“My Faith Has Found a Resting Place,” performed by Danielle Franklyn & Waneisha Denny
This month, our theme will be faith, which will gather in popular song this one from Lidie H. Edmunds (1851-1920). Edmunds, a native Philadelphian, was home-bound for many years. In order to use her time well, she studied literature and wrote hymns.
“God shows his love for us in that while we were still sinners, Christ died for us” (Romans 5:8 ESV).
1 My faith has found a resting place, from guilt my soul is freed; I trust the ever-living One, his wounds for me shall plead.
Refrain: I need no other argument, I need no other plea, it is enough that Jesus died, and that he died for me.
2 Enough for me that Jesus saves, this ends my fear and doubt; a sinful soul, I come to him, he’ll never cast me out. [Refrain]
3 My heart is leaning on the Word, the written Word of God, salvation by my Savior’s name, salvation thro’ his blood. [Refrain]
4 My great Physician heals the sick, the lost he came to save; for me his precious blood he shed, for me his life he gave. [Refrain]
Music and culture writer Ted Gioia talked on camera with David Perell of the podcast “How I Write” to talk about his life of reading and writing. I just watched it, and it’s marvelous.
Ted, who has been writing on Substack for three and a half years, shared the interview with a short excerpt about musicians getting inspiration from dreams. In the almost two-hour interview, he discusses becoming a well-read man over many years, reading books for content or style, chasing publishing trends, writing honestly for yourself first and then for readers, and how our worldview as well as social pressure presses us toward select kinds of inspiration.
It’s well worth your time. Many good thoughts were shared. You’ll note some that I didn’t, so feel free to comment on it here.
The original text for today’s hymn, “The God of Abraham Praise,” comes from Maimonides of the 12th century. Ken Myers writes, “The medieval Jewish philosopher Moses ben Maimon (commonly known as Maimonides, 1135?-1204) formulated a list of thirteen essential articles of faith. Some time after his death, probably in the late 14th century, his ‘creed’ was paraphrased in a metrical Hebrew poem, suitable for singing by Jewish congregations and cantors. This hymn is known as the ‘Yigdal,’ from the first Hebrew word in the poem, which means “magnify” or ‘praise.'”
“As I looked, thrones were placed, and the Ancient of Days took his seat; his clothing was white as snow, and the hair of his head like pure wool; his throne was fiery flames; its wheels were burning fire” (Daniel 7:9 ESV)
1 The God of Abraham praise, who reigns enthroned above, Ancient of everlasting days and God of love. Jehovah! Great I AM! by earth and heav’n confessed; I bow and bless the sacred name, forever blest.
2 The God of Abraham praise, at whose supreme command from earth I rise and seek the joys at his right hand. I all on earth forsake, its wisdom, fame, and pow’r, and him my only portion make, my shield and tow’r.
3 He by himself hath sworn, I on his oath depend; I shall, on eagles’ wings upborne, to heav’n ascend. I shall behold his face, I shall his pow’r adore, and sing the wonders of his grace forevermore.
4 The goodly land I see, with peace and plenty blest, a land of sacred liberty and endless rest. There milk and honey flow, and oil and wine abound, and trees of life forever grow, with mercy crowned.
5 There dwells the Lord our King, the Lord our Righteousness, triumphant o’er the world and sin, the Prince of Peace. On Zion’s sacred height his kingdom he maintains, and glorious with his saints in light forever reigns.
6 The whole triumphant host gives thanks to God on high; “Hail, Father, Son, and Holy Ghost!” they ever cry. Hail, Abraham’s God and mine! I join the heav’nly lays; all might and majesty are thine, and endless praise.
Whenever I think of Star Wars in a general sense, not a particular scene or story line, but when I’m recalling the essence of it or imagining myself walking as an unknown Jedi through the parking lot to my speeder, the music I imagine is The Force Theme or Ben Kenobi’s theme from the original movie score. Most often, it’s the slow, mourning arrangement you hear in this sunset moment.
I loved Star Wars growing up. My primary toys were several action figures and an awesome Millenium Falcon, like the kind they don’t make anymore. We had a two-record set of the first movie’s score, which I played regularly. When I had a friend two-houses down, I remember bringing over the records and running around the room with our X-wings. He may have had a tie-fighter—details, you know. I didn’t have one of those.
