Category Archives: Reviews

‘A Bullet for Cinderella,’ by John D. MacDonald

But Ruth wore her own face for the world—wore an expression of strength and humility and goodness. Should you become accustomed to her loveliness, there would still be all that left. This was a for-keeps girl. She couldn’t be any other way because all the usual poses and artifices were left out of her. This was a girl you could hurt, a girl who would demand and deserve utter loyalty.

I’ve read all John D. MacDonald’s Travis McGee books, and a good number of his non-McGee works. I’m not sure if I ever read A Bullet for Cinderella before, though. I find it hard to imagine I could have read it and forgotten it. This is early MacDonald (1955), but it’s a gem.

Tal Howard is a returned prisoner of war from Korea. Nowadays we’d say he has PTSD. He came home to a job and a faithful, waiting fiancée, but walked away from both of them, because he wasn’t the same man anymore. He wasn’t sure what to do with his life, so he thought he’d go look for the money Timmy Warden, as he lay dying in the camp, told him about. The money he’d embezzled from his and his brother’s business and buried in a secret place. “Cindy will know where it is,” he said.

Tal arrives in Timmy’s home town, Hillston (no state named). He finds Timmy’s brother broken and bankrupt, a bitter alcoholic. He meets Ruth, Timmy’s old girlfriend, who never guessed his secrets. He starts searching for a girl named Cindy, but there doesn’t seem to have been any such girl in the small town in Timmy’s time.

But he’s also reunited with an old acquaintance – Fitzmartin, another camp survivor. He’s no friend, though. A loner, a sneak, a spy, all the prisoners had hated Fitz. He overheard Timmy’s confession to Tal, and he has preceded him to Hillston. But so far he can’t find any Cindy either, and none of the many places he’s dug up have yielded treasure. Fitz has no doubt he can solve the puzzle – or, even better, if Tal solves it, he’ll just kill him and take the dough.

You may recognize in this synopsis a fairly standard Noir set-up. And that’s what it is – a morally compromised hero going for the easy score and finding himself in over his head. What raises it to the level of art is John D. MacDonald’s sheer mastery of his medium, the lucid prose, the complex characters, the essential humanity of the project. This book was written fairly early in the author’s career, but it’s a complete, polished achievement. Superior in its time and superior today.

A great introduction by Dean Koontz is included.

Recommended.

‘Superego: Betrayal,’ by Frank J. Fleming

Diane took a deep breath. “I saw her come at you. I was a hair’s breadth away from gunning her down. But I knew she was just another scared and confused person – a victim in all this. And I let her stab you instead. Which feels like a betrayal.”

I waved a hand at her dismissively. “I’m one of the worst people in the known universe. And I can’t feel pain. People can stab me.”

Frank J. Fleming is a treasure – creator of the hilarious IMAO blog, and now a leading light at the indispensable Babylon Bee, he writes some of the funniest stuff going today. And he’s now three books into his Superego series, a dark-comic space opera about Rico, the greatest assassin in the universe. Rico is untethered by conscience and genetically engineered to be a perfect fighting machine. Only now he has somehow fallen in love with a tortured Christian woman called Diane and is trying to make himself worthy of her. In Superego: Betrayal, this change of course has landed him with responsibility for leading a rebellion against a universal criminal empire run by his own father.

I didn’t enjoy Superego: Betrayal as much as the first two books, but the reason is easy to understand. Every story has an arc, and it’s necessary to include an act where things go from bad to worse and the hero’s goals seem impossible to achieve. This book holds that position in the series (unless it gets even worse in the next book). Hopes are dashed, friends turn to enemies, people you like die. I hope Frank isn’t going to Game of Thrones this series, but can tie it all up and give us our happy ending in the next volume.

Great writing. Dark content. Not for the kids.

‘Hostile Takeover,’ by Dan Willis

I don’t spend a lot of time in urban fantasy, as you may have noticed. But you may have also noticed that I’ve grown fond of Dan Willis’ Arcane Casebook series, set in the 1930s New York in an alternate universe where the world runs on magic rather than oil and coal, and where it’s possible both to be a magician and a practicing Catholic.

