All posts by Lars Walker

‘Murder by Moonlight,’ by Vincent Zandri

Vincent Zandri is producing a series of novels about Albany, NY private eye Dick Moonlight (I’m not kidding. That’s his name). Murder by Moonlight was the first I’ve read, and although I read it through and enjoyed it a fair amount, I find I didn’t really like it much.

Dick Moonlight is a private eye with a difference (aren’t they all nowadays?). He attempted suicide a couple years back, leaving himself with a .22 bullet in his brain which the doctors can’t remove. At any moment it might shift and kill him, so he lives with that.

In Murder by Moonlight, he is hired by Joan Parker, who was horribly injured in an ax attack in her home, one which killed her husband. At the time she told the police that her son Christopher was to blame, but now she’s changed her mind and wants Moonlight to prove the young man innocent.

A number of things irritated me in this book. One is the present-tense narration, which doesn’t actually spoil the story, but which I find an irritating affectation that adds nothing.

Secondly, the story wanders into the realm of ancient conspiracies, which I don’t believe in. People aren’t that good at keeping secrets, especially in large groups.

But most importantly, the hero/narrator, Dick Moonlight, got on my nerves. Many people in the story tell him he’s a jerk (they generally use more colorful language), and they’re right. He claims he has a built-in lie detector (again, he uses an earthier term), and feels that gives him the right to be insulting to anyone he doesn’t like on first sight — even when he needs a favor from them. That’s just bad detective procedure. What he is, is judgmental and tactless.

So though the story kept my interest (in spite of some weak writing moments and needless complications at the end), I don’t recommend it highly. On the other hand, it’ll keep your interest on a plane, if that’s what your needs are.

Cautions for language and adult themes.

Patrick Bannister novels by Andrew E. Kaufman

Former journalist Andrew E. Kaufman has managed to jump from self-publishing to a major house contract on the strength of three novels, two of which involve the character Patrick Bannister. It’s those two, The Lion, the Lamb, the Hunted, and Darkness and Shadows, that I’ll tell you about briefly today.

I was drawn to the Patrick Bannister novels because the main character is a fellow I can identify with. Though a successful journalist for a national magazine (OK, I don’t identify with that), he suffers from deep insecurities and Obsessive-Compulsive Disorder, brought on by a childhood dominated by a loveless and narcissistic mother. Patrick is, indeed, unusually unfortunate in his relationships with females, because the second book involves his disastrous first love relationship, with a girl who had a terrible secret.

In The Lion, the Lamb, the Hunted, Patrick goes home for his mother’s funeral, and retrieves a single box of his childhood possessions from the house where he grew up. In it he finds a couple odd things – a piece of paper bearing a name, which a little research tells him belongs to the victim of a child murder in Texas years back, and a St. Christopher medal. When he finds a picture of that dead boy and sees that the boy is wearing the same medal in it, he starts on a desperate search to discover his mother’s and uncle’s relationship to the crime.

In Darkness and Shadows, Patrick finds himself out of a job, having allowed his emotions to overcome his journalistic good judgment. Then he sees a news report about the murder of a wealthy woman, and realizes that she is the same person as a girl he dated in college, who had (he thought) died in a fire before his eyes. Forging an unexpected alliance with a disturbed female criminal, he uncovers a sinister conspiracy and learns truths that could tear up his personal world.

Author Kaufman has had considerable success with readers, so I’m not alone in finding these books fascinating. Speaking for myself, I found the description of the inner life of an abuse victim extremely well-rendered. I was less impressed with the stories themselves. The writing was good – perhaps it could use a little pruning – but the plotting seemed to me weak. The first book, especially, ended with a big action scene that got resolved by pure luck. And the big surprise at the end was one I had guessed in about the second chapter. The second book was a little better.

Still, the characters were fascinating, and if the psychology of abuse interests you, these are a pretty good read.

“Give me an E!”





I wasn’t aware of this until recently,
but my novel West Oversea has been made available in e-book form, for Kindle or Nook, by the publisher, Nordskog Publishing. It’s not on Amazon at this time, but you can get it from Nordskog here.

Harry Hole novels by Jo Nesbo

I’ve been meaning to post a very short review of three of Jo Nesbø’s Harry Hole mysteries. There’s a whole list of books in the series, but the trilogy of The Redbreast, Nemesis, and The Devil’s Star form a self-contained unit within it, and make an interesting read in themselves. I reviewed Redbreast sometime back, and read The Devil’s Star without reviewing it. Recently I read Nemesis (out of order), and gained a new appreciation.

Nesbø’s Oslo police detective character, Harry Hole (pronounced “hoo-leh”) is difficult to evaluate. He pushes credibility, because it’s hard to believe that anyone this alcoholic and reflexively self-destructive has managed to maintain a career in a modern police department. But in these books Hole has begun a difficult — but promising — relationship with a single mother, which inspires him (intermittently) to attempt to reform himself. This would give him one added thing he actually cares about in his life, beyond police work.