I was never the biggest fan by a long shot. (That category just isn’t my thing. I’m reluctant to pick favorites of anything even though I’ve played the fan for many things.) I have not read any of the novels, though I may pick up the Thrawn trilogy this year. I’ve heard they are the best of the 381 novels the breeders have spawned. I watched the original movies several times, but the new ones—I may find time for three new ones I haven’t seen (episodes 2, 3, and 9).
I write this today because early in the week I watched Jenny Nicholson’s lengthy video about her experience at Disney’s Star Wars: Galactic Starcruiser Hotel. It was billed as immersive and interactive, like being a character in a Star Wars story. They closed it last September after an 18-month run. Hearing Nicholson’s story provoked sad feelings for what might have been, not just with that failed venture but with many of the new Star Wars stories lately.
I remember enjoying The Force Awakens. I said so here, though I can’t find the photo I used to fully express my feelings. I’ll just have to recreate it.
Thinking back on The Force Awakens, I see it wasn’t a great story, but it wasn’t terrible. It set up something that could have been great fun, but the people in charge either don’t know how to tell fun stories like this or actually hate the property. (Let’s hear a variation on The Force Theme to soothe our angst.) That theme could be a dirge for all of the promise Star Wars offered us and didn’t deliver. Maybe the dark side has clouded our vision for the past some years–likely throwing the galaxy out of balance. But if the Tao of the Force means anything, it means the Jedi will return to restore balance.
Monsters, Us Men: Author and professor Thomas Fuchs writes in The New Atlantis, “… we increasingly believe in the superiority of our own artificial creatures. We begin to be ashamed of our existence as all-too-earthly beings of flesh and blood. And the grandiose self-exaltation ultimately turns into pitiful self-abasement.”
“One of the film’s greatest feats is packing so many of O’Connor’s life experiences and thoughts—as expressed not only in her stories but also in her Prayer Journal, letters, essays, and lectures—into a dense, intricately woven film that runs under two hours. Hawke’s restraint reflects perfectly the restraint of the life O’Connor lived …”
Today’s hymn comes from a man who is thought to have been one of the scholars behind the Geneva Bible of 1560. He lived for a time in Geneva (overlapping dates with the great John Calvin) and worked on 25 Psalm versifications for an English psalter. This one, derived from Ps. 100, has endured until today and found the most popularity. The tune also comes from Calvin’s service to the church, being attributed to his music director Louis Bourgeois.
“Know that the LORD, he is God! It is he who made us, and we are his; we are his people, and the sheep of his pasture.” (Psalm 100:3 ESV)
1 All people that on earth do dwell, sing to the Lord with cheerful voice; him serve with fear, his praise forth tell, come ye before him and rejoice.
2 The Lord ye know is God indeed; without our aid he did us make; we are his folk, he doth us feed, and for his sheep he doth us take.
3 O enter then his gates with praise, approach with joy his courts unto; praise, laud, and bless his name always, for it is seemly so to do.
4 For why? The Lord our God is good, his mercy is forever sure; his truth at all times firmly stood, and shall from age to age endure.
Speaking of Norway, when I began earning spending money in my late teens, I agreed to receive the initial offer from The Musical Heritage Society. You could receive the monthly featured album (tape or CD) very naturally (they would just assume you wanted it) or refuse it. They sent a small musical review to let you know what you would receive with plenty of time to opt out. That’s how I was introduced to Camille Saint-Saëns’s Symphony No. 3 which added a pipe organ to orchestra. It’s how I fell in love with Dvorak’s Symphony No 9 (The New World Symphony) and judge every other recording of it by the one I played repeatedly in my 20s. I was familiar with “Flight of the Bumblebee” and Scheherazade from the radio, so I bought four tapes of Rimsky-Korsakov’s music, one with the Arabia Nights piece, the other three with several works I didn’t know, like the “Procession of the Nobles.”
