All posts by Phil

Nostalgia for that Long Ago Galaxy

Whenever I think of Star Wars in a general sense, not a particular scene or story line, but when I’m recalling the essence of it or imagining myself walking as an unknown Jedi through the parking lot to my speeder, the music I imagine is The Force Theme or Ben Kenobi’s theme from the original movie score. Most often, it’s the slow, mourning arrangement you hear in this sunset moment.

The Force Theme from Star Wars: A New Hope

Until today, I thought this was Luke’s theme, but Mark Richards corrected me with this post.

I loved Star Wars growing up. My primary toys were several action figures and an awesome Millenium Falcon, like the kind they don’t make anymore. We had a two-record set of the first movie’s score, which I played regularly. When I had a friend two-houses down, I remember bringing over the records and running around the room with our X-wings. He may have had a tie-fighter—details, you know. I didn’t have one of those.

I was never the biggest fan by a long shot. (That category just isn’t my thing. I’m reluctant to pick favorites of anything even though I’ve played the fan for many things.) I have not read any of the novels, though I may pick up the Thrawn trilogy this year. I’ve heard they are the best of the 381 novels the breeders have spawned. I watched the original movies several times, but the new ones—I may find time for three new ones I haven’t seen (episodes 2, 3, and 9).

I write this today because early in the week I watched Jenny Nicholson’s lengthy video about her experience at Disney’s Star Wars: Galactic Starcruiser Hotel. It was billed as immersive and interactive, like being a character in a Star Wars story. They closed it last September after an 18-month run. Hearing Nicholson’s story provoked sad feelings for what might have been, not just with that failed venture but with many of the new Star Wars stories lately.

I remember enjoying The Force Awakens. I said so here, though I can’t find the photo I used to fully express my feelings. I’ll just have to recreate it.

Star Wars figures stand in solidarity

Thinking back on The Force Awakens, I see it wasn’t a great story, but it wasn’t terrible. It set up something that could have been great fun, but the people in charge either don’t know how to tell fun stories like this or actually hate the property. (Let’s hear a variation on The Force Theme to soothe our angst.) That theme could be a dirge for all of the promise Star Wars offered us and didn’t deliver. Maybe the dark side has clouded our vision for the past some years–likely throwing the galaxy out of balance. But if the Tao of the Force means anything, it means the Jedi will return to restore balance.

Could be a long time coming.

Sciency Writing: “The old Scientific American that I subscribed to in college was all about the science,” an evolutionary psychologist told City Journal. “By the time Trump was elected in 2016, he says, ‘the Scientific American editors seem to have decided that fighting conservatives was more important than reporting on science.′”

Monsters, Us Men: Author and professor Thomas Fuchs writes in The New Atlantis, “… we increasingly believe in the superiority of our own artificial creatures. We begin to be ashamed of our existence as all-too-earthly beings of flesh and blood. And the grandiose self-exaltation ultimately turns into pitiful self-abasement.”

Discovering a Great Writer: Patrick Kurp writes about the one magazine issue that lit a fire in him.

Photo of Millenium Falcon entrance by Josué AS on Unsplash

Praise for Wildcat, a Biopic on Flannery O’Connor

Author and professor Karen Swallow Prior reviews a new biopic film by Ethan Hawke about one of our favorite Southern authors, Flannery O’Connor.

“One of the film’s greatest feats is packing so many of O’Connor’s life experiences and thoughts—as expressed not only in her stories but also in her Prayer Journal, letters, essays, and lectures—into a dense, intricately woven film that runs under two hours. Hawke’s restraint reflects perfectly the restraint of the life O’Connor lived …”

Sunday Singing: All People That on Earth Do Dwell

Today’s hymn comes from a man who is thought to have been one of the scholars behind the Geneva Bible of 1560. He lived for a time in Geneva (overlapping dates with the great John Calvin) and worked on 25 Psalm versifications for an English psalter. This one, derived from Ps. 100, has endured until today and found the most popularity. The tune also comes from Calvin’s service to the church, being attributed to his music director Louis Bourgeois.

“Know that the LORD, he is God!
It is he who made us, and we are his;
we are his people, and the sheep of his pasture.” (Psalm 100:3 ESV)

1 All people that on earth do dwell,
sing to the Lord with cheerful voice;
him serve with fear, his praise forth tell,
come ye before him and rejoice.

2 The Lord ye know is God indeed;
without our aid he did us make;
we are his folk, he doth us feed,
and for his sheep he doth us take.

3 O enter then his gates with praise,
approach with joy his courts unto;
praise, laud, and bless his name always,
for it is seemly so to do.

4 For why? The Lord our God is good,
his mercy is forever sure;
his truth at all times firmly stood,
and shall from age to age endure.

Getting into Classical Music, Reading

Speaking of Norway, when I began earning spending money in my late teens, I agreed to receive the initial offer from The Musical Heritage Society. You could receive the monthly featured album (tape or CD) very naturally (they would just assume you wanted it) or refuse it. They sent a small musical review to let you know what you would receive with plenty of time to opt out. That’s how I was introduced to Camille Saint-Saëns’s Symphony No. 3 which added a pipe organ to orchestra. It’s how I fell in love with Dvorak’s Symphony No 9 (The New World Symphony) and judge every other recording of it by the one I played repeatedly in my 20s. I was familiar with “Flight of the Bumblebee” and Scheherazade from the radio, so I bought four tapes of Rimsky-Korsakov’s music, one with the Arabia Nights piece, the other three with several works I didn’t know, like the “Procession of the Nobles.”

