All posts by Phil

How To Do a Review

Maxine talks about book reviews after getting some criticism that her review was a plot summary, not a review. She says, “I find it hard to judge whether to read a book if ‘random reviewer’ states a view on the writing quality, the plot, etc, rather than giving the reader some degree of objective information (which I do not think is found in the official “blurb” of the book, as in crime fiction these blurbs tend to summarise key, late plot points and so remove suspense and even in some cases any point in reading the book).”

So, plot summary or review?

It’s True, Despite Lies

What is truth outside of the facts? If someone writes a memoir describing his remarkable experiences, drawing from these profound truths about the world, do people not treat this differently than a novel? If it is learned that his experiences were completely fabricated, do we not see the book in a completely different light? And if an author writes fiction but claims it is fact, is he not appealing to the evidence of reality which he can’t do in a novel? He is, and yet some will still argue that his intentions outweigh his lies.

Mike Daisey has a one-man show called, The Agony and Ecstasy of Steve Jobs. Mike D’Virgilio writes, “Daisey conveys his experiences on a visit to China of seeing the allegedly deplorable working conditions in Apple’s production facilities. It turns out much of what he speaks about in his theatrical monologue and on the ‘This American Life’ episode about it, never happened.” That liberals will defend this non-factual account which purports to get at the truth is typical of them, D’Virgilio argues.

Kudos to Ira Glass for rejecting lies presented as truth.

Christians Are Starting to Make Good Movies

“The aggregate product coming out of Hollywood is something that can be deeply offensive to people like myself, and I think Christians have sat back. … Now we’re realizing instead we need to engage, and we need to make quality work,” says Jon Erwin, director of October Baby, currently in theaters.

John Christopher (1922-2012)

My wife read the first of John Christopher’s trilogy, The Prince in Waiting ~ Beyond the Burning Lands ~ The Sword of the Spirits, and wanted to know what the next book was, not even knowing this was a series. I called on the powers of the Interweb to answer our query, and behold, I learned the author died last month. Sci-fi Author John Christopher (born Sam Youd of Knowsley, U.K.) died February 3, 2012. He was the author of the Tripod series, which is a neat set of books and good, though incomplete, BBC series. Apparently, this is only one set of post-apocalyptic stories he wrote.

In the Guardian’s obituary, they report: “Youd had an unusual way of working. He did a quick first draft of the opening chapter, but for the remainder typed a ‘final’ version, with several carbon copies. When he had completed the book he would go back and redraft the first chapter.”

Courage: New Hampshire

Colony Bay Productions, an independent acting group, is taking up the story of early America with a passion some well-known commentators might think no longer exists. Lead by James Riley, a reenactor of Patrick Henry and owner of Riley’s Farm, this group is producing an ambitious DVD series called Courage, New Hampshire. It’s goal is to tell the story leading up to our independence, season by season for the remainder of the decade. They started in the winter of 1770 with the story Sarah Pine, an unmarried, young woman who gave birth to a child she claims to be by a British soldier named Bob Wheedle. The story primarily introduces the characters and the small town of Courage. No appearances from Ben Franklin or Paul Revere. The Boston Massacre occurs during the time of this story (March 5, 1770) and is the only reference given to the history of the world beyond their border.

There are two episodes available today; the third is coming in several weeks. My wife and I watched the first one, “The Travail of Sarah Pine,” and loved it. The music by Rotem Moav is perfect. I love the authentic sound of the many references to the Bible in the dialogue. Costuming and setting all look beautiful and genuine, though at one point I thought they should have aged a man’s clothing to take the straight from the catalog look away.

There is a community theater aspect to Courage. Some of the acting isn’t as polished as I’d like, because in the end, viewers want to enjoy the story and not think about the last few lines sounding off a bit. Some of the actors are fairly new or untrained in their art, but many of the cast have experience with Shakespearean plays, movies and TV, and some famous people play a part here and there, like Andrew Breitbart in episode two.

I can’t discern a political agenda in this story, unless stories about colonial America without touching on select hot spots makes a story politically incorrect. I look forward to seeing the big historical names, if they ever get out to Courage or if the story ever goes to Boston. I see that episode three has a much lesser-known figure, a black soldier named Caesar, who fought in the continental army.

You can buy a DVD or steam the episodes through their site. If you like period drama, this is worth your time. I’ll let you know what I think of other episodes when I see them. (Thank you, Ori Pomerantz, for promoting this series to me and sending me this DVD.)

Is It Elementary?

Sherlock Holmes, an ever-evolving icon, according to techgnotic. This article has a lots of artwork, from realistic drawings of the actors who have portrayed Holmes to comic-style caricatures.

Talking The Hunger Games

Hannah Notess and Jeffrey Overstreet watched The Hunger Games and talked about it as a film, an adaptation of a novel, and a story in itself. They say it’s fast-paced, touches lightly on disturbing questions, and doesn’t give you time to think about them.

Notess states, “This is one of the biggest questions the book asks: What does it mean for such a violent spectacle to be broadcast in great detail, as entertainment?”

Overstreet says, “The Hunger Games concludes in a very interesting place, one that seems carefully contrived so that those who want a “happy ending” can see one, and those interested in darker possibilities can look closer and see those too.”

Notess also asks how much, if any, violence does God allow his followers to commit in order to survive. I think the answer in the context of The Hunger Games is different than a real world context. Christians will reasonably and honorable die, if necessary, when placed into a totally unjust, deadly entertainment venue. But if the question is whether to use force to defend your village from the viking hoard or to join the army to destroy the raiders from across the sea, then Christians may reasonably and honorably fight and kill. Perhaps Christians in the world of The Hunger Games should storm the Capitol by every possible means to stop the evil madness. What do you think?

Realistic Disney Princess Photos

Jirka Väätäinen, a student at Arts University College at Bournemouth, United Kingdom, is working on beautiful, realistic photos of women who resemble Disney princesses like Snow White and Tiana. These are photo manipulations. I haven’t read how much of these are the result of Photoshop work (or a comparable program, if there is one) or photo preparation with the model, clothing, etc.

Kazuo Ishiguro’s “Never Let Me Go”

Dale mentioned a dystopian novel I’ve wanted to get into, but I haven’t remembered it often enough to hunt down in a library or bookstore, Kazuo Ishiguro’s Never Let Me Go Here’s a movie tie-in featurette on the story.