Category Archives: Music

Sunday Singing: Let Thy Blood in Mercy Poured

Today’s hymn, “Let Thy Blood in Mercy Poured,” comes from the Greek tradition, and maybe if I could type Greek, I could search for the title on Greek pages. But the sources I’ve seen give no date for that version of the hymn, only that is came into English via Glasgow native and Free Church minister John Brownlie (1857-1925). The tune is much older, written by Lutheran cantor at Berlin’s St. Nicholas Church, Johann Crüger (1598-1662).

“I appeal to you therefore, brothers, by the mercies of God, to present your bodies as a living sacrifice, holy and acceptable to God, which is your spiritual worship” (Romans 12:1 ESV).

1 Let thy blood in mercy poured,
let thy gracious body broken,
be to me, O gracious Lord,
of thy boundless love the token.

Refrain:
Thou didst give thyself for me,
now I give myself to thee.

2 Thou didst die that I might live;
blessed Lord, thou cam’st to save me;
all that love of God could give
Jesus by his sorrows gave me. [Refrain]

3 By the thorns that crowned thy brow,
by the spear wound and the nailing,
by the pain and death, I now
claim, O Christ, thy love unfailing. [Refrain]

4 Wilt thou own the gift I bring?
All my penitence I give thee;
thou art my exalted King,
of thy matchless love forgive me. [Refrain]

Sunday Singing: Deck Thyself, My Soul, with Gladness

Here’s a devotional hymn from German poet Johann Franck (1618-1677), translated into English by scholar Catherine Winkworth (1827-1878).

I will greatly rejoice in the LORD;
my soul shall exult in my God,
for he has clothed me with the garments of salvation;
he has covered me with the robe of righteousness,
as a bridegroom decks himself like a priest with a beautiful headdress,
and as a bride adorns herself with her jewels. (Isaiah 61:10 ESV)

1 Deck thyself, my soul, with gladness,
leave the gloomy haunts of sadness;
come into the daylight’s splendour,
there with joy thy praises render
unto him whose grace unbounded
hath this wondrous banquet founded:
high o’er all the heavens he reigneth,
yet to dwell with thee he deigneth.

2 Now I sink before thee lowly,
filled with joy most deep and holy,
as with trembling awe and wonder
on thy mighty works I ponder:
how, by mystery surrounded,
depth no mortal ever sounded,
none may dare to pierce unbidden
secrets that with thee are hidden.

3 Sun, who all my life dost brighten,
light, who dost my soul enlighten,
joy, the sweetest heart e’er knoweth,
fount, whence all my being floweth,
at thy feet I cry, my Maker,
let me be a fit partaker
of this blessed food from heaven,
for our good, thy glory, given.

4 Jesus, Bread of Life, I pray thee,
let me gladly here obey thee;
never to my hurt invited,
be thy love with love requited:
from this banquet let me measure,
Lord, how vast and deep its treasure;
through the gifts thou here dost give me,
as thy guest in heaven receive me.

Sunday Singing: Up From the Grave He Arose

Lars talked about rousing Easter music last week, so I thought I’d find one for today. “Up From the Grave He Arose” was written by American preacher and hymn writer Robert Lowry (1826-1899). It’s one of those stirring kind of songs that calls up images of evangelistic rallies or brass bands on the sidewalk.

“God raised him up, loosing the pangs of death, because it was not possible for him to be held by it.” (Acts 2:24 ESV)

1 Low in the grave he lay, Jesus my Savior,
waiting the coming day, Jesus my Lord!

Refrain:
Up from the grave he arose;
with a mighty triumph o’er his foes;
he arose a victor from the dark domain,
and he lives forever, with his saints to reign.
He arose! He arose! Hallelujah! Christ arose!

2 Vainly they watch his bed, Jesus my Savior,
vainly they seal the dead, Jesus my Lord! [Refrain]

3 Death cannot keep its prey, Jesus my Savior;
he tore the bars away, Jesus my Lord! [Refrain]

‘Now the Green Blade Riseth’, and a ‘writing’ update

Above, the King’s College Choir with what I must confess is the only Easter hymn I really like. And it’s not one that’s commonly sung in the churches of my own religious body.

