All posts by Phil

Roger Ebert's Political History and Civics Quiz

This quiz seems a bit petty, but it is mostly interesting. Of course, if one were to use this as part of an argument for liberal intellectual prowess, it fails. Why would it matter for voters to remember how many presidents and first ladies graduated from Harvard? Does graduating from Harvard mean they are intellectually superior to the rest of us and thus must be obeyed? What about Yale graduates? I remember John Kerry being praised for mental acumen, but his grades were not as good as George W. Bush’s at during the Yale years, and Bush went on to Harvard Business School for an MBA.

Beyond that, Ebert ask a few questions that are debatable. His suggestion that we can just search for the answers is unhelpful at best. “Is ‘Obamacare’ allowed by the U. S. Constitution?” My search results lead to this: “A mandate requiring all individuals to purchase health insurance would be an unprecedented form of federal action. The government has never required people to buy any good or service as a condition of lawful residence in the United States.”

I don’t think that’s the answer Ebert’s looking for, but what do I know? He thinks it matters that I remember Vice President Agnew. (Cross-posted on Newsvine; hat tip: Big Hollywood)

Passing Muster with the Hard Things

Poet Kay Ryan says, “Well, there are a lot of things that I deep six right away. Most things I write don’t pass muster.” Patrick Kurp quotes her in this post and talks about one of her beautiful poems, “Things Shouldn’t Be So Hard.” (This second link goes to a PBS post about that book of poetry.)

The Fear of Writing Well

Roy Jacobsen has a post on bad writing, quoting Stephen King who said fear is the root of most of it. (via Nerol Notae) I don’t know how much bad writing fear has caused for me, but I know it works me daily to produce no writing. Even now, I don’t know what to say next, which is the reason I link to other posts far more often than work up my own. What do I have to say that’s worth reading?

Now for the bad writing I’ve edited, fear may be the main reason behind it, but I have thought the reasons are lack of skill or time. I worked with one man who wrote frequently, but his style was difficult to read. He strung together several propositions without building an argument for any of them. A couple times, I suggested that the focus on one or two points for the article and illustrate them, but that idea never made into the writing. If he tried to do it, I don’t know. I told a friend that I thought he was writing at the best of his ability and that in order to write better he would have to spend much more time at it.

Perhaps fear was the root of his propositional writing. I don’t see it clearly enough to label it.

Manly Breakfasts

5 Hearty Winter Breakfasts to Fill Your Belly from The Art of Manliness

  1. Cajun Breakfast Casserole
  2. Apple-Pecan Baked Oatmeal
  3. Green Chili Breakfast Burrito Casserole
  4. Nutty Buckwheat Buttermilk Pancakes
  5. Biscuits and Gravy

Gorgeous Life, Hope in Cyndere’s Midnight

Cyndere's Midnight by Jeffrey OverstreetIf a reader wonders why the second in the Auralia’s Colors series is titled “Cyndere’s Midnight,” Overstreet wastes no time answering him. Heiress to the Bel Amican throne, Cyndere, is grieving the loss of her father and brother, thinking she would not throw herself into the sea that day, when she hears of the death of her husband, Deuneroi. In time, she goes to an outpost named Tilianpurth to mourn, but many around her don’t know how to help, and being royalty, she will not take difficult counsel easily.

Elsewhere, a band of four beastmen roam the wilderness, killing children and traders. The beastmen are monsters, men mixed with many other animal forms. They were cursed long ago by wicked strangers with unknown motives. One them, Jordam, has stumbled onto a supernatural, dragon-like monster called The Keeper, and in a way it has shocked him into new life. Jordam was physically and emotionally broken when he ran from The Keeper. Those wounds and Auralia’s artwork began to heal him.

The hope of redemption is a major theme in this adventure. Cyndere and Deuneroi hope to overcome the curse of the beastmen. The ale boy has earned the name Rescue by the people he has given his life to save. Auralia, though only a background character in this story, continues her influence on many people with her infectious love of life and endurance of her artwork.

