Jason Duesing talks about taking the time to stare at a painting, Caravaggio’s “Saint John the Baptist in the Wilderness” and what slowing down could mean for anyone.
Strangest new year of my life, I think. This one’s “driving me alee” (as I have a character say in my Work in Progress. I’m not even sure it’s a real nautical term).
It’s not a bad new year. Quite the opposite, so far as I can tell. I’m having a good time. But it’s going too fast.
A new year is a tug on the sleeve from Mortality, telling you, “You’re running out of time.” If my life were one of those rolls of receipt tape in a cash register, I’d be seeing the red borders they put on those things, down near the core, to warn you the roll is running out. It doesn’t mean the end is imminent. It would be wasteful to change the roll now. But it means you should check your supplies, to make sure you’ve got another roll ready, because The End Is Coming.
The other day it occurred to me – I’m living the dream. All my life I’ve wanted to write from home for a living. And that’s what I’m doing now (translating is a form of writing, and one I enjoy). I don’t dread Mondays anymore – in fact, I prefer weekdays to weekends in this new dispensation.
Which means the weeks whiz by.
Back when I was toiling my way toward an ultimately useless master’s degree, I had one consolation – the slowdown of time. Einstein is famously supposed to have explained General Relativity by saying that a minute goes a lot faster when you’ve got a blonde in your lap than when you’re sitting on a hot stove. (Nonsense, I think. It’s true, but that’s a psychological and perceptional phenomenon. It has nothing to do – so far as I understand it – with Einsteinian relativity. Much evil has sprung from this error.) Those two-and-a-half years in the salt mines of academe felt like five to me. There was some satisfaction in that, at my time of life. Now, every week feels like a day. And I haven’t got that many weeks left.
The solution, of course, is obvious. I need to suffer more.
What could go wrong?
Frodo felt that he was in a timeless land that did not fade or change or fall into forgetfulness. When he had gone and passed again into the outer world, still Frodo the wanderer from the Shire would walk there, upon the grass among the Elanor and niphredil in fair Lothlórien.
I have finished my latest re-reading of The Fellowship of the Ring (don’t ask me how many times I’ve read it; I haven’t kept count. I know many a geek has surpassed me in that department).
The last time I read the Trilogy was in the wake of the releases of the Peter Jackson movies. I remember that I had to struggle a bit to override the film images in my imagination (as I’ve mentioned before). This time through, although the “struggle” remained, it bothered me less. I found that I relished the depth and scope of the book, compared to film with its many limitations (even in wide-screen with special effects).
Continuing my theme from last night’s post, I was most struck by the sense of time in the book – an impression of a comprehensive history, often only hinted at but lurking behind every corner. You can learn much of that greater history in the works that Christopher Tolkien has given us, but frankly I’ve never had the patience for all that. I don’t need to know the details. I just need to know it’s there, adding a deeper perspective to the epic narrative.
This is a lesson to writers.
Writers are often told, “Write what you know.” And that’s good advice, but it doesn’t necessarily mean “Write only about your own life and experiences.” You can know many things outside your experience. Tolkien writes with such authority about the Third Age of Middle Earth (which, if you didn’t know, corresponds to the Norse term for our planet in mythological terms – Midgard) because he had put in a lot of hard work creating a coherent world with a coherent history, including languages. All those things were imaginary, but he “knew” them because he’d spent so much time with it all. That’s what we really mean when we say, “Write what you know.” We mean know your basic material, even if you’re making it up. Do your spade work before you plant. We live in the golden age of research – the internet gives you access to resources the greatest scholars of the past could only dream of. Take advantage of them.
Beside the standing stone Gimli halted and looked up. It was cracked and weather-worn, and the faint runes upon its side could not be read. ‘This pillar marks the spot where Durin first looked in the Mirrormere,’ said the dwarf. ‘Let us look ourselves once, ere we go!’
Happy New Year to you. In this season we think about time, which “like an ever-rolling stream bears all its sons away.” That makes this a good day, I aver, to discuss the question of time in The Lord of the Rings. At least some aspects I’ve noticed.
I’ve been looking for hints of Norse influences in The Fellowship of the Ring, which I’m still reading (almost done now). One such element seems to be the runestone that Gimli visits, shortly after the escape from Moria (excerpt above).
But the stone is illegible, thanks to time and weather. And that got me thinking about time and the concept of ancient things in the Trilogy. Continue reading Blogging through LOTR: A matter of time