And even this one, lovely as it (it shares a melody with the Christmas hymn, “Sing We Now of Christmas”), doesn’t entirely satisfy me. What Easter merits is a good, rousing, triumphal hymn, something on the lines of “A Mighty Fortress” or “Hark! The Herald Angels Sing!” We do have triumphal Easter hymns – there’s “Up From the Grave He Arose!” and “Christ the Lord Is Risen Today!” But personally I find them kind of clunky. They don’t sing well, to my mind. I want one I can throw my head back and bellow, as I used to do at Christmas, before my singing voice gave out.

I should probably write a text myself, and see if somebody can come up with a melody.

Better yet would be if somebody wrote a rousing melody and I could put words to it.

It’s been 2,000 years. Somebody should have taken care of this by now.

Want a writing update? I’m not writing at all right now, in the strictest sense of the term. I’ve got my beta readers reading The Baldur Game, and I’m using the time for the necessary procedural stage of forgetting everything about it. So I can come back to it with my mental palate cleansed.

Therefore, I have turned to the business of book narration. Some generous friends have given me a decent microphone and other equipment, and I’ve carved out a makeshift studio space in my bedroom. I’m playing with the system – especially the Audacity recording software. I have a certain level of technophobia, not unusual, I suppose, in people of a certain age. Right now I’m just doing drills. Self-assigned exercises. The plan is that, once I’ve got The Baldur Game published, I can devote a chunk of time to getting The Year of the Warrior recorded, so I can release it on Audible. I was always considered a good copy reader when I was in radio. Maybe audio books will be my ticket to the big time.

It could happen.

Easter Singing: The Strife Is O’er, the Battle Done

“The Strife Is Over, the Battle Done” performed by a choir under the direction of Roshni Sharon Rajan

Our Easter hymn is “The Strife Is O’er, the Battle Done,” written by an anonymous Jesuit in the late 17th century and translated into English by the Curate of Ticehurst, East Sussex, Franis Pott in 1861.

“He will swallow up death forever;
and the Lord GOD will wipe away tears from all faces,
and the reproach of his people he will take away from all the earth,
for the LORD has spoken.” (Isaiah 25:8 ESV)

Alleluia, alleluia, alleluia!

1 The strife is o’er, the battle done;
the victory of life is won;
the song of triumph has begun.
Alleluia!

2 The powers of death have done their worst,
but Christ their legions has dispersed.
Let shouts of holy joy outburst.
Alleluia!

3 The three sad days are quickly sped;
he rises glorious from the dead.
All glory to our risen Head.
Alleluia!

4 He closed the yawning gates of hell;
the bars from heaven’s high portals fell.
Let hymns of praise his triumph tell.
Alleluia!

5 Lord, by the stripes which wounded thee,
from death’s dread sting thy servants free,
that we may live and sing to thee.
Alleluia!

Sunday Singing: O Love, How Deep, How Broad, How High!

Our Palm Sunday hymn this year is “O Love, How Deep, How Broad, How High!” attributed to the great German scholar Thomas à Kempis (1380-1471). Originally in Latin, Benjamin Webb (1819-1885) was the first to translate it into English as a hymn. The tune is a traditional ballad from the 15th century known as Deo Gracias or the Agincourt Hymn.

“It will be counted to us who believe in him who raised from the dead Jesus our Lord, who was delivered up for our trespasses and raised for our justification.” (Romans 4:24–25 ESV)

1 Oh, love, how deep, how broad, how high,
Beyond all thought and fantasy,
That God, the Son of God, should take
Our mortal form for mortals’ sake!

2 He sent no angel to our race,
Of higher or of lower place,
But wore the robe of human frame,
And to this world himself he came.

3 For us baptized, for us he bore
His holy fast and hungered sore;
For us temptation sharp he knew;
For us the tempter overthrew.

4 For us he prayed; for us he taught;
For us his daily works he wrought,
By words and signs and actions thus
Still seeking not himself but us.

5 For us by wickedness betrayed,
For us, in crown of thorns arrayed,
He bore the shameful cross and death;
For us he gave his dying breath.