Alex Lockerby is a runewright, who makes his living doing magic through drawing, then burning, complex mystical designs on paper. He started humbly but has now risen in the world, being in business with the richest sorcerer in America, and in a romantic relationship with Sorsha Kincaid, the most powerful sorceress in the country.

But as Hostile Takeover begins, Sorsha is in trouble. Someone has drawn an incredibly complex rune that’s draining her life-force away. What they’re using the energy for is a mystery, but it’s gradually killing Sorsha. If Alex and his mentor Iggy (who is actually Arthur Conan Doyle incognito) can’t unlock the rune and break it, Sorsha will die.

But that’s not all that’s going on. Alex has been approached by a young couple who are being bullied by thugs who want them to sell a historic property they own. Alex promises to figure out what’s going on and stop it. Also, a runewright who held proprietary rights to a rune that gave a technical edge to a radio manufacturing company has died mysteriously. The insurance company suspects he was murdered, but can’t prove it. That’s Alex’s job.

I like these books. I like the characters. The writing’s pretty good, and the world-building fun. I recommend Hostile Takeover, along with the rest of the series. No very objectionable material, not even bad language.

‘Die for Me,’ by Jack Lynch

Dorothy L. Sayers was one of the founders of the British “Detection Club,” a group of mystery writers. They enforced certain rules on their membership, including one against allowing their detectives to solve crimes through “jiggery-pokery.” Jiggery-pokery included spirits, magic, and psychic powers.

The rules of detective writing have changed since then (like all the rules), so that now and then we do encounter a mystery book where psychic powers play a part. However, it doesn’t work in practice to make those powers too effective. That ruins the whole point of a mystery. When a “real” psychic appears in a mystery, their gift is generally obscure, constituting a puzzle in itself.

That’s the case with Jack Lynch’s Die for Me, another in his Pete Bragg series. San Francisco PI Bragg, who flourished back around the ‘80s, gets a call from Maribeth Robbins, a woman he’s only encountered once before – over the phone. On the very last day of his newspaper career, then-reporter Bragg took a call from a profoundly depressed Maribeth. He realized he was talking to someone suicidal, and stayed on the line with her until she’d calmed down. Then he referred her to counselors. That call, she tells him now, saved her life. Today she’s a psychic, but a low-key one. She avoids publicity and the media.

She’s learned that Bragg has become a private eye, and she wants to talk to him about a vision she’s been having. She sees a rural location where – she is certain – several bodies are buried. These people were recently murdered and one of them, she thinks, is a child.

It’s pretty vague evidence to go on, if it can be called evidence at all. But Bragg teases some further details out of her, and then gets a pilot friend to fly him and a friendly medical examiner to a particular area along the California coast. In Jack London State Park they find a spot that matches the description. And the M.E. notes that the vivid green color of the grass could well be a sign of burials.

They land and examine the place, and immediately call the county sheriff. This is indeed a burial site. Just as Maribeth feared.

The story that follows mixes Bragg’s involvement with the case with his struggles in his relationship with his girlfriend, who’s increasingly distant. In the end he’ll face a showdown with a hostage-taking killer, in the ruins of Jack London’s house.

I don’t believe in ESP. If it exists, I consider it probably demonic. But suspending my disbelief on that point, I very much enjoyed Die for Me. It was an engaging and engrossing story that kept me turning the pages.

One thing that dated it, I thought (and being dated is no drawback in a book for this reader), was the treatment of feminism. Bragg encounters a female police detective back when such creatures were a rarity. He demonstrates his openmindedness in his conversations with her, but those conversations are cringe-inducing by the standards of the 21st Century. I think that’s because back then we thought feminism was really about fairness, not just about finding ways for men always to be in the wrong.

Anyway, Die for Me was a pretty good, old-school mystery, and I enjoyed it. Recommended unless ESP is a deal-breaker for you.

‘Firewater Blues,’ by Caimh McDonnell

As for the flat itself, whatever had gone on here, it was highly unlikely that the weapon used was a cat, as there was nowhere near enough room to swing one.

