I’m sure you recognize this clip from The Two Towers, in which the beacons are lit in Gondor, to call for help from Rohan.
I believe (I could be wrong) that the inspiration for this plot element in The Lord of the Rings was the following passage from Heimskringla (here in Lee Hollander’s translation) and the Saga of King Haakon the Good:
After this battle King Haakon incorporated into the laws for all the land along the seas, and as far inland as the salmon goes upstream, that all districts were divided into “ship-levies”; and these he parcelled out among the districts…. Along with this it was ordered that whenever there was a general levy, beacons were to be lit on high mountains, so that one could be seen from the other. It is said that news of the levy travelled from the southern-most beacon to the northernmost borough in seven nights.
If anyone knows of an earlier example of such a beacon signalling system, which might have inspired Tolkien, let me know.
‘I wonder,’ said Frodo. ‘But I don’t know. And that’s the way of a real tale. Take any one that you’re fond of. You may know, or guess, what kind of a tale it is, happy-ending or sad-ending, but the people in it don’t know. And you don’t want them to.’
Much has been written in Tolkien scholarship about the influence World War I had on the composition of The Lord of the Rings. That influence is certainly discernable in The Two Towers, which I recently completed re-reading. It’s been a few days since I finished it, so I’ve probably forgotten some of what I thought while reading, but I’ll try to offer a few crumbs from the feast for your perusal.
When I first read of the World War I connection, I had some trouble understanding it. The corpses in the Dead Marshes, people said, were reminiscent of the corpses in No Man’s Land, between the trenches. The journey was like trench warfare… somehow.
I understood it a little better, I think, in this reading. Frodo’s and Sam’s journey is in some psychological ways like the experience of a long war. Sam is a perfect epitome of the “common” soldier whom so many men of Tolkien’s class learned to appreciate, as never before, in the shared experience of combat. C. S. Lewis writes affectingly of his experience with his own sergeant, technically his subordinate, who taught him enough war-craft to stay alive in the early stages, and finally gave his own life (inadvertently) for Lewis through standing between him and the exploding shell that would have killed him. Continue reading Blogging through LOTR: War stories→
‘Halflings! But they are only a little people in old songs and children’s tales out of the North. Do we walk in legends or on the green earth in the daylight?’
‘A man may do both,’ said Aragorn. ‘For not we but those who come after will make the legends of our time. The green earth, say you? That is a mighty matter of legend, though you tread it under the light of day!’
I’ve been looking for Norse elements in The Two Towers. Of all the LOTR books, I think this one is richest in Scandinavian echoes – or at least Anglo-Saxon, which is as close as makes almost no difference, when you’re thinking of the Age of Beowulf (who lived in what is now Sweden, after all). Because the Rohirrim are plainly modeled on the Anglo-Saxons (though I suspect a tribe of horsemen would have developed the kite-shaped shield by this point, as the Normans did when they took to fighting on horseback).
There’s the boat-burial of Boromir, similar to the classic (mythical) Viking burial. Although most people think of ship burials at sea as a Viking custom, it’s actually undocumented in history or archaeology. Where it comes from is a passage in Beowulf (fully legendary), and the funeral of Baldur in Norse mythology (fully mythical). But it works well for the kind of high fantasy we’re involved with here. Continue reading Blogging through LOTR: Anglo-Saxon echoes→