My wife is beginning to write a book. Her editor is the son of a Nobel laureate, but that is Oldthink. Because he is a clever man who keeps his finger on the pulse, he has my wife recording podcasts even before the book is begun.
Richard Brookhiser of National Review writes about his wife podcasting the subject of her book as she writes it, giving a glimpse perhaps of the future of words. (via Prufrock News)
S-Town is the to-rave podcast of the month. It comes from the people who make This American Life and the podcast that spawned 100 imitations, Serial. I heard about Serial at some point in the middle of the run, I think. Maybe it was at the end of its first season. I heard many good things from many people, but I never listened to it. Podcasting, developed in 2000, just hasn’t been my thing, because portable tech hasn’t really been my thing. Whenever I heard a podcast, it was through my PC, kind of like the cans-and-string method. Only in the last few weeks have I begun to use a loaner iPad for something it’s actually good at.
So I was ready when I caught word of the new S-Town, which released all seven episodes on March 28. That initial word described a true crime podcast, but S-Town is a different story. (spoilers)
It begins with the wildly colorful, possibly genius John B. McLemore reaching out to Brian Reed about a murder that happened in his home town, Woodstock, Alabama, about which he needed a barrel of venom to describe. Everyone, including himself at times, was a loser, a failure, an idiot, and many more vulgar labels. His old school was Auschwitz. The police were corrupt. The county had one of the highest rates of child abuse and molestation anywhere. At least a couple people asked John why he didn’t move away since he hated the place so much.
John B. can work himself into a fit by thinking of how no one is outraged over countless liberal talking points, and this murder is a prime example. Everyone knows who did it. The man himself has bragged about it. Why doesn’t anyone give a rat’s rear-end?
The story shifts from that question to focus on John B., which isn’t a selling point. He’s a babbling brook of liberal outrage and profanity. He can’t tell Brian about the many flowers and butterflies on his property without worrying that they’re dying off. By episode two, I was already telling him to shut up. Two of the people who may have cared about him the most pushed him away because they couldn’t bear up under the weight of his poisonous worldview. Continue reading New Podcast Is Both Curious, Repulsive
I don’t listen to podcasts much, mostly because of technical limitations. My commutes haven’t been long. My iPod probably qualifies as a vintage edition, and I’m not a regular iTunes user. When I listen to podcasts, it’s through a computer, sometimes while washing dishes, usually while doing things that don’t require my full attention. I’ve heard a few episodes of Crime Writers On, which has put me onto two other true crime podcasts.
Both series talk through a current criminal case, but that’s where their similarity ends. The first series is out of Hawaii. “Offshore,” produced by Honolulu Civil Beat, focuses on 2011 incident in which an off-duty federal officer shot and killed a young Hawaiian man. Here’s the preview.
Many on the island see the case as a tangible symbol of powerful Americans running over native Hawaiians, which some have said it how the island kingdom became a US state in the first place. This abuse of privilege dramatically unfolded in an 80-year-old case remarkably similar to the current one. Reporter Jessica Terrell draws the parallels between the two cases and gives an ear to the hearts of Hawaiians who want justice and respect. Continue reading True Crime Podcasts That Catch Your Ear
Buried in this twenty minutes podcast of stories of Christian faith is a moving story of two soldiers and what the Lord did to spare their lives. One of the men was Ira Sankey, a singer who would go on to prepare spaces for Dwight L. Moody to preach.