Category Archives: Fiction

Person’s a Person or Something Like That

Last weekend, the movie adaptation of Dr. Seuss’ Horton Hears a Who opened. It looks like a fun my girls will enjoy.

You might think the essence of the story affirms life at all stages, but I’ve read that Dr. Seuss and his widow always disapproved of the signature phrase, “A person’s a person, no matter how small,” being used as a pro-life message. A few years ago, a biographer discussed the matter on a book show in Australia:

Amanda Smith (of Book Talk): And then, also, the anti-abortion lobby in the United States has used a line from Horton Hears a Who, the line that says, ‘A person’s a person, no matter how small.’ Would that have been in accord with Seuss’s intended meaning?

Philip Nel (author of Dr Seuss – American Icon): Absolutely not. In fact, during his lifetime Seuss threatened to sue an anti-abortion group unless they took that off their stationery and they did take it off their stationery but it’s still used. I’ve still seen propaganda in recent years from pro-life groups that have adopted Horton’s line, ‘A person’s a person, no matter how small.’ It’s one of the ways in which Seuss has been misappropriated. He would not agree with that.

I don’t remember the book clearly, but I wonder if this story is larger or beyond Dr. Seuss’ intentions. Once a story is published, it’s out of the author’s hands, is it not? An author may have written something with themes he doesn’t fully agree with, stumbling on truths he does not recognize.

Not Always the Point

Sure, you found the body of your employer lodged uncomfortably in the copier and a threat to your co-workers smeared on the wall in toner power. It’d make a powerful story, but sometimes a crime novel isn’t just about the crime.

And Now for Something Completely Different

Sir Gawain and the Green Knight–The Short Version!

Chestertonian Rambler has edited and modernized the story of everyone’s favorite medieval giant.

Gawain: I’m not good at anything but talking. I’ll take the honors.

Arthur: Helpful tip: Beheaded Enemies rarely have the ability to return the blow.

Gawain: Sure thing. *cuts off Green Knight’s head in a single stroke*

Green Knight’s head: Jolly good times! See you next year, at the green chapel!

We Mourn the Death of . . Wait! He’s Back!

Marvel Comics revives Captain America. No, the original man did not come back to life, but another character has taken up his mantle.

. . . killing off Captain America last year seemed to give him new life with readers. The editor was taken aback when newspapers even carried obituaries on the character. “Not since the 1940s have we seen Cap being this popular,” he said.

Why doesn’t Captain America have a good–I mean, good–movie yet? Maybe there will be one in 2009.

Aliens, Wormholes, and the Really Big Questions

“If you want to read books that tackle profound philosophical questions, then the best — and perhaps only — place to turn these days is sci-fi. Science fiction is the last great literature of ideas,” writes Clive Thompson in Wired. (via Books, Inq.)

I’m not sure Thompson is right, because crime fiction or mystery explores some deep ideas about humanity, community, God, and life. I think science fiction may be the best label for this kind of praise because it can include almost any story with unreal elements, even overriding other genres or labels. When Thompson starts throwing out examples to support his argument, he picks three fantasy series first.

Waiting to Yawn

Perhaps Dan Brown is taking so much time to write his follow-up to The Da Vinci Code because he is taking all of the criticism he received to heart, planning to make this next book critical as well as popular success. Doubt it, but why be pessimistic? For far superior books on secrets and religion, take up the ones Will Duquette read yesterday.

Coming Soon to a Bookshelf Near You

Buzz Girl has news on a few new books coming out this year. Here are ones I found interesting.

  • The U.S. Poet Laureate has a book of poems coming in April.
  • Buzz Girl writes about Ursula K. Le Guin’s new novel, “Unlike anything Le Guin has done before, this is an imagining of Lavinia, the king’s daughter in Vergil’s Aeneid, with whom Aeneas was destined to found an empire.”
  • She says there will be a marketing splash made by Master of the Delta by Thomas H. Cook, a “literary mystery by a writer’s writer.” I haven’t heard of Cook, but I’m interested in literary mysteries and strong writing.
  • She reports “HarperOne is the new identity for HarperSanFrancisco, publishing books on religion, spirituality and personal growth.” They have a couple books on politics and faith or religion coming soon. First, Jim Wallis thinks he’s gotten something to say in The Great Awakening: Reviving Faith & Politics in a Post-Religious Right America. I don’t care if the “religious right” label goes the way of the world, but if Wallis thinks the country has rejected conservative faith as exercised in government, he needs to get around more.
  • Second from HarperOne is God in the White House: A History–1960-2004: How Faith Shaped the Presidency from John F. Kennedy to George W. Bush by Randall Balmer. Could be interesting.
  • Bart Ehrman, author of Misquoting Jesus, continues to criticize his Creator and display his twisted faith in secondary sources with a new book, God’s Problem: How the Bible Fails to Answer Our Most Important Question–Why We Suffer. Perhaps this one will inspire several response books too, just as his other one did.

In other news, Andrew Kalvan’s next book is coming this summer. Empire of Lies deals with a man with strong faith and a solid family who came from a violent life which comes back to haunt him. He is thrown into “a murderous conspiracy only he can see and only he can stop—a plot that bizarrely links his private passions to the turmoil of a world at war.”

Shorter Classics

Frank Wilson writes about a publishing company who have abridged some of the great works of the past. He begins:

The last commandment in Elmore Leonard’s 10 Rules of Writing (Morrow, $14.95) declares that an author should “try to leave out the part that readers tend to skip.” The people at Phoenix Press think a number of classic authors were negligent in observing this rule. Anna Karenina, for instance, weighs in at a whopping 800-plus pages. Who can possibly hope to read that and still have time to watch Dancing With the Stars? . . . And there’s the rub, as Hamlet might not say, if a Phoenix editor thought better of it. There is nothing inherently wrong with what Somerset Maugham called “the useful art of skipping.” Maugham himself in fact helped produce a series of abridged classics in 1948 called “Great Novelists and Their Novels.”

How much skipping do you do in your reading? I have a hard time with it, but I have done it. I remember skipping chapter 13 of The Silmarillion.

Better to Speak the Language of “Once Upon a Time”

The Jollyblogger talks about the power of story in connection with Pullman’s Golden Compass.

Christian apologists have spent years and years attempting to show the reasonableness of Christianity, and have claimed many victories. Yet the religious landscape around us suggests that whether or not we have persuaded many heads, we continue to lose ground in capturing hearts – so let me join the chorus of those who are saying that we need to learn better to speak the language of “once upon a time.”

Stardust, Book and Film

Pig Wot Flies tells us why Neil Gamon’s Stardust is so much better as a book than a movie. “In Gaiman’s Faerie, no-one is safe. People die, sometimes bloodily and it’s a shock when they do.” That’s one of the book’s good parts which doesn’t come through in the movie.