Tag Archives: Umberto Eco

The Heroes of Your Imagination

People ask on social media to share gifs of the superhero they imagine themselves to be (when they aren’t fetching coffee for the office team or replying to emails from people who hadn’t read the original email). I don’t join the sharing, because I don’t daydream in previously defined types like this.

Sometimes I imagine catching a falling meteor and it setting my body ablaze, and maybe that’s the signal flare from an extraterrestrial being needing my help. Or I imagine I’m the one who can talk to either large, invisible beasts or poltergeist-like forces nearby, telling them no to tear up the door I’m walking through.

Lately, I’ve taken a different tack. I’ve imagined confronting the bad guys with their full names, telling them they’re on my list, and saying no one would die here except them. If they run, because maybe they shoot at me to no effect, I follow them, like the stalking killer of a horror movie. I’m not so much a superhero in this line of thought as a force of nature, literally an agent or ambassador for the office of Death. No power to use or abuse; only select authority dispassionately exercised.

That sounds like a boring character or a side character at best. But thinking on those lines got me thinking of the flipside, of someone who can heal anything. I’ve imagined putting a hand on the back of someone’s neck and getting an expanding, somewhat undefined sense of their nerves, tissues, and organs, recognizing broken parts or dead cells, and restoring them to life. Sometimes it hurts the healer, sometimes the patient. Sometimes emotional pain rushes out causing both to weep.

There may be a story with a character like that, but more likely it’s fruitless imagination.

Batman: Tim Burton’s Batman was released June 23, 1989. Michael Keaton donned the cowl in that film and again in the sequel, Batman Returns. He and Burton would have returned for a third film, but the studio didn’t like the results of the second well enough to allow it. Now that Keaton is Batman again in the recently released The Flash, Jesse Schedeen tells us what Burton had intended to do in a third film and what the DC Comics series Batman ’89 does to fill in the story.

BTW, it was Keaton who gave us the line, “I’m Batman,” when he was scripted to say, “I am the night,” according to All the Right Movies on Twitter.

Super Movies: What are the best superhero movies, in your opinion? ScreenRant has the original Superman with Christopher Reeve and Blade with Wesley Snipe at the top of their list.

Novels: Superhero novels aren’t big sellers, from what I can tell. I’ve heard writers say the boom in movie sales hasn’t translated into book sales. I heard another writer recommend against any new writer attempting to sell a superhero novel. FWIW, here’s a list of superhero novels that aren’t graphic novels.

Americans: Nabokov on “The Simplicity and Kindness of Americans” and insightful barbers.

Favorite Books: No doubt, you were asking yourself just the other day what would be Umberto Eco’s favorite books. His son, Stephano, provides few titles, including “one of the most beautiful in the world,” Francesco Colonna’s Hypnerotomachia Poliphili

Photo by Jon Tyson on Unsplash

The Author May Be Dead But He Continues to Publish

Here’s a list of new books from dead authors, including an Umberto Eco essay collection taken from L’Espresso magazine, Chronicles of a Liquid Society. Eco “sees with fresh eyes the upheaval in ideological values, the crises in politics, and the unbridled individualism that have become the backdrop of our lives—a ‘liquid’ society in which it’s not easy to find a polestar, though stars and starlets abound.”

Also, Sleep No More: Six Murderous Tales by P.D. James. These are not unpublished stories, but stories written as far back as 1973 that have never been collected.

Sharing From an Abundance of Ideas

Eco was funny and smart and he made all of us feel funnier and smarter just by reading him. That’s a trait, a sharing of the wealth, we authors should aspire to. An abundance of ideas, after all, means there’s enough of them for everyone.

Glen David Gold writes about interviewing Umberto Eco, a James Bond expert among other things.

Eco: The Age of Outrageous Credulity

Umberto Eco, writing in 2005, about religion’s role in our age.

Human beings are religious animals. It is psychologically very hard to go through life without the justification, and the hope, provided by religion. You can see this in the positivist scientists of the 19th century.

They insisted that they were describing the universe in rigorously materialistic terms – yet at night they attended seances and tried to summon up the spirits of the dead. Even today, I frequently meet scientists who, outside their own narrow discipline, are superstitious – to such an extent that it sometimes seems to me that to be a rigorous unbeliever today, you have to be a philosopher. Or perhaps a priest. . . .

G K Chesterton is often credited with observing: “When a man ceases to believe in God, he doesn’t believe in nothing. He believes in anything.” Whoever said it – he was right. We are supposed to live in a sceptical age. In fact, we live in an age of outrageous credulity.

Umberto Eco, 84, Has Passed Away

Author Umberto Eco has died. A fascinating author of complicated work, Eco said he was interested in the Middle Ages, because it “is exactly the opposite of the way people imagine it. To me, they were not the Dark Ages. They were a luminous time, the fertile soil out of which would spring the Renaissance.”

As a teenager. Eco worked on comics books.

“I was a perfectionist and wanted to make them look as though they had been printed, so I wrote them in capital letters and made up title pages, summaries, illustrations,” he told The Paris Review in 1988. “It was so tiring that I never finished any of them. I was at that time a great writer of unaccomplished masterpieces.”

As an adult, he gave himself over to novel writing. The Guardian describes his first hit like this.

Eco’s first, landmark novel, The Name of the Rose, was published in 1980. An artful reworking of Conan Doyle, with Sherlock Holmes transplanted to 14th-century Italy, the book’s baggage of arcane erudition was designed to flatter the average reader’s intelligence. In reality, Eco’s medieval whodunnit was upmarket Arthur Hailey with ingenious modernist fripperies. Subsequently translated into 30 languages, it sold more than 10m copies worldwide, and was made into a film starring Sean Connery.

Take a look at all of Eco’s books on Amazon’s author page.