Tonight, another Norwegian Christmas song you can’t understand, from Sissel. Because it’s good for your education.
“Nå tennes tusen julelys,” is the name of the song. It means “Now a thousand Christmas lights are lit.” It paints a picture of Christmas lights being kindled all around the world. It goes on to talk of the Christmas star, and then moves on to a hope that the light of Christmas will bring peace to the world. I think it’s very beautiful.
What shall I blog about on the evenings when I haven’t got a recently finished book to review? That’s going to be my personal dilemma for a while. I picked up a book on the Inklings. It’s excellent and full of points of interest, but it’s about as long as The Lord of the Rings, I think (that’s one of the interesting aspects of reading on a Kindle. Sometimes you’re surprised by the length of a book you bought, an occurrence that never occurs in bookstores). Anyway, I’ll have to actually talk to you until I’ve finished this book. Which means I’ll have to think.
I thought I wouldn’t have to do that anymore, now that I had a master’s.
Anyway, it’s Advent, so a Christmas song from Sissel is always in order. I’ve probably posted some version of this before, but I think I’ve run out of new Sissel Christmas stuff. She bears repetition. This is one she’s recorded and performed many times. The title, “Mitt Hjerte Altid Vanker” means, “My heart always returns.” The singer is saying she constantly turns her thoughts back to Christ and His birth. I like this arrangement, which incorporates a theme from Edvard Grieg in the bridge. This recording was done in Iceland.
I got to thinking about the old song, “Oh Shenandoah,” this weekend, for no important reason. It’s one of The Divine Sissel’s favorite numbers (as witness the video above). She says she learned it from a Norwegian sea captain, which is no surprise, since one of its many permutations over the years has been its service as a sea shanty. It’s certainly one of America’s most beautiful native songs, and also one of its most versatile and mysterious.
In fact, one has to ask, “What in Burl Ives’ name is the song about, anyway?” It addresses Shenandoah, which we all know to be a river and a valley in Virginia, but then it talks about “the wide Missouri,” thousands of miles away. This is the question I set out to answer, sparing no expense in consulting a sophisticated new technology called Wikipedia.