All posts by Lars Walker

Of conflicts and critics

As you’ll note from the comments on my last post, Dr. Hunter Baker (fiend in human shape that he is) heartlessly refuses to engage in a public exchange of insults with me, appealing, apparently, to some principle of non-retaliation or something. Thus am I stymied in my ploy to try to raise interest in my books through a blog feud.

I need to find somebody to fight with. Somebody who’s actually a published author, but not so venerable (like Dr. Gene Edward Veith) that my insulting him would seem impertinent. As my mama always told me, “Keep your hair combed, wear clean underwear, and always be pertinent.” Continue reading Of conflicts and critics →

Obviously, they're not REAL academics

My mortal enemy, the unspeakable Hunter Baker (don’t buy his book) relates a positive experience with colleagues in his new teaching gig, over at his blog.

A female colleague in the sciences opened our discourse by asking the philosopher, “Why did you find this author’s argument either intereresting or persuasive?” She quickly followed that by adding, “Because I didn’t.” In many circles, her question and comment would set up a quick ending to the discussion. Instead, she merely piqued our interest as the philosopher patiently explained his choice and his opinion. Soon, we were well down the road in trying to find some common ground. Before I knew it, over two hours had passed.

Maybe there’s hope for the nation after all.

No feather in his Capp

Cartoonist Al Capp's creation Li'l Abner puts up his fists under the headline 'Git Mad!' 1940s. Underneath the jumping character, the sign continues 'Buy War Stamps Here -- Now!' and, along with a picture of a smiling soldier, the text 'A 25 (cent) War Stamp Buys 12 Bullets.' (Photo by Hulton Archive/Getty Images)



Stefan Kanfer
has a fascinating article over at City Journal about a man who has always been (in an ambivalent sort of way) one of my personal heroes—the cartoonist Al Capp, creator of Li’l Abner (thanks to Daniel Crandall of The American Culture for the tip).

Back in its heyday, during the Great Depression, World War II, and the Fifties, Li’l Abner occupied a place in the American consciousness for which it’s hard to find an analog in today’s world. Back then everybody—except members of the most extreme religious communities—read the daily comics. Comic strips were what network TV used to be (but also is no more). If there were a page on the internet that everybody in the country visited every day, that would be something like what Li’l Abner was back then. When Abner finally gave up his fight to remain a bachelor and married Daisy Mae, the nation rejoiced (or grieved, depending on their point of view). Continue reading No feather in his Capp →

Saint Julian, by Walter Wangerin Jr.

The legend of Saint Julian the Hospitaller seems to have risen in the Middle Ages, and is today considered entirely folklore. Possibly inspired by the story of Oedipus, it tells of a young man of noble family cursed to commit an appalling, shameful crime. As with Oedipus, his very efforts to make the crime impossible actually bring it about, but Christians added the element of redemption, a demonstration that no crime is beyond the mercy of God.

Author and clergyman Walter Wangerin Jr. has written Saint Julian, a version of the legend (published 2003) in his own dreamy, poetic style. It’s not his best work, but it’s worth reading for those with eyes to see.

Medieval Christians believed that Julian lived at the beginning of the Christian era, but Wangerin places it in the epoch that produced it—somewhere in the Middle Ages, apparently during the Crusades. His book combines the classic style of the hagiographical tale with the allegory of Pilgrim’s Progress. Julian is a sort of Everyman, or Everychristian. Born to many advantages, blessed with physical beauty and rich natural gifts, he falls—almost innocently, one might say—into the sin of pride, seeing no need to curb his desires. His immoderation leads to a great sin, which brings upon him the curse of the tale. And when he commits his crime, it is again because of his intemperance. What follows is a long journey to discover the miracle of grace, a journey in which God is always guiding, generally unseen, along hard and painful roads.

Saint Julian lacks the emotional peaks and valleys that broke so many of our hearts in Wangerin’s greatest novel, the delightful The Book of the Dun Cow. In his attempt to mimic the style of medieval chroniclers, the author starts the book slowly, and probably loses a lot of readers along the way. The very universality of his themes tends to make the characters one-dimensional, like figures in a Gothic church painting.

Fans of Wangerin will enjoy Saint Julian, but not consider it his finest work. Those new to him would do best to start with The Book of the Dun Cow.

A weekend without Vikings

It was a quiet weekend at home for me, the first in some time. The rain delayed, giving me a chance to do some of the yard work I haven’t been able to get to before. And I made at least a token effort to clean the house (I might mention that I love the Swiffer Wet Jet. This is the mop I’ve waited for all my life. I’m sure it’s environmentally evil, what with chemicals and throw-away pads and all, but I’ll just keep it as my personal iniquity, until the EPA pries it from my cold, dead hands).

Sunday evening I drove down to Rochester (Minnesota, not New York. The place where the original Mayo Clinic is) to meet some distant relatives. Two shirttail cousins and their wives. One of them comments on this blog, but I’d never met him personally before. He’s here on vacation. We shared family stories, and I slipped into Lecturer Mode, explaining at length about Norwegian history, naming customs, and immigration patterns, among other things. In spite of that, they paid for my dinner.

