All posts by Phil

How Christmas Grew Up in America

Going to church on Christmas Eve - a 1911 vintage Xmas card illustration
Penne Restad of the University of Texas in Austin and the author of Christmas in America describes how the celebration of Christmas in the United States began to come together in the 1850s.

The swirl of change caused many to long for an earlier time, one in which they imagined that old and good values held sway in cohesive and peaceful communities. It also made them reconsider the notion of ‘community’ in larger terms, on a national scale, but modelled on the ideal of a family gathered at the hearth. At this cross-roads of progress and nostalgia, Americans found in Christmas a holiday that ministered to their needs. The many Christmases celebrated across the land began to resolve into a more singular and widely celebrated home holiday. . . .

The ‘American’ holiday enveloped the often contradictory strains of commercialism and artisanship, as well as nostalgia and faith in progress, that defined late nineteenth-century culture. Its relative lack of theological or Biblical authority – what had made it anathema to the Puritans – ironically allowed Christmas to emerge as a highly ecumenical event in a land of pluralism. It became a moment of idealized national self-definition.

1386: Chaucer’s Chaotic Year

The Works of Geoffrey Chaucer, Now Newly ImprintedJeff Strowe tells us, “If Chaucer were alive today, he’d be on the front page of ‘US Weekly.'” His marriage was strained by personality and circumstance. His employment was tedious. His world was remarkably unclean and violent, which isn’t what many people imagine when thinking back to 1386. Strowe pulls these details from Paul Strohm’s new book, Chaucer’s Tale: 1386 and the Road to Canterbury.

The best parts of Strohm’s book deal with the byzantine intricacies and flat-out craziness of life in the 14th Century. Primitive sanitation practices caused awful putrid smells to waft upwards, baking residents of Chaucer’s neighborhood with a daylong, unceasing stench that, despite its’ unceasing presence, undoubtedly caused constant suffering by those caught in the down and upwind paths. Several hundred feet away also laid forth the severed heads of various vagrants, thieves, traitors, and “enemies” of the King.

There’s also some time spent on his literary efforts, though they don’t make up the bulk of the book.

What Is Christ’s Message to the Church?

This is a stirring message from Sinclair Ferguson, giving at the beginning of the year at Ligonier Ministries’ national conference. He speaks on someone in the Reformed tradition, but his message from Revelation 2:3 isn’t limited to those churches. It’s a timeless message of seeking God’s favor over our comfort, of returning to our first love.

Making an Idol of American Exceptionalism

Nathan Finn summaries his Facebook friends’ political banter like this: “America is a Christian nation, we have lost our spiritual moorings, and political liberals are mostly to blame—but if we elect the right politically conservative (or perhaps libertarian) candidate, he or she (probably the former) will restore America’s greatness and perhaps usher in another Great Awakening.”

This, he says, is a false gospel. Believers are not called to make America great, but to expand the kingdom of Christ. We aren’t called to political action so much as we’re called to evangelicalism.

Finn writes to review what looks like a great book from John Wilsey,  American Exceptionalism and Civil Religion: Reassessing the History of an Idea. If we take the idea of American Exceptionalism to the extend described above, we have politicized the gospel, rendering to Caesar what should be rendered to God alone.

This is the idea I was getting at back when I asked this question, “How would your perspective change if you became convinced the United States was not founded as a Christian nation?“

Why #Ferrantefever?

Orta San Giulio

“Why have Elena Ferrante’s four Neapolitan novels—My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child—become such a phenomenon with American and British readers?” asks Fernanda Moore. “The prose, in Ann Goldstein’s translation, is artless, repetitive, and stale. There are too many characters to keep track of, and much of the quartet’s cultural nuance . . . whizzes right over non-Italian heads.” Plus the stories don’t remind us of the beautiful, romantic Italy we’ve seen in many movies.

Moore doesn’t see it. She doesn’t see the fuel behind #Ferrantefever. She doesn’t get the appeal of overly long novels with vague backdrops and confusing, if not actually confused, details.

Alan Jacobs, on the other hand, finds them “utterly compelling.” “I had been telling myself for some time that I simply no longer have the tolerance for contemporary realistic fiction. Then I started this story and thought: Oh. I just haven’t come across anything this masterful in a while.” He sees the four novels as a single long novel, and not about friendship, but profound hatred. (via Prufrock)

Why Are Monsters Let Loose in Europe At Christmas?

Caitlin Hu describes the horrors of some European December Festivals.

Until Jan. 6, demons, witches and monsters haunt Europe.

The season of terror actually begins on Dec. 5, the eve of Saint Nicholas’ Day, with public parades of the saint’s supposed companions: Across the Italian, Austrian and Slovenian Alps, cowbell-slung demons calledKrampus storm mountain towns. In France, the legendary serial killer and butcher Pere Fouettard (Father Whipper) threatens naughty children with his whip, while in Belgium and the Netherlands, a controversial child-kidnapper called Zwarte Piet (Black Piet) rides through canals on a steamship.

