on southern BBQ in Chicago made me want to get out and try things (which I won’t do, of course, because budgets mean something in my house.)
That may lead you to ask, has podcasting been around ten years already? Yes, it began in 2004. The first how-to book came out in 2005. Even before that, we had audioblogging in some capacity.
The way I listen to my handful of shows is through one ear while driving. I don’t want to plug both ears in case I need to hear something, so with road and wind noise in the background I need podcast audio to be clear with a steady volume. I know I’m usually behind the tech curve, so I wonder if my listening experience is typical, but I encourage the podcasters out there who are recording their conference calls in hopes of landing a better book contract to listen to those recordings with plenty of outside background noise. If you can’t hear what’s been said, neither will I.
My wife is beginning to write a book. Her editor is the son of a Nobel laureate, but that is Oldthink. Because he is a clever man who keeps his finger on the pulse, he has my wife recording podcasts even before the book is begun.
S-Town is the to-rave podcast of the month. It comes from the people who make This American Life and the podcast that spawned 100 imitations, Serial. I heard about Serial at some point in the middle of the run, I think. Maybe it was at the end of its first season. I heard many good things from many people, but I never listened to it. Podcasting, developed in 2000, just hasn’t been my thing, because portable tech hasn’t really been my thing. Whenever I heard a podcast, it was through my PC, kind of like the cans-and-string method. Only in the last few weeks have I begun to use a loaner iPad for something it’s actually good at.
So I was ready when I caught word of the new S-Town, which released all seven episodes on March 28. That initial word described a true crime podcast, but S-Town is a different story. (spoilers)
It begins with the wildly colorful, possibly genius John B. McLemore reaching out to Brian Reed about a murder that happened in his home town, Woodstock, Alabama, about which he needed a barrel of venom to describe. Everyone, including himself at times, was a loser, a failure, an idiot, and many more vulgar labels. His old school was Auschwitz. The police were corrupt. The county had one of the highest rates of child abuse and molestation anywhere. At least a couple people asked John why he didn’t move away since he hated the place so much.
John B. can work himself into a fit by thinking of how no one is outraged over countless liberal talking points, and this murder is a prime example. Everyone knows who did it. The man himself has bragged about it. Why doesn’t anyone give a rat’s rear-end?
The story shifts from that question to focus on John B., which isn’t a selling point. He’s a babbling brook of liberal outrage and profanity. He can’t tell Brian about the many flowers and butterflies on his property without worrying that they’re dying off. By episode two, I was already telling him to shut up. Two of the people who may have cared about him the most pushed him away because they couldn’t bear up under the weight of his poisonous worldview. Continue reading New Podcast Is Both Curious, Repulsive→
I don’t listen to podcasts much, mostly because of technical limitations. My commutes haven’t been long. My iPod probably qualifies as a vintage edition, and I’m not a regular iTunes user. When I listen to podcasts, it’s through a computer, sometimes while washing dishes, usually while doing things that don’t require my full attention. I’ve heard a few episodes of Crime Writers On, which has put me onto two other true crime podcasts.
Both series talk through a current criminal case, but that’s where their similarity ends. The first series is out of Hawaii. “Offshore,” produced by Honolulu Civil Beat, focuses on 2011 incident in which an off-duty federal officer shot and killed a young Hawaiian man. Here’s the preview.
Many on the island see the case as a tangible symbol of powerful Americans running over native Hawaiians, which some have said it how the island kingdom became a US state in the first place. This abuse of privilege dramatically unfolded in an 80-year-old case remarkably similar to the current one. Reporter Jessica Terrell draws the parallels between the two cases and gives an ear to the hearts of Hawaiians who want justice and respect. Continue reading True Crime Podcasts That Catch Your Ear→
Buried in this twenty-minute podcast of stories of Christian faith is a moving story of two soldiers and what the Lord did to spare their lives. One of the men was Ira Sankey, a singer who would go on to prepare spaces for Dwight L. Moody to preach.