Caimh McDonnell’s series of comic mysteries featuring bibulous police detective Bunny McGarry can well be called ground-breaking, if only for its extension of the category “trilogy” to include a series that’s up to six books now (not to mention the “Bunny in America” side-series). The latest is Firewater Blues, and it’s as inventive and hilarious as all the others.

Nevertheless, I’m done with them. Reasons at the end of this review.

Firewater Blues is a sort of prequel, occurring before A Man With One of Those Faces, the first in the series. Bunny is still with the police force at this point, though on a “sabbatical.” He’s grown disillusioned with the force, and is considering a change.

Then he encounters Rosie Flint, a young woman he once helped out. Rosie is a computer genius and very obviously somewhere on the Autistic scale. Which means she absolutely refuses to have anything to do with the regular police, due to the way they treated her the last time around. But she trusts Bunny… sort of. She has a boyfriend now, and he’s disappeared. On top of that, she’s convinced somebody has been following her. Already agoraphic, she’s terrified of a world of dangers.

Bunny agrees to help, and begins uncovering disturbing clues. Something very big is going on, and poor Rosie is in the middle of it. Bunny will approach the case with his usual blunt object methodology, and many heads will get knocked together before – with the help of a pack of renegade nuns and a twelve-year-old truant – he finds the answers. Not all of them comforting.

Author McDonnell is a genius, and Firewater Blues combines slapstick, crude jokes, and clever wordsmithing with moments of genuine poignancy. This is an excellent, funny book, if you can handle the language.

However (at least for this reader) this is where the author finally came out so plainly with his politics that that element overcame the entertainment. There’s never been any question where Caimh McDonnell stood on the political spectrum, but (it seemed to me) he came out swinging this time. He even went so far as to trot out the old chestnut that “political correctness is just another name for politeness.” (Yeah, pull the other one. What could be more polite than calling everybody you disagree with Hitler?) I’m sure author McDonnell doesn’t want my conservative, fascist money anyway.

In any case, it’s stopped being fun and I’m done with it. But you may be more tolerant than I am. I can recommend it as a really funny, well-written book.

‘Preacher Finds a Corpse,’ by Gerald Everett Jones

This is a book I mistook for a promising novel by a Christian writer. Having finished it, I still consider it a promising novel (the author has gone on to write several and seems to be doing well). I’m not so sure about the Christianity. Though Preacher Finds a Corpse (awful title) is not exactly anti-Christian either.

Evan Wycliff grew up in Apple Center, Missouri, and then went away to Harvard to study theology. Then he studied astrophysics. Then, after a personal tragedy, he went home again, where he now works as a bill collector for a car dealer and now and then preaches in local congregations. Hence his nickname, “Preacher.”

His return allowed him to reconnect with his boyhood best friend Bob, though they haven’t actually spent much time together. Nevertheless, Evan is shocked when, one morning when he’s on his way to join some buddies on a turkey hunt, he finds Bob’s dead body waiting on the path. Bob has apparently shot himself to death with a pistol.

Evan is not a serious suspect in the case. In fact, the sheriff quickly closes the case, but confides to Evan in private that he wouldn’t mind having someone look a little closer at it. Bob’s financial affairs had been in disarray. A farm he’d been renting to a friend was about to be taken over by the government, and Bob had told the friend not to worry – he’d prevent that from happening. Only now he can’t. And Bob’s beautiful wife, who’s set to inherit all his property, seems less than devastated. And what is it with the property, anyway? Why is there no clear title? Why is an area there fenced off by the military?

Evan will poke around in his low-key way, digging up some history, and some people will feel threatened. Physical attack and involuntary commitment to an institution are just some of the challenges Evan will face. But in the end the truth will out.

I found Preacher Finds a Corpse a promising book in terms of narrative. Evan is a layered character, and the other characters are complex too. I thought the prose a little weak – the author needed to move the story along faster. He’s probably figured out how to do that by now.

