A thousand trees have been planted in the Nordmarka forest, near Oslo, Norway, as a work of art, literature, and hope in dystopian days. It’s being called a work of art, framtidsbiblioteket or The Future Library; and I don’t doubt it’s beautiful even now. Trees have a way about them.
The trees are to meant grow for 100 years (starting in 2014) and then be cut for the paper to publish anthologies with manuscripts that will be written over that hundred-year period. Participating writers will surrender their original work to the project and allow it to go unpublished until 2114, preventing anyone from knowing how pretentious and unreadable it is until after their death. The writers who submit something in 2100 will be the ones under pressure, because they will have living readers to engage at the next virtual book signing. If their work flops, it will only be another weight to drag the whole project under water.
Who’s going to care to read back fifty years to see whether one of these works will hold their interest? Other writers possibly. More likely it will be publishers who read through these anthologies to find a gem they can exploit for themselves. “Frizzik Notweilder’s Ghosts at Noon Know the Heimlich, written seventy years ago and published in the framtidsbiblioteket anthologies, is the novel of the century, now available through Simon & Zondervan publishers.”
And Notweilder won’t know a thing about it.