The Musical Heritage Society is also how I purchased a tape of Edvard Grieg’s Peer Gynt, recorded with full choir for The Hall of the Mountain King and a gorgeous soprano for Solvieg’s Song. This recording, which I think only had voices in these two pieces,
I listened to this music so much, I engrained it in my mind. Later I forgot where certain familiar melodies (one or two) came from. I remembered them casually, almost as if I’d made them up, and lo, they were from Peer Gynt. Moments like that make me think I haven’t had an original thought in my life. Maybe all of my ideas are just a snatch of something I heard in the past, ripped from its context, its source forgotten.
We had realized for many months the insecurity of our position in England as there was so much hate growing in the hearts of the general populace. This could be understood because we had many German members; also the pacifism of our English members roused a bitter spirit in nationalistic minds.
Today’s hymn is by German lawyer and hymnist Johann Jakob Schütz (1640-1690). The recording above has only two verses, and the second isn’t copied below. Perhaps it’s another translation.
“The steadfast love of the LORD never ceases; his mercies never come to an end” (Lamentations 3:22 ESV).
1 Sing praise to God who reigns above, The God of all creation, The God of pow’r, the God of love, The God of our salvation; With healing balm my soul He fills And ev’ry pain and sorrow stills: To God all praise and glory!
2 The angel hosts Thy praises sing Around Thy throne in heaven. On earth and sea, O mighty King, All praise to Thee is given. Let all who ‘neath Thy shadow dwell In hymns of praise Thy wisdom tell: To God all praise and glory!
3 What God hath wrought to show His might, He evermore sustaineth. His eye is o’er us day and night, His mercy never waneth. Thro’out His kingdom’s wide domain His works are right, His judgments plain: To God all praise and glory!
4 I cried to God in my distress, His mercy heard me calling; My Savior saw my helplessness And kept my feet from falling; For this, Lord, praise and thanks to Thee! Praise God most high, praise God with me! To God all praise and glory!
5 Ye, who confess the Savior’s name, To God give praise and glory! Ye who the Father’s might proclaim, To God give praise and glory! Let idols under foot be trod! The Lord is God! The Lord is God! To God all praise and glory!
6 Thus, all my gladsome way along, I’ll sing aloud Thy praises, That men may hear the grateful song My voice unwearied raises; Be joyful in the Lord, my heart, Both soul and body, bear your part; To God all praise and glory!
This month, our theme will be the Almighty. Today’s hymn is based on Psalm 145, written by Englishman Richard Mant (1776-1848), the rector and bishop of many English towns. The tune is from an influential German hymnal of the 16th century.
“They shall speak of the might of your awesome deeds, and I will declare your greatness” (Psalm 145:6 ESV).
1 God, my king, thy might confessing, ever will I bless thy name; day by day thy throne addressing, still will I thy praise proclaim.
2 Honor great our God befitteth; who his majesty can reach? Age to age his works transmitteth; age to age his pow’r shall teach.
3 They shall talk of all thy glory, on thy might and greatness dwell, speak of thy great acts the story, and thy deeds of wonder tell.
4 Nor shall fail from mem’ry’s treasure works by love and mercy wrought: works of love surpassing measure, works of mercy passing thought.
5 Full of kindness and compassion, slow to anger, vast in love, God is good to all creation; all his works his goodness prove.
6 All thy works, O Lord, shall bless thee, thee shall all thy saints adore. King supreme shall they confess thee, and proclaim thy sovereign pow’r.
I’ve got a busy day today, so let me start by sharing a little light verse.
You live a few days then you die And sometimes you ask yourself why. What could bring relief? The next season’s release. Go watch and the time will fly by.
They’re calling to all of the sheep To occupy Ivy League Street Don’t think of the issues Just bring down your tissues And cry, yell, scream, chant, and repeat.
Scotland: From the land of the free and the home of the brave comes this tale of Black Agnes, who held Castle Dunbar against the English for several months in 1338, saying among other things”
‘Of Scotland’s King I haud my house, He pays me meat and fee, And I will keep my gude auld house, While my house will keep me.’
A New Review: John Wilson imagines a Christian review periodical and what it’s pushback would sound like: “We’re beset on every hand by attacks on our core convictions, by enemies of our faith, and you are whining about book reviews?”
Of publishers it may be said that like the English as a race they are incapable of philosophy. They deal in particulars and adhere easily to Sydney Smith’s dictum that one should take short views, hope for the best, and trust God.
William Jovanovich, Now, Barabbas
Photo: John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division
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