But it isn’t as if Auralia is the one light of goodness in a dark world. Overstreet’s fantastic setting teems with life as if created by a wild and loving god. Colors found everywhere and the pure water of the deep well depicted on the cover give an enchanted life to those who absorb them. It’s part of the magical fiber threaded throughout. It’s one of many things I love about this series, which I believe deserves a place on your bookself.

Gorgeous Life, Hope in Cyndere's Midnight

Cyndere's Midnight by Jeffrey OverstreetIf a reader wonders why the second in the Auralia’s Colors series is titled “Cyndere’s Midnight,” Overstreet wastes no time answering him. Heiress to the Bel Amican throne, Cyndere, is grieving the loss of her father and brother, thinking she would not throw herself into the sea that day, when she hears of the death of her husband, Deuneroi. In time, she goes to an outpost named Tilianpurth to mourn, but many around her don’t know how to help, and being royalty, she will not take difficult counsel easily.

Elsewhere, a band of four beastmen roam the wilderness, killing children and traders. The beastmen are monsters, men mixed with many other animal forms. They were cursed long ago by wicked strangers with unknown motives. One them, Jordam, has stumbled onto a supernatural, dragon-like monster called The Keeper, and in a way it has shocked him into new life. Jordam was physically and emotionally broken when he ran from The Keeper. Those wounds and Auralia’s artwork began to heal him.

The hope of redemption is a major theme in this adventure. Cyndere and Deuneroi hope to overcome the curse of the beastmen. The ale boy has earned the name Rescue by the people he has given his life to save. Auralia, though only a background character in this story, continues her influence on many people with her infectious love of life and endurance of her artwork.

But it isn’t as if Auralia is the one light of goodness in a dark world. Overstreet’s fantastic setting teems with life as if created by a wild and loving god. Colors found everywhere and the pure water of the deep well depicted on the cover give an enchanted life to those who absorb them. It’s part of the magical fiber threaded throughout. It’s one of many things I love about this series, which I believe deserves a place on your bookself.

Bill Watterson Resurfaces

The Cleveland Plain Dealer has an interview the cartoonist and comic genius Bill Watterson, the first interview since 1989. He says:

“Ah, the life of a newspaper cartoonist — how I miss the groupies, drugs and trashed hotel rooms! . . .

An artwork can stay frozen in time, but I stumble through the years like everyone else. I think the deeper fans understand that, and are willing to give me some room to go on with my life.”

Interview with Jeffrey Overstreet

Raven's Ladder by Jeffrey OverstreetFilm critic and author Jeffrey Overstreet has written three fantasy novels in the last few years, two of which I’ve read. They are fantastic (perhaps that goes without saying). He writes this series, Auralia’s Colors, not to depict any historic people or setting, but “to capture the questions that keep me up at night.” The third one, Raven’s Ladder, is shown on the left and is being released this month.

I have found that wonderfully hopeful, powerfully redemptive, and gorgeous. His new world has an appealing natural magic which is hard to describe, like the difficulty Tolkien’s elves in Lothlórien describing their handiwork to the hobbits. It wasn’t magic to them, but the hobbits it was.

I asked Jeffrey some questions about writing and publishing these books.

1. You’ve been a critical writer for many years now.  Do you think you’ve always had the writing spirit/muse/curse?

I’m hard-wired to tell stories. When I was five years old, I already felt compelled to make books. I’d take fairy-tale storybooks and painstakingly copy the text onto piles of scrap paper. Then I’d illustrate those pages with crayon or watercolors.

Soon after I read The Hobbit – around age seven – I stopped copying stories and started writing my own. And sure, those first stories sounded a lot like The Hobbit. But they became more unusual and distinct as the years went on. My first “series” was a four-story epic set in a world that resembles Pixar’s A Bug’s Life. In fact, when I saw that movie decades later, I laughed at the incredible similarities. (Where Pixar had nasty grasshoppers, I had wicked wasps.) Continue reading Interview with Jeffrey Overstreet →

Beautiful Short Story

Joshua Weigel has directed a beautiful short film called The Butterfly Circus. Take the time to watch it. It’s one of those timeless stories which can become a cliche when told poorly yet remains wonderfully familiar when told well.