Tag Archives: David Housewright

‘Madman On a Drum,’ by David Housewright

Madman On a Drum

Ever since the Coen brothers film came out, I am quick to tell outsiders that no one in Minnesota actually speaks with the vocabulary and accents of the characters in Fargo. Only to to my embarrassment, I am reminded from time to time that some of us do.

I’m plowing through David Housewright’s St. Paul-based McKenzie mystery novels. Madman On a Drum seems to me the best of the series so far. It takes a already interesting cast of characters and goes deeper with them, under the most stressful of circumstances.

Wealthy, amateur detective (and former cop) Rushmore “Mac” McKenzie has no real family. He has a steady girlfriend, but she adamantly refuses to discuss marriage. The closest thing he has to a family is the Dunstons, the family of his childhood best friend Bobby, also a cop. Mac is constantly at their house and spoils the two daughters, Victoria and Katie, shamelessly. He’s made them his heirs.

So it’s not just another case to him when Victoria is kidnapped, in broad daylight. The kidnappers, by phone, demand a million dollars in ransom. It’s obvious where they expect it to come from – it will have to come from Mac.

Mac doesn’t mind that. He’d give everything he has for Victoria.

But he and Bobby both understand what must follow. The kidnappers must be found, and they must die.

They quickly identify the voice on the phone as that of an old childhood friend, a neighborhood guy who took the wrong road in life. But finding him and getting Tori back is only the beginning. There’s someone behind him – someone with a passionate hatred for Mac, someone who plans to make Mac pay for his own murder.

The dynamics of a family group faced with the kidnapping of a child are described with what looks to me like great sensitivity and insight in Madman On a Drum. There’s also a lot of discussion of our current prison system (it doesn’t come out very well).

I liked Madman On a Drum a lot. Hard to put down. Recommended, with the customary cautions for language and subject matter.

‘Dead Boyfriends,’ by David Housewright

Dead Boyfriends

There’s no special trick to conducting an interview. All it requires is a little patience, an ear for the important utterance, and the simple knowledge that to most people the sweetest possible music is the sound of their own voice.

I’m back, after a hiatus of reading other stuff for one reason or another, to working through David Housewright’s superior St. Paul-based detective series starring hobby investigator Rushmore “Mac” Mckenzie. Mac quit the police in order to accept a large finder’s fee from an insurance company, after locating a big embezzler for them.

Dead Boyfriends begins with Mac just trying to help out. He finds a woman, drunk and filthy, on her lawn, screaming about her dead boyfriend. Going inside, he finds the boyfriend several days dead, and proceeds to call the St. Paul police. The cop who shows up roughs the woman up, and Mac tries to cool him down. That earns him 36 hours in a police cell. When he gets out, he’s eager to help the woman’s lawyer, who thinks she can get her off and win a big damage suit from the city to boot.

Getting the case dropped is easy, but the repercussions are bloody, and the threads of the expanding mystery reach into the highest levels of state politics. At the end, Mac will face a hard choice, balancing his sense of justice against his respect for the law.

Good story. It got kind of convoluted at the end, but I’m liking McKenzie more and more. The political comments seem to strike right and left pretty evenly, but some statements are made about government that suggest to me that the author has some sensible opinions. Cautions for language and mature themes, but not too bad.

‘Pretty Girl Gone,’ by David Housewright

Pretty Girl Gone

Her smile was bright, but brittle. You could smash it with a word.

There is a town of Victoria, Minnesota. It’s a northwest suburb of the Twin Cities, and I was there for a community festival just a few weeks ago. However, in David Housewright’s third Mac McKenzie mystery, Pretty Girl Gone, the town (or at least its name) is transported to southwestern Minnesota. That’s where Jack Barrett, fictional governor of the state, grew up. He launched his career there as one of the “Victoria Seven,” a Cinderella basketball team that famously won the state championship.

Barrett’s wife is named Lindsay, and she comes from St. Paul where she was once the girlfriend of our hero, Rushmore “Mac” McKenzie, pro bono private eye. She meets with Mac and asks him to go to Victoria to investigate a nasty rumor that’s going around – that Jack murdered his high school sweetheart, who died the night before the big game.

Of course Mac goes to check it out. He will turn over a lot of old rocks, and tangle with some local thugs, before he manages to discover the shocking truth.

So far so good. I’m enjoying this series. The politics sometimes seem to lean left, but there are interesting exceptions (as when Mac makes fun of Minnesota’s concealed carry law, and then carries his piece past a “Firearms Forbidden” sign anyway). One thing I like is that author Housewright seems to have a pretty balanced view of small town and lower-middle-class people, who tend to get treated pretty badly by liberal writers.