The Musical Heritage Society is also how I purchased a tape of Edvard Grieg’s Peer Gynt, recorded with full choir for The Hall of the Mountain King and a gorgeous soprano for Solvieg’s Song. This recording, which I think only had voices in these two pieces,

I listened to this music so much, I engrained it in my mind. Later I forgot where certain familiar melodies (one or two) came from. I remembered them casually, almost as if I’d made them up, and lo, they were from Peer Gynt. Moments like that make me think I haven’t had an original thought in my life. Maybe all of my ideas are just a snatch of something I heard in the past, ripped from its context, its source forgotten.

Anyway, what else do we have today?

Reading: A video reflection on reading carefully and how you evaluate your speed.

Is it real or is it math? Patrick Kurp offers this post about math, sort of, and poetry. I feel too dim-witted to get it, at least at the moment.

Poetry: Take a moment for this poem, “Shiloh” by Alyssa Souza

Fleeing the war Refugee Letters: At the height of World War II, three women flee Europe with the Bruderhof community for a pioneer life in South America

We had realized for many months the insecurity of our position in England as there was so much hate growing in the hearts of the general populace. This could be understood because we had many German members; also the pacifism of our English members roused a bitter spirit in nationalistic minds.

Photo: Image by wal_172619 from Pixabay

Sunday Singing: Sing Praise to God, Who Reigns Above

Today’s hymn is by German lawyer and hymnist Johann Jakob Schütz (1640-1690). The recording above has only two verses, and the second isn’t copied below. Perhaps it’s another translation.

“The steadfast love of the LORD never ceases; his mercies never come to an end” (Lamentations 3:22 ESV).

1 Sing praise to God who reigns above,
The God of all creation,
The God of pow’r, the God of love,
The God of our salvation;
With healing balm my soul He fills
And ev’ry pain and sorrow stills:
To God all praise and glory!

2 The angel hosts Thy praises sing
Around Thy throne in heaven.
On earth and sea, O mighty King,
All praise to Thee is given.
Let all who ‘neath Thy shadow dwell
In hymns of praise Thy wisdom tell:
To God all praise and glory!

3 What God hath wrought to show His might,
He evermore sustaineth.
His eye is o’er us day and night,
His mercy never waneth.
Thro’out His kingdom’s wide domain
His works are right, His judgments plain:
To God all praise and glory!

4 I cried to God in my distress,
His mercy heard me calling;
My Savior saw my helplessness
And kept my feet from falling;
For this, Lord, praise and thanks to Thee!
Praise God most high, praise God with me!
To God all praise and glory!

5 Ye, who confess the Savior’s name,
To God give praise and glory!
Ye who the Father’s might proclaim,
To God give praise and glory!
Let idols under foot be trod!
The Lord is God! The Lord is God!
To God all praise and glory!

6 Thus, all my gladsome way along,
I’ll sing aloud Thy praises,
That men may hear the grateful song
My voice unwearied raises;
Be joyful in the Lord, my heart,
Both soul and body, bear your part;
To God all praise and glory!

Sunday Singing: God, My King, Thy Might confessing

This month, our theme will be the Almighty. Today’s hymn is based on Psalm 145, written by Englishman Richard Mant (1776-1848), the rector and bishop of many English towns. The tune is from an influential German hymnal of the 16th century.

“They shall speak of the might of your awesome deeds,
and I will declare your greatness” (Psalm 145:6 ESV).

1 God, my king, thy might confessing,
ever will I bless thy name;
day by day thy throne addressing,
still will I thy praise proclaim.

2 Honor great our God befitteth;
who his majesty can reach?
Age to age his works transmitteth;
age to age his pow’r shall teach.

3 They shall talk of all thy glory,
on thy might and greatness dwell,
speak of thy great acts the story,
and thy deeds of wonder tell.

4 Nor shall fail from mem’ry’s treasure
works by love and mercy wrought:
works of love surpassing measure,
works of mercy passing thought.

5 Full of kindness and compassion,
slow to anger, vast in love,
God is good to all creation;
all his works his goodness prove.

6 All thy works, O Lord, shall bless thee,
thee shall all thy saints adore.
King supreme shall they confess thee,
and proclaim thy sovereign pow’r.

Light Verse, Music & Silence, and Saturday Links

I’ve got a busy day today, so let me start by sharing a little light verse.

You live a few days then you die
And sometimes you ask yourself why.
What could bring relief?
The next season’s release.
Go watch and the time will fly by.

They’re calling to all of the sheep
To occupy Ivy League Street
Don’t think of the issues
Just bring down your tissues
And cry, yell, scream, chant, and repeat.

What else can I share with you?

Music: “Both noise and total silence destroy all possibility of mutual understanding, because they destroy both speaking and hearing.”

