New Hampshire professor Seth Abramson has put in many hours following the news on President Trump, updating his readers with tweets like these:
- [Aug 15, 2018, 2:55 PM] (NOTE) As to Bruce Ohr, who is currently employed by the federal government, Trump’s THREAT to revoke his security clearance—which would make him doing his job impossible, and might lead to his termination—is, given the “grounds” Trump has spoken of on Twitter, WITNESS TAMPERING. [93 replies 2,191 retweets 4,133 likes]
- (NOTE2) Trump is AWARE that Bruce Ohr is about to testify before House Republicans (see below) and he is seeking to INFLUENCE his testimony, as his statements on Twitter make clear, with this THREAT against him. Mueller will undoubtedly investigate this. [Link to The Hill, “House GOP prepares to grill DOJ official linked to Steele dossier”] [25 replies 777 retweets 1,728 likes]
- (NOTE3) A key national security expert for MSNBC just said on-air, “This is quite clearly designed to send a chilling effect to all of those who would criticize Donald Trump or his administration that this will not be tolerated.” Do people realize that, as to Ohr, that’s a CRIME? [28 replies 677 Retweets 1,801 Likes ]
- Seth Abramson Retweeted Donald J. Trump
(NOTE4) This tweet is now evidence of a federal felony: @realDonaldTrump [link to this tweet]
<<Bruce Ohr of the “Justice” Department (can you believe he is still there) is accused of helping disgraced Christopher Steele “find dirt on Trump.” Ohr’s wife, Nelly, was in on the act big time – worked for Fusion GPS on Fake Dossier. @foxandfriends>>
[35 replies 1,028 retweets 2,240 likes]
- (NOTE5) People do not yet realize—but soon will—that Trump has just made as big a mistake as he made in firing Comey. You *cannot* threaten the job of a witness against you in a federal investigation and SAY ON TWITTER that your reason is that he will offer testimony against you.
Now, Abramson is shopping around a proposal “to ‘bookify’ my feed.”
According to the proposal, the book will be based off of edited and rewritten versions of his Twitter threads—a conceit, Abramson declares, “whose time has come.” The book will create a “comprehensive, chronological review of the Trump-Russia case by transforming my Twitter ‘threads’ into prose.”
“A book of this sort is daring,” he writes. “Few if any have leveraged the advantage that books offer in collating, organizing, and amplifying in narrative form an intensely followed Twitter feed.”
This looks like an incredible waste of every resource devoted to it, but I think I’ve seen similar wasted efforts in printed books. Not that there’s anything daring about it, except that writing any book believing people will buy or read or both feels daring. Of course, there’s the daring of the carefully planned tightrope walk over Niagara and the daring of the spur-of-the-moment motorcycle jump into the Grand Canyon. [via Prufrock News]
“Seth Grahame-Smith, author of Pride and Prejudice and Zombies and Unholy Night (among other titles), is being sued by Hachette Book Group for breach of contract,” reports Locus Online this week. Hachette says they agreed to publish two new books from Grahame-Smith after publishing Abraham Lincoln: Vampire Hunter in 2010, and they did receive one manuscript, but the second one, after some months delay, was, according to The Guardian, “too short and substandard, ‘in large part an appropriation of a 120-year-old public domain work’ (unnamed, but presumably 1897’s Dracula).”
As a result, Twitter users are running with their own ideas for .
For months, the news on Twitter has been that they don’t know how to monetize their platform of 232 million users. We’ve seen some advertising and promoted messages, but apparently they don’t make enough money. Ian Schafer suggests Twitter and its many critics don’t know what kind of company it actually is.
Maybe Twitter is deciding that it’s identify is to censor in the name of social justice.
For years, social media companies have been besieged by a new wave of progressive advocacy groups who demand restrictions on political speech under the guise of preventing “online abuse.” These are the groups who now make up Twitter’s dystopianly-named “Trust and Safety Council.”
That council has acted within the last few hours to suspend popular conservative tweeter Robert Stacy McCain (@rsmccain). Before this, they were slowing down the use or discovery of certain hashtags, as described below.
Breitbart.com argues for organization for all of us.
Conservatives and cultural libertarians are the most likely constituency to rise up, as they are the ones being predominantly targeted, but this is really a battle that should be taken up by all social media users. The Twitters and Facebooks of the world are not like the media empires of old; they are entirely reliant on users. Properly organised, users could hold them to account, in a way that would make investors sit up and listen — but they are not yet properly organised.
Sean Minogue writes about writers using social media for better or for worse.
Unreachability and self-seriousness used to define many of our best-known authors, but the public appetite for writerly swagger in both old and new media is at an all-time low. Jonathan Franzen, for example, continues to spark minor firestorms with his pooh-poohing of Twitter: “I see people who ought to be spending time developing their craft […] making nothing and feeling absolutely coerced into this constant self-promotion,” he said on BBC Radio 4’s Today program. Franzen is behind the curve, but not because he doesn’t like Twitter. It’s his fundamental misunderstanding of social media that makes his opinions so quaint.
In the end, social media are just other platforms for authors to speak or ignore as they wish.
Twitter is channelling writer angst, gripes, and chuckles over things people say to established writers.
“Oh, you’re a writer? When I retire, I want to write a book too.”
“So are you still writing or are you working now?”
“I really like your work! Will you write for us? Oh, we don’t pay.”
How do you spell conflabigation? You’re a writer, aren’t you?
I love your work. It’s just like, oh, that other guy, you know?
And then there’s this one from Guy Gavriel Kay.