Pretty good. Recommended, with the usual cautions.

‘Tin City,’ by David Householder

Tin City

I felt as if I were committing four of the seven deadly sins just by walking with her.

I’m sticking with Rushmore McKenzie, private eye character created by Minnesota author David Householder, even in spite of the liberal virtue-signaling he seems compelled to inject into his stories. So far the stories have been worth the annoyance. So far.

In Tin City, Rushmore “Mac” McKenzie, gets a request for help from a friend. That’s what Mac does, after all. He came into a lot of money and no longer needs to work as a cop. So he helps friends. This friend is his late father’s best friend, a man who helped to raise him. Mr. Mosley is a beekeeper out northwest of Minneapolis, and he wants Mac to help him find out why his bees are dying off. It’s not the usual kind of mystery Mac investigates. It certainly doesn’t look to be very dangerous. But he wants to help Mr. Mosley.

Little does he know. Soon people are shooting at people, and people are getting raped and kidnapped and killed, and Mac finds himself in the center of converging whirlwinds of criminal and law enforcement plans and plots. And the price to be paid will be high indeed.

One thing I like about the McKenzie novels is that author Householder generally avoids the common trope of the Great Secret Conspiracy. He understands that big conspiracies don’t work very well in the real world, and what looks like some master plan generally turns out to be half-ignorant people making assumptions and stumbling against each other in the dark.

Cautions for language, violence, and mature themes. There’s a church and a pastor in the book, and they get treated pretty well.

‘A Hard Ticket Home,’ by David Housewright

A Hard Ticket Home

After Minneapolis author David Housewright wrapped up his Holland Taylor detective series (temporarily, as it turned out) he moved on to create another Minneapolis PI with a slightly more Travis McGee flavor – Rushmore McKenzie, former St. Paul police detective. “Mac” didn’t leave the force because of a traumatic experience or a principled conflict with the brass. He recovered several millions of embezzled money, and the insurance company paid him a 50% finder’s fee – but only after he’d resigned. Now he lives in a big house and, like Travis McGee, just “does favors for friends.” Unlike McGee, he doesn’t care about being paid. Hard Ticket Home is the first book in the series.

The Carlson family of Grand Rapids, Minnesota needs a favor. Their youngest daughter is dying of leukemia and has to have a bone marrow transplant. They think their older daughter Jamie might be a compatible donor – but Jamie ran away several years ago. Mac agrees to try to find her.

This leads him to walk into – and partly set off – a murderous crime spree involving some of the most successful people in Minnesota – people hiding a very dark secret. They have dangerous associates who don’t like private eyes snooping around, and some of them have no scruples about killing Mac – or the people he cares about.

I enjoy Housewright’s stories very much, and I always relish a Twin Cities setting. My only concern is that as he goes on he comments more and more on politics. He’s fairly mainstream, but I think he hits the right harder than the left.

But he hasn’t lost me yet. Cautions for language, very ugly violence, and mature themes.

‘Darkness, Sing Me a Song,’ by David Housewright

Darkness, Sing Me a Song

I’m not sure why author David Housewright decided to resurrect his Holland Taylor detective series after turning his attention to a much longer series with another character. But so he did, just this year, six years after the previous installment. I liked Darkness, Sing Me a Song, though I was a little annoyed by the addition of politics to a series that had been pretty evenhanded up to now.

Things have changed since Dearly Departed (reviewed below). Minneapolis detective Holland Taylor has broken up with his girlfriend, and is instead seeing a married woman, off and on. He moved out of his house, into an apartment. He now has a partner in his private investigations business.

His work is mostly dull, and he’s not complaining. But one of his best clients, a high-powered law firm, asks him to help with the legal defense of Eleanor Barrington, one of the richest women in the state. She is accused of shooting her son’s fiancée, Emily Denys, to death. She denies guilt, though she does not hide her contempt for the young woman.

Investigation reveals that Emily Denys did not exist – her identity was false. Trying to trace her true name leads Taylor to a small Wisconsin town, where feelings are running high on both sides of the (fracking-related) sand mining business. Taylor will also uncover very dark secrets about the Barrington family. There’s a “surprise” twist near the end, which didn’t surprise me at all, nor do I think it will surprise many seasoned mystery readers. However – it must be noted – it’s not the surprise itself but the original twist author Taylor puts on the surprise that makes the book work in the end. And it does work.