The plotting was weak, I thought, in the sense that everything turns out to be less than the reader expects. The conclusion was kind of flat. Another problem was that one surreal plot element – Evan having conversations with the imagined spirit of his dead fiancée – doesn’t start happening until half-way through the book. If you’re going to add that kind of mystical element, you need to establish it earlier in the story.

But my main problem was theological. Evan is supposed to be a popular supply preacher in the small-town churches around Apple City. But, judging by the topics he preaches on, he’s only marginally orthodox (or not orthodox at all). He tells the people in the pews that “God is all there is” (pantheism). He questions whether human souls in Heaven possess personality. I have trouble believing small town preachers would put up with that sort of thing. However, I suspect the author means well. I think he wants us to like these people because they’re open to “original” ideas.

Preacher Finds a Corpse wasn’t awful. But I didn’t like it enough to go on to the sequels.

‘The Complete Midshipman Bolitho,’ by Alexander Kent

As you may or may not recall (why should you?) I have a fondness for tales of the sea. The great age of sail warfare, the age of Nelson, has inspired several excellent series of novels. The original, great one is C. S. Forester’s Horatio Hornblower. He may (possibly) have been surpassed by Patrick O’Brien’s Aubrey and Maturin. Another contender, not to be scorned, is Alexander Kent’s (a pseudonym; Douglas Reeman was his real name) Richard Bolitho.

The Complete Midshipman Bolitho is a collection of three novellas describing Dick Bolitho’s service from 1772 through 1774, on the eve of the American Revolution. We find him, a sixteen-year-old with experience on a previous vessel, assigned to HMS Gorgon, a 74-gun warship. Richard is the son of a rear admiral, but all midshipmen (at least in theory) are treated the same – and the discipline is hard. His immediate superior, in fact, makes it clear to him that he’ll get no special treatment – rather the opposite.

In the each of these three stories, the young midshipman finds himself facing impossible challenges and pulling victory from the jaws of defeat through unwavering courage, original thinking, and an unusual empathy with the men he leads.

The Complete Midshipman Bolitho was an excellent (and educational) read, by and large. This reader personally had trouble with some of the action scenes. They reminded him of the quick-cut editing in modern action movies – characters seemed to suddenly appear in places without an adequate explanation of how they got there. But it’s possible I was just distracted and missed the clues.

Minimal bad language. Suitable for older teens and all adults. Recommended.

‘The Witnesses,’ by Robert Whitlow

It’s generally a mistake to look for excellence in contemporary Christian fiction (or any other kind of fiction, to be fair). When excellence does appear, it’s a wonderful gift. One to savor. It behooves a grumpy old reviewer like me to be thankful when a Christian novel is okay.

The Witnesses, by Robert Whitlow, is okay.

Parker House is a young attorney in New Bern, North Carolina. He’s working for a small firm, and his bosses work him pretty hard. But he’s proving a valuable asset (though his bosses won’t admit it yet) because of his remarkable talent for making good guesses.

Parker has a grandfather, Frank, who immigrated from Switzerland after World War II. But he’s mysterious about his origins. He is not, in fact, Swiss, but German. And during the war he was valued by his Nazi superiors as someone able to intuit enemy positions and intentions. And, incidentally, places where treasure might be concealed. Frank deserted at last, but he still bears a weight of guilt.

When a man Frank doesn’t remember, who tells him he saved his life once, shows up at his door, Frank is troubled. He only wants to put the past behind him. Frank’s intuition tells him more is going on than the old acquaintance told him.

Meanwhile, young Parker is being headhunted by a famous trial lawyer, who seems to have sensed his hidden gifts. The lawyer has a beautiful daughter whom Parker falls for, but that turns out to be a complication, as she’s bitterly estranged from her father. She gives Parker an ultimatum: You can work for my dad, or you can date me.

The Witnesses kept my interest all through, though I found the writing fairly flat. The Christian elements approached the awkward sometimes (for me, but I’m sensitive). However, the final spiritual climax was quite moving.

I have problems with the idea of anything like “extrasensory perception” as a gift of the Holy Spirit. The author seems to identify it with the gift of prophecy, but I’m wary of such things. So – at least from the point of view of my church – I’d call The Witnesses iffy on the orthodoxy side.