The running narrative in this trilogy involves another detective, a popular and charismatic one, whom Hole suspects of illegal activities and the murder of a colleague. Hole hates him, but is almost seduced into corruption by him.

What’s fascinating about the Harry Hole books is the multiple layers of mystery involved. Once the mystery is solved, there’s plenty of book left, and the reader discovers there’s a mystery within the mystery. Then there’s a further mystery within that. It unpeels like an onion.

This may relate to one of Harry’s mottos — “There is no such thing as a paradox.” Someone informs him in the third book that paradoxes do in fact exist. It seems to me possible (I’m not sure) that that discovery is the whole point of the books.

How the West Won, by Rodney Stark

Even some Catholic writers parrot the claim that it was not until modern times that the Roman Catholic Church repudiated slavery. Nonsense! As seen in chapter 6, the Church took the lead in outlawing slavery in Europe, and Thomas Aquinas formulated the definitive antislavery position in the thirteenth century. A series of popes upheld Aquinas’ position. First, in 1435, Pope Eugene IV threatened excommunication for those who were attempting to enslave the indigenous population of the Canary Islands. Then, in 1537, Pope Paul III issued three major pronouncements against slavery, aimed at preventing enslavement of Indians and Africans in the New World….
Perhaps the most remarkable aspect of the rise of science is not that the early scientists searched for natural laws, confident that they existed, but that they found them. It thus could be said that the proposition that the universe had an Intelligent Designer is the most fundamental of all scientific theories and that it has been successfully put to empirical tests again and again. For, as Albert Einstein once remarked, the most incomprehensible thing about the universe is that it is comprehensible: “A priori one should expect a chaotic world which cannot be grasped by the mind in any way…. That is the ‘miracle’ which is constantly being reinforced as our knowledge expands.” And that is the “miracle” that testifies to a creation guided by intention and rationality.”

Our friend Anthony Sacramone of Strange Herring (link defunct) was kind enough to send me a copy of Rodney Stark’s How the West Won (published by his employer, the Intercollegiate Studies Institute) during my convalescence. Gradually I found bits of time in which to read it, and I’ll review it briefly, though the excerpts above should give you a good idea of the whole thing. If you’ve read Stark’s God’s Battalions, you’ll know what to expect — a take-no-prisoners re-evaluation of conventional wisdom, with most of the things you’ve been told about history rejected.
Stark’s premise is fairly simple — progress comes, not from great empires, but from diversity of culture and maximum human freedom. One particular claim that will shock many is that the Roman Empire did almost nothing for human progress, except for the invention of concrete and the adoption of Christianity. Instead, Stark praises the Middle Ages, when invention and entrepreneurship were once again liberated to strive for new things.
I don’t know if Stark is a Catholic, but he writes like a Catholic and doesn’t have high praise for the Reformation. In spite of that, I liked this book very much. I suspect you will too, if you’re a conservative and a Christian. If you’re not, you’ll probably want to throw it across the room.

An ongoing apology

A quick post in passing, to apologize for only doing quick posts in passing — and few of them. I wish I could promise improvement, but it doesn’t look likely soon. My online graduate studies are kicking my tush, eating my lunch, drinking my milkshake… whatever metaphor you want to apply to a process that is sucking all the energy and time from my life.

I’ve even got a review I’ve been wanting to write.

But it won’t happen tonight.

On a cheerier note, I’ve been cleared to drive again, and am mostly healed up.

‘House of Evidence,’ by Viktor Arnar Ingolfsson

Here’s another of the Scandinavian mysteries I read in convalescence, House of Evidence by Viktor Arnar Ingolfsson. Ingolfsson is also the author of The Flatey Enigma, which I reviewed positively a while back. I liked this one as well, except for an ideological problem.

Like the Flatey book, House of Evidence is a very Icelandic novel, gentle and quiet at its heart. There are no super detectives or murderous psychopaths here, just a shocking puzzle investigated by cops who (with one exception) go about their work in an almost apologetic manner; embarrassed, perhaps, that any violence could happen in their polite society.

When Jacob Kieler Junior is found shot to death in his home one morning in 1973, it’s doubly strange because his father was killed in a similar fashion in that very room around 30 years before – shot by the same pistol, as they learn. Jacob was a man of no great social consequence, but his father, who built the grand house in which he lived, was a rich and important man whose life goal (though never achieved) was to build an Icelandic railroad. Jacob Jr.’s great goal was to preserve his family home as a museum, something that will now never happen.