I got from them yet another version of how our family acquired the British name, Walker. This one says the change was made at the urging of a local banker in Iowa, a relation by marriage. He is said to have told my great-grandfather’s brother he ought to change his name to “get ahead” in America. He then picked out Walker himself, because it sounded vaguely like “Kvalevaag,” the name of the farm this ancestor had come from.

So now I have three different versions. I’m not sure what conclusions to draw from all the disinformation. Maybe the Walker brothers were spies, and this was all deep cover.

We wondered about another odd circumstance, that although the two brothers weren’t many years apart in age (my great-grandfather was the younger), and although these two fellows I had dinner with are roughly in my age range, we have a full generation difference in our genealogies. In other words, while my ancestor is my great-grandfather, their ancestor (his brother) was their grandfather. In fact, their father is still alive. I guess a couple young marriages in my family tree account for the differences.

Anyway, I had a jolly time, and if they read this, here’s my thanks.

Challenging Islam

From FrontPage Magazine, an article on the vulnerability of Islam, if courageously challenged.

One answer is that you do all you can to force Muslims to question their faith in Islam. As Mark Steyn observes, “there’s no market for a faith that has no faith in itself.” He was speaking, of course, of the more mushy versions of Western Christianity—the post-Christian Christians who seem anxious to dialogue themselves into dhimmitude. But there’s no reason the concept can’t be applied to Islam. Surely the average intelligent Muslim has occasional doubts about the founding revelations. And just as surely he keeps them to himself, not only because he fears his fellow Muslims, but also because the rest of the world seems to be going along with the pretense that he belongs to a great religion. It may be time for the rest of the world to drop the pretense.

Tip: The Recliner Commentaries.

Outrage

According to reports, the Taliban in Afghanistan have hanged a 7-year-old boy.

A 7-year-old boy was murdered by the Taliban in an apparent act of retribution this week. Afghan officials said that the child was accused of spying for U.S. and NATO forces and hanged from a tree in southern Afghanistan.

Daoud Ahmadi, the spokesman for the provincial governor of Helmand, said that the killing happened days after the boy’s grandfather, Abdul Woodod Alokozai, spoke out against militants in their home village.

For all you relativists who have trouble figuring out the complicated differences between good and evil, this is what we call evil.

Stopping a boat running a legal military blockade is not evil.

Just for the record.

You might want to make a note of this.

Musical interlude

I was fairly pleased with my post yesterday, but it’s left me depleted. I feel like I’ve said everything I have to say for the moment.

Also, I’m bummed because Hunter Baker, author of The End of Secularism (don’t read it–it’ll only give him a swelled head) is now getting mentioned on Adam Baldwin’s twitter feed. Yes, that Adam Baldwin, the guy who plays Casey on “Chuck.”

Have I mentioned that I hate Hunter Baker?

In closing, here’s Sissel Kyrkjebø doing a little Grieg. “Solveig’s Song” from “Peer Gynt.” Comfort food for the soul.

We saw this coming, didn't we?

I finally watched “Gladiator” the other day. This news may surprise you. A guy who loves swords as much as I do, you would think, would have leaped for “Gladiator” like a trout after a fly, the moment it was released.

But in fact I found myself putting it off. I’m pretty sure I know why I delayed, too. I’d read a review that told me what happens to Maximus’ wife and son. I knew that in order to enjoy the good parts, I’d have to go through that scene, and whether it happened off screen or on, it would poison the whole thing for me. I hope you won’t think less of me if I admit that I’m basically a pretty tenderhearted guy, with a low tolerance for the suffering of innocents.

As a writer, I understand why they added that scene (and, according to Wikipedia, it was added. It wasn’t in the original script. They put it in to increase Maximus’ incentive for vengeance). You have to raise the stakes, if you want to engage an audience and motivate a character to dire and terrible deeds. People don’t wake up one morning and say, “I think I’ll assassinate a dictator today.” They need (or so we imagine) a personal reason, a mighty, visceral wrong to right. Continue reading We saw this coming, didn't we? →

Relentless, by Dean Koontz

Dean Koontz is a bold writer when it comes to experimenting with genres. In Relentless he gives us a comic horror science fiction thriller. It’s a very enjoyable and compelling book, but I’m not entirely sure all its parts work together.

I’ve said in other reviews that I admire Koontz’s general avoidance of the common (lazy) writer’s trick of telling stories about writers. But Relentless is about a writer (and his family). It could hardly have been otherwise, given the premise.

If horror means basing plots on our greatest fears, there can be no greater horror premise for a writer than a sociopathic critic. Negative critics are the enemies against whom there is no defense. Fighting a critic is a loser’s game. But how much worse if that critic wants you (and your family) dead? Continue reading Relentless, by Dean Koontz →