Your beliefs may vary. Nothing objectionable in the content. I think many of our readers may enjoy The Witnesses.

‘Murder Must Advertise,’ by Dorothy L. Sayers

…the most convincing copy  was always written with the tongue in the cheek, a genuine conviction of the commodity’s worth producing—for some reason—poverty and flatness of style….

All in all, among the delights of Dorothy Sayers’ Lord Peter Wimsey mystery series, Murder Must Advertise may be the most perfect specimen. Which is rather odd, to my mind, as it takes Lord Peter generally out of his natural environment (his priceless valet, Bunter, only makes a brief appearance). In Murder Must Advertise, Lord Peter goes undercover as an advertising copywriter, and finds to his surprise that he’s rather good at it. (Author Sayers herself spent some time in that very career – she is credited with coining the phrase, “It pays to advertise!”)

Victor Dean, a young copywriter at Pym’s Publicity, fell down an iron spiral staircase in the offices one day, breaking his neck. A letter to his employer was found among his effects, and that letter said that something illicit was going on among the staff. For that reason, Mr. Pym engages Lord Peter Wimsey to investigate. Lord Peter substitutes horn-rimmed glasses for his usual monocle and shows up for work, easily sliding into the circle of copywriters. He calls himself Death Bredon (these being his two actual middle names). Meanwhile, at night, Death Bredon becomes a habitue of wild parties hosted by a notorious young heiress. Drugs are being distributed at these parties, and somehow the drug network is connected to Pym’s Publicity. Death Bredon charms some people, insults others, and generally stirs things up to see what will happen. What happens is murder.

Murder Must Advertise is about as close as Miss Sayers ever came to full-blown hard-boiled fiction. Lord Peter is very different from Philip Marlowe, but there’s some of the same atmosphere here of mean streets and ruthless criminals. I like it quite a lot, it goes without saying.

Cautions, American readers, for a lengthy chapter involving a cricket game. Most of you will be as at sea in that environment as I am.

‘Fatal Sisters,’ by W. Glenn Duncan

Speaking in general terms, hard-boiled mysteries written before the turn of the millennium tend to be a good bet for me. A little more modern than the classics (which I also like), but before the explosion of Wokeness that has fatally infected so much recent literature. Jack Lynch’s Bragg books are a good example.

So I tried out W. Glenn Duncan’s Fatal Sisters, part of his Rafferty series. The intention seems to have been to produce something reminiscent of Robert B. Parker’s Spenser novels.

Sadly, it didn’t quite work for me. But read on. You might like it better.

Rafferty is a private eye in Dallas. Like Nick Charles and Spenser, he has a steady girlfriend (though because of the time of writing, the author didn’t feel it necessary to make the girlfriend a two-fisted martial artist. And that’s always nice). Rafferty operates alone, but has a dangerous friend called “Cowboy” who backs him up when things get hairy.

In Fatal Sisters (I haven’t figured out yet what the title means. Probably missed a clue), Rafferty gets a call from Patty Akkister, a fairly ordinary young wife. She says her husband Sherm is missing. But it’s all hush-hush, because, she says, Sherm is actually a spy, off on one of his secret assignments. He’s been gone so long, though…

Rafferty has run into situations like this before. Clearly, old Sherm is having an affair, and using the spy story to explain his absences. Rafferty takes the case, in the hope of catching Sherm and talking him into going back to Patty.

Unfortunately, Rafferty’s wrong. Sherm’s no spy, but he is involved in some very dangerous business. And before he’s done, Rafferty will find himself dodging bullets and protecting people – including Patty – from serious mayhem and murder.

I’m not entirely sure why Fatal Sisters didn’t work for me. Rafferty was an okay character, though he never really came alive in my mind. He’s a wisecracking PI, which is a great tradition, but it seemed to me his dialogue never quite hit the target. The book was interesting enough, in a “something to read while waiting for a plane” sort of way. And there was a pretty good surprise at the climax.

On the language side, the profanity quotient was much lower than we get in our decade. So it had that going for it.