Scotland: From the land of the free and the home of the brave comes this tale of Black Agnes, who held Castle Dunbar against the English for several months in 1338, saying among other things”

‘Of  Scotland’s King I haud my house,
He pays me meat and fee,
And I will keep my gude auld house,
While my house will keep me.’

A New Review: John Wilson imagines a Christian review periodical and what it’s pushback would sound like: “We’re beset on every hand by attacks on our core convictions, by enemies of our faith, and you are whining about book reviews?”

Publishing: More on the book business and where the money goes.

Of publishers it may be said that like the English as a race they are incapable of philosophy. They deal in particulars and adhere easily to Sydney Smith’s dictum that one should take short views, hope for the best, and trust God.

William Jovanovich, Now, Barabbas

Photo: John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division

Sunday Singing: Amidst Us Our Beloved Stands

The hymns this month have focused on Our Lord’s Table. Today’s song was written for an 1866 hymnal by the great English preacher Charles Spurgeon (1834-1892). The tune shared here is not one you would find in a hymnal. It’s a 2009 arrangement by Greg Kay.

“Now as they were eating, Jesus took bread, and after blessing it broke it and gave it to the disciples, and said, ‘Take, eat; this is my body’” (Matthew 26:26 ESV).

1 Amidst us our Beloved stands,
and bids us view His pierced hands;
points to the wounded feet and side,
blest emblems of the Crucified.

2 What food luxurious loads the board,
when, at His table, sits the Lord!
The cup how rich, the bread how sweet,
when Jesus deigns the guests to meet!

3 If now, with eyes defiled and dim,
we see the signs, but see not Him;
O may His love the scales displace,
and bid us see Him face to face!

4 Our former transports we recount,
when with Him in the holy mount:
these cause our souls to thirst anew
His marred but lovely face to view.

Are People Buying Books or Not?

Point: Few people buy books that aren’t celebrity aligned. Britney Spears’s autobiography, released October 24, 2023, is currently #1 in Kindle, #10 in hardcover on Amazon. Aside of these, publishing houses stay afloat through backlist sales: Bibles, coloring books, and Don Quixote.

Counterpoint: Plenty of people are buying books, and the big publishers aren’t objective reporters on their own business.

“Someone from a prestige big 5 imprint whose books are often award-contenders and bestsellers once told me any book that sold less than 25,000 in print was a failure for them. OTOH, when I was in an MFA program—where many of the professors wrote experimental literary novels and such—I was told anything more than 5,000 sales was a success. Some small press editors might be happy with 1,000 sales.”

Topping Amazon’s fiction list for most sold this week are The Women,
by Kristin Hannah (12 weeks on the list) and The Covenant of Water, by Abraham Verghese (33 weeks).

As booklovers, we may want many more people to join us in reading, sharing, and enjoying the written or recorded word, but I don’t think the sky is falling yet.

Also in this vein, Ted Gioia offers “10 Reasons Why I’m Publishing My Next Book on Substack.

What else do we need to know?

Poetry: On April 26, 1336, a great poet climbed into the Alps just for the thrill of it, which people didn’t do in those days. Petrarch climbed to the top of Mont Ventoux (which is much higher today because of inflation) and read from Augustine’s Confessions, “Where I fixed my eyes first, it was written: ‘And men go to admire the high mountains, the vast floods of the sea, the huge streams of the rivers, the circumference of the ocean and the revolutions of the stars – and desert themselves.’ . . .”

Memoir: Writing about his life, Marvin Olasky says to be open to change. Don’t set a groove early and try to stay there.

C.S. Lewis: Screwtape praises certain celebrities and the sheep of their flock

Music: Ted Gioia writes western music isn’t what we think it is. “Just stop and think for a moment about the importance of Venice in the history of music. Everything from madrigals to operas found their home in that bustling port city—a key connecting point between West and East in the modern imagination.”

Sunday Singing: Let Thy Blood in Mercy Poured

Today’s hymn, “Let Thy Blood in Mercy Poured,” comes from the Greek tradition, and maybe if I could type Greek, I could search for the title on Greek pages. But the sources I’ve seen give no date for that version of the hymn, only that is came into English via Glasgow native and Free Church minister John Brownlie (1857-1925). The tune is much older, written by Lutheran cantor at Berlin’s St. Nicholas Church, Johann Crüger (1598-1662).

“I appeal to you therefore, brothers, by the mercies of God, to present your bodies as a living sacrifice, holy and acceptable to God, which is your spiritual worship” (Romans 12:1 ESV).

1 Let thy blood in mercy poured,
let thy gracious body broken,
be to me, O gracious Lord,
of thy boundless love the token.

Refrain:
Thou didst give thyself for me,
now I give myself to thee.

2 Thou didst die that I might live;
blessed Lord, thou cam’st to save me;
all that love of God could give
Jesus by his sorrows gave me. [Refrain]

3 By the thorns that crowned thy brow,
by the spear wound and the nailing,
by the pain and death, I now
claim, O Christ, thy love unfailing. [Refrain]

4 Wilt thou own the gift I bring?
All my penitence I give thee;
thou art my exalted King,
of thy matchless love forgive me. [Refrain]