Where did this come from? Christmastime in the old days meant drunkenness and demands for charity as well as these remnants of Saturnalia, which is not the forefather of Christmas but a competitor. This public carousing would have been one of the reasons Puritans, if not Christians at large, did not observe Christmas in their day. One Puritan wrote,

Especially in Christmas time, there is nothing else used but cards, dice, tables, masking, mumming, bowling, & such like fooleries. And the reason is, they think they have a commission and prerogative that time to do what they lust, and to follow what vanity they will. But (alas!) do they think that they are privileged at that time to do evil?

But why do monsters roam European streets in December? Perhaps the pagans recognize we will only be good (to the degree that we can) if someone is threatening to whip us or enslave us every minute of our lives.

Why Some of Us Don’t Observe Advent

Even among the congregants of churches that do observe the advent season, which began last Sunday, many believers allow the time to slip by unobserved. Timothy Paul Jones, a Southern Baptist, asks why.

Perhaps it’s because, for believers no less than nonbelievers, our calendars are dominated not by the venerable rhythms of redemption but by the swifter currents of consumerism and efficiency. The microwave saves us from waiting for soup to simmer on the stove, credit cards redeem us from waiting on a paycheck to make purchases, and this backward extension of the Christmas season liberates us from having to deal with the awkward lull of Advent.

. . .

Why this Advent-free leap from All Hallow’s Eve to Christmas Eve?

Perhaps because Christmas is about celebration, and celebrations can be leveraged to move products off shelves. Advent is about waiting, and waiting contributes little to the gross domestic product.

On a related note, Tony Reinke tweeted this today.

Editors Spill It on Fatal Flaws in Fiction

Save the would-be author in your family a few headaches with this book from The Writer’s Toolbox Series, 5 Editors Tackle the 12 Fatal Flaws of Fiction Writing. Editors C. S. Lakin, Linda S. Clare, Christy Distler, Robin Patchen, and Rachel Starr Thomson collaborate on how to handle twelve problems in fiction writing.  Each editor writes on one or more aspects of each of the twelve problems, giving readers what amounts to a panel discussion on the problem areas.

With five editors writing on the same problem, do they repeat each other much? Maybe in the introductory comments, but they work together bring up different angles on the topic. Sentences can fail to communicate in many different ways. Dialogue flaws are multitudinous. A developing writer will likely find many spots to polish when applying this advice to their own writing.

“Once you learn to detach emotionally from the words you write,” Lakin explains, “the battle is half won.”

The editors also give five examples of bad writing on each problem as well as a summary example at the end of each chapter, making this book something of a writing workshop if you’re willing to rewrite each example and then compare your work to the suggestion provided.

The twelve flaws they tackle:

  1. Overwriting
  2. Describing nothing that moves the story
  3. Weak construction
  4. Too much backstory
  5. Point of view violations
  6. Telling instead of showing
  7. Lack of pacing, tension
  8. Flawed dialogue construction
  9. Underwriting
  10. Description deficiencies and excesses
  11. Pesky Adverbs and Weasel Words
  12. Flawed Writing Mechanics

Each chapter concludes with a handy review page listing all of the advice for that problem and a practice example to work on. A book like this should save would-be writers plenty of emotional (and literal) cash when approaching an editor with their manuscript.

Lakin is also the author of The 12 Key Pillars of Novel Construction and other titles in The Writer’s Toolbox Series. She gave me a PDF of the new book in exchange for this review.

Where Did You Go, Short Story?

“The dullest short stories I read from the last fifteen years were winners of competitions,” writes Hensher, who sieved through journals, old and new, to source the material for these collections. He characterises the winning stories of contemporary competitions as “present-tense solitary reflections”, their protagonists “lying on their beds affectlessly pondering; major historical events were considered gravely; social media were dutifully brought in to indicate an eye on the contemporary”. It is a mistake to believe that competitions, rather than a system of commissions, payments, circulation and readers, will generate literary quality.

Philip Hensher has compiled two volumes for Penguin’s Book of British Short Stories. (via Prufrock)

What Book Does Tim Keller Read Every Month?

“The other Scriptures speak to us,” observed Athanasius (AD 296–373), “but the Psalms speak for us.” For 3,000 years the Psalter has been the prayer book and songbook of God’s people. It was also the prayer book and songbook of God’s Son. Our Savior quoted from the Psalms more than any other biblical book—even while breathing his last (Matt. 27:46; Luke 23:46).

Matt Smethurst asks Pastor Tim Keller about reading the Psalms and his new devotional based on them.