6 For us he rose from death again;
For us he went on high to reign;
For us he sent his Spirit here
To guide, to strengthen, and to cheer.

7 All glory to our Lord and God
For love so deep, so high, so broad;
The Trinity whom we adore
Forever and forevermore.

Sunday Singing: None Other Lamb

Today’s hymn begins our approach to Easter, which is the last Sunday of the month. “None Other Lamb” was written by the marvelous English poet Christina Georgina Rossetti (1830-1894). She didn’t write it as a hymn but as a poetic response to Revelation 5.

“And I saw a mighty angel proclaiming with a loud voice, ‘Who is worthy to open the scroll and break its seals?’” (Revelation 5:2 ESV)

1 None other Lamb, none other name,
none other hope in heav’n or earth or sea,
none other hiding place from guilt and shame,
none beside thee!

2 My faith burns low, my hope burns low;
only my heart’s desire cries out in me
by the deep thunder of its want and woe,
cries out to thee.

3 Lord, thou art Life, though I be dead;
love’s fire thou art, however cold I be:
nor heav’n have I, nor place to lay my head,
nor home, but thee.

Sunday Singing: Steal Away to Jesus

“Steal Away to Jesus” performed by Mahilia Jackson and Nat King Cole in 1957

Let’s stay with spirituals this week before shifting to Easter-related songs soon. (Easter is the last day of the month this year.) Here’s an endearing spiritual about leaning on, following, and slipping away to the Lord Jesus.

“And if I go and prepare a place for you, I will come again and will take you to myself, that where I am you may be also.” (John 14:3 ESV)

Steal away, steal away,
steal away to Jesus!
Steal away, steal away home,
I ain’t got long to stay here.

1 My Lord, He calls me,
He calls me by the thunder;
The trumpet sounds within my soul;
I ain’t got long to stay here. [Refrain]

2 Green trees are bending,
Poor sinners stand a trembling;
The trumpet sounds within my soul;
I ain’t got long to stay here. [Refrain]

3 My Lord, He calls me,
He calls me by the lightning;
The trumpet sounds within my soul;
I ain’t got long to stay here. [Refrain]

Sunday Singing: You Better Run

Our theme this month has been spiritual warfare, and today’s song departs from that. It’s a traditional spiritual with a straight gospel message. Run to the city of refuge while you have the chance.

“And Samson said, ‘Let me die with the Philistines.’ Then he bowed with all his strength, and the house fell upon the lords and upon all the people who were in it. So the dead whom he killed at his death were more than those whom he had killed during his life.” (Judges 16:30 ESV)

‘The Ash Grove’

Music tonight, as is so often the case with me on Fridays. Way back in the 1970s, I acquired an album by the late Roger Whittaker, entitled “Folk Songs of Our Time,” sadly no longer available as such. It was a loose collection, featuring some numbers that weren’t strictly folk songs at all. “Folk,” of course, is a nebulous category. It can mean a song genuinely passed down mouth to mouth through generations, or merely a song written last week in the folk style.

Anyway, I grew quite fond of the album, and the song, “The Ash Grove,” was one of my favorites. Mr. Whittaker sings it above, though I’m not sure it’s the same arrangement.

The song evokes the unmistakable air of antiquity. According to Wikipedia, it was originally a Welsh song, and was first published by the harpist Edward Jones in 1802. But a similar tune is found in John Gay’s “The Beggar’s Opera” (1728), and that tune has in turn been traced back to a Morris song called “Constant Billy,” published in 1665.

In my own imagination, I suspected it was a heathen song. The ash tree has deep folkloric significance – I have a little book about British tree superstitions down in my basement somewhere. In my novel, The Year of the Warrior, I give Father Ailill a mad, homicidal heathen slave who likes to sing “a song about an ash grove.” The original lyrics as we have them were by Jones in Welsh, of course, and they’re actually about a man mourning his lost love.

A good folk tune never escapes the hymn writers. “The Ash Grove” is well-known in churches as the tune to “Let All Things Now Living,” and “Sent Forth With God’s Blessing,” as well as a few others less familiar.