Matthew’s Gospel has the account of the Magi’s visit, and it never occurred to me to wonder why “all the chief priests and scribes of the people” didn’t go with them to Bethlehem. Did they write them off as pagans on a goose hunt?
we see God for who he is: the Savior of all nations for all time. The same God who perfectly orchestrated Israel’s history so that he was born of the line of David created a specific heavenly object so that he could draw these wise-men to himself: the source of all true Wisdom. We see a Savior who loved the world so much that he chose to become one of us for all of us: Jews and Gentiles alike. No circumstance can deny the will of God. There is no distance that God cannot bridge: if he has already restored the bridge between man and God, how much more will he bridge our earthly gulfs of loneliness, guilt, fear, and doubt?
If man is simply good by nature and governed by social or natural laws, then someone somewhere could raise up utopia for the perpetual happiness of all who lived there. Dostoevsky said that if such a place could be constructed, let several years pass and “people would suddenly see that they had no more life left, that they had no freedom of spirit, no will, no personality. . . . they would see that their human image had disappeared . . . that their lives had been taken away for the sake of bread, for ‘stones turned into bread.'”
A passage in Notes from Underground looks forward to modern dystopian novels, works like Yevgeny Zamyatin’s We (1920–21) or Aldous Huxley’s Brave New World (1932), where heroes rebel against guaranteed happiness. They want their lives to be their own. Put man in utopia, the underground man observes, and he will devise “destruction and chaos,” do something perverse, and, if given the chance, return to the world of suffering. In short, “the whole work of man seems really to consist in nothing but proving to himself continually that he is a man and not an organ stop. It may be at the cost of his skin; but he has proved it.”
Any politician who believes the right policies or governing body can right all wrongs does not understand the people he claims to serve nor, perhaps, himself. We must be free, even to our ruin. (via Prufrock News)
It’s been a hard year overall, though not entirely because of Covid. I know one person who died of the virus and many others who had it and recovered without incident. For months, our church has offered two services to allow people to spread out and livestreams one of them for the third of the congregation who won’t return until doctors give them a green light. (For only a few more days, you can watch the recording of our Christmas concert. I’m becoming increasingly dissatisfied with my singing voice, but the rest of the choir and the instrumentalists are great.)
Tennessee has surged in new cases, but it still feels removed from us, at least by a step. I’ve worried about my aunt, who says she lives around many people who have tested positive, but she hasn’t picked it up. My wife and I have been exposed to it technically; two of my daughters could easily have been as well, but we’ve not had reason to pursue tests for it. Like I said, it feels a bit removed from us.
More immediate has been the tornado damage to one of our suburbs. The video above was taken on Tuesday this week and shows the edge of an area that tornados ripped up in April. Large houses were flattened, some smaller ones too, and others were skipped as tornadoes do. The trees tell most of the story. You won’t see the many houses behind me, completely destroyed, or my high school, that had built up since my days there but now has been scraped to the ground. Every building was compromised in the storm.
We had been in lock down for a few weeks when this happened. All of that was shelved when we turned out to clean up streets, help neighbors recover, and share food. I helped a church team build several storage sheds on our parking lot, which other members of the church and community