I enjoyed Darkness, Sing Me a Song, but not quite as much as the previous books. Recommended, with cautions for language and mature themes.

Oh yeah, at one point he says that the city of Shakopee is southeast of the Twin Cities. It’s actually northwest. Weird.

‘Dearly Departed,’ by David Housewright

Dearly Departed

I put the older man at sixty. Hard. You could roller skate on him.

The saga of Holland Taylor, Twin Cities PI, continues with Dearly Departed. I like the way author David Housewright puts fresh spins on old plot themes. Dearly Departed, a story in the tradition of the movie “Laura,” was my favorite in the series so far.

Hunter Truman is the sleaziest of ambulance-chasing lawyers, a man unesteemed even in his own profession. He sued Holland Taylor once. And yet here he is, asking to hire Taylor to look for a missing woman. Taylor wants nothing to do with him – until he looks at the fascinating photograph of Alison Emerton. Truman plays him a tape Alison left behind, in which she states that if anyone hears this, she will be dead, and her ex-boss is the killer.

Alison has disappeared without a trace. All her possessions are still in her house. She must be dead, but Truman’s clients want to know exactly what happened to her.

Against his better judgment, drawn by the visceral appeal of the photograph and the voice, Taylor agrees to look for her. His hunt will take him to a resort town where residents are at each other’s throats over the question of a new Indian casino. There’s a plot twist that isn’t much of a surprise, but that just sets the stage for further surprises.

Dearly Departed drew me in and kept me fascinated. I enjoyed the characters and was fascinated by the mystery. I appreciated the examination of men’s perceptions of women, realistic and delusional.

Cautions for language and mature situations. Recommended.

‘Practice to Deceive,’ by David Housewright

Practice to Deceive

I felt about as big as a period at the end of a sentence.

The second book in the highly enjoyable Holland Taylor series by David Housewright is Practice to Deceive. I liked it as much as the first book.

When Taylor’s parents invite him to visit them in Florida, they have an ulterior motive (their relationship is awkward). His father introduces him to Mrs. Gustafson, a friend who’s been swindled out of all her money by a slick Minnesota investment counselor. Can Taylor do anything to help her get it back?

At first he resists. It’s not his kind of case; he doesn’t understand these matters. But when his father explains exactly what the investment counselor did – getting her power of attorney, then investing her funds in a risky real estate project after she’d suffered a stroke and was expected to die – he’s outraged and agrees to look into it.

Since the counselor has technically not broken the law, Taylor decides to take a more high school approach to the problem – harassing him, hacking his online accounts, working juvenile practical jokes. And it almost works – until somebody kills the counselor and steals the money he was going to pay Mrs. Gustafson back with. Suddenly the game is deadly serious, and Taylor’s own life is on the line.

Great fun. Although there’s plenty of traditional detective stuff, Housewright can take very unconventional approaches to his plots, turning old situations fresh. Cautions for language and mature situations, including some fairly creepy scenes involving a transvestite. And some hard-boiled irony.

‘Penance,’ by David Housewright

Penance

All in all, it’s a great time to be a private investigator: Nobody trusts anybody.

Sometimes – rarely, of course – I surprise myself with my ignorance. Discovering a “new” detective author whom I would rate on the level of John Sandford and (before he went full PC) Robert B. Parker was a surprise. Finding out he’s a local (Minneapolis) author amazed me. But so it is. David Housewright is a very good hard-boiled writer, and I’m enjoying his Holland Taylor series a lot.

At the opening of Penance we find former police detective, now private eye, Holland Taylor in an interrogation room, being grilled by two policemen. He was surprised to be arrested, but not surprised when he learned the reason. The drunken driver who killed Taylor’s wife and daughter, recently released from prison, has been murdered. Taylor is the obvious first suspect.

As suddenly as he was arrested, Taylor finds himself released, and he returns to his current case, which involves a beautiful, dark horse, third-party gubernatorial candidate who is being blackmailed. Eventually he learns there’s a link between the first case and this one, and things get convoluted and deadly. In the end the revelations he unearths will be genuinely shocking.

The plot’s more complex than it needs to be, with too many characters and plot lines. But the story gripped me and the narrator was fascinating. Widower detectives have gotten to be a trope (because the situation offers lots of scope for female companionship, and an excuse for not bonding), but author Housewright handles the trope well. I was hooked, and I’ve been scarfing these books up one after another. More reviews to come.

The stories are a little dated, being written back in the 1990s (though a fourth in the series came out this year). The usual cautions for language and mature situations apply. The politics are hard to nail down – which is just fine by me.