Tag Archives: Robin Hood

Robin Hood, To Tell the Truth

Host: Would the real Robin Hood, outlaw of Sherwood Forest, Duke of Lockesley, please stand up? Psst, one of you should stand. Who’s the original?

(All three subjects stand.)

Host: Ha, ha! They’re still playing with us, folks. Okay, that’s swell. Now, two of you sit down and the genuine Robin Hood remain standing. Come on, now. We’re running out of air time.

Shout from audience: Let ’em shoot it out with arrows!

Blackthorn and Stone has written about the changing character of Robin Hood and how the original stories aren’t the most important thing about him. Was Robin an actual person who lived over 650 years ago? No, he appears to be have been a commonly beloved folk hero.

Interesting to note about the early Robin Hood-esque character is that Hereford’s noble status and inheritance problems don’t feature in the country pageant version of Robin Hood—however, they do turn up again in the Tudor period and have stuck with us ever since.

Did the Tudor era reinvent a Robin Hood for their purposes, or were they actually harkening back to the original conception of the rogue? Evidence for the interpretation of Robin Hood as an archetype, rather than a person, is found when looking at where the vast majority of Robin Hood pre-1600 source material comes from: plays and festivals.

Blackstone and Stone, “An Outlaw Hero for Every Age

DVD Review: The Adventures of Robin Hood


So I wrote a while back about buying the DVD set of the old English Sir Lancelot TV series, starring William Russell. All in all it was fairly disappointing, compared to my childhood memories. The production values were low, and the plots rather silly.
I expected little better when I bought the complete The Adventures of Robin Hood from the same period (at under 20 bucks a great deal, as it ran 143 episodes). I’m happy to report that I was pleasantly surprised. The Adventures of Robin Hood holds up considerably better than Sir Lancelot, or so it appears as I complete my viewing of the first season.
My main worry was ideological. As is well known, the producers of Robin Hood hired a number of American communists, blacklisted in Hollywood, to write for the series. My occasional viewing of random episodes over the years gave me the idea that party line came out in a number of story elements.
But (at least in the first season) I actually saw little of that. In fact, much is made of the injustice of the Norman’s stealing the property of Saxons (Robin in particular). At one point, somebody even goes so far as to say that unjust taxes are theft. Also, the Church is treated with considerable respect (doubtless in deference to English broadcasting standards of the day). Continue reading DVD Review: The Adventures of Robin Hood