Terry Teachout writes about a composer whom Dana Gioia says: “one of the few living composers whom I would call great.”
Says Mr. Lauridsen: “There are too many things out there that are away from goodness. We need to focus on those things that ennoble us, that enrich us.” The musical language in which he embodies this simple belief is conservative in the best and most creative sense of the word. His sacred music is unabashedly, even fearlessly tonal, and his chiming harmonies serve as underpinning for gently swaying melodic lines that leave no doubt of his love for medieval plainchant. Nothing about his music is “experimental”: It is direct, heartfelt and as sweetly austere as the luminous sound of church bells at night.