As the police detectives look into the story, they gradually find the roots of the crime in old secrets having to do with the prospective railroad, Nazi Germany, and a failed attempt to make Iceland a monarchy.

The final revelation is devastating – and also a gentle (though in my opinion slightly manipulative) appeal for the social acceptance of homosexuality.

Aside from my ideological objections, I liked the book. Nothing very objectionable in language or adult themes, except as noted above, beyond a single horrible act of police brutality.

'House of Evidence,' by Viktor Arnar Ingolfsson


Here’s another of the Scandinavian mysteries I read in convalescence, House of Evidence by Viktor Arnar Ingolfsson. Ingolfsson is also the author of The Flatey Enigma, which I reviewed positively a while back. I liked this one as well, except for an ideological problem.
Like the Flatey book, House of Evidence is a very Icelandic novel, gentle and quiet at its heart. There are no super detectives or murderous psychopaths here, just a shocking puzzle investigated by cops who (with one exception) go about their work in an almost apologetic manner; embarrassed, perhaps, that any violence could happen in their polite society.
When Jacob Kieler Junior is found shot to death in his home one morning in 1973, it’s doubly strange because his father was killed in a similar fashion in that very room around 30 years before – shot by the same pistol, as they learn. Jacob was a man of no great social consequence, but his father, who built the grand house in which he lived, was a rich and important man whose life goal (though never achieved) was to build an Icelandic railroad. Jacob Jr.’s great goal was to preserve his family home as a museum, something that will now never happen.
As the police detectives look into the story, they gradually find the roots of the crime in old secrets having to do with the prospective railroad, Nazi Germany, and a failed attempt to make Iceland a monarchy.
The final revelation is devastating – and also a gentle (though in my opinion slightly manipulative) appeal for the social acceptance of homosexuality.
Aside from my ideological objections, I liked the book. Nothing very objectionable in language or adult themes, except as noted above, beyond a single horrible act of police brutality.

‘Chasing the Storm,’ by Martin Molsted

Recently I’ve read a few Scandinavian mysteries, and I’ll review them as I find time. I downloaded this one, Chasing the Storm by Martin Molsted, because it attempts to do something highly counterintuitive – creating a modern Norwegian action hero. Also this hero is named Torgrim Rygg, and Rygg is one of my ancestral names.

The story starts in Hamburg when Rygg – a former soldier in some sort of special force, now working in business and missing the action – witnesses an assassination attempt on a man, and instinctively sets out in pursuit of the assailant. He doesn’t catch him, but the intended victim, a Russian named Marko Marin, is so impressed with his response that (after doing some research on him) he asks him to help him with a dangerous project. This leads to perils and complications, and soon Rygg has happily bid farewell to conventional life and joined forces with Marko, who is a “journalist” of some sort, investigating an international conspiracy connected with the hijacking of a ship in the Baltic.

The whole thing is a little overcooked for my taste – frequent hops from one exotic place to another, danger at every turn… I had trouble believing the characters’ motivations and persistence. Also there are some odd sexual elements, such as Rygg’s cold-blooded seduction of a lonely, middle-aged woman in pursuit of information, and the three-cornered relationship he comes to enjoy with Marko’s beautiful girlfriend, Lena.

Entertaining in a Hollywood action movie sort of way, I found Chasing the Storm good enough for passing the time in the hospital, but nothing I strongly recommend. Cautions for just about everything you imagine.

'Chasing the Storm,' by Martin Molsted

Recently I’ve read a few Scandinavian mysteries, and I’ll review them as I find time. I downloaded this one, Chasing the Storm by Martin Molsted, because it attempts to do something highly counterintuitive – creating a modern Norwegian action hero. Also this hero is named Torgrim Rygg, and Rygg is one of my ancestral names.

The story starts in Hamburg when Rygg – a former soldier in some sort of special force, now working in business and missing the action – witnesses an assassination attempt on a man, and instinctively sets out in pursuit of the assailant. He doesn’t catch him, but the intended victim, a Russian named Marko Marin, is so impressed with his response that (after doing some research on him) he asks him to help him with a dangerous project. This leads to perils and complications, and soon Rygg has happily bid farewell to conventional life and joined forces with Marko, who is a “journalist” of some sort, investigating an international conspiracy connected with the hijacking of a ship in the Baltic.

The whole thing is a little overcooked for my taste – frequent hops from one exotic place to another, danger at every turn… I had trouble believing the characters’ motivations and persistence. Also there are some odd sexual elements, such as Rygg’s cold-blooded seduction of a lonely, middle-aged woman in pursuit of information, and the three-cornered relationship he comes to enjoy with Marko’s beautiful girlfriend, Lena.

Entertaining in a Hollywood action movie sort of way, I found Chasing the Storm good enough for passing the time in the hospital, but nothing I strongly recommend. Cautions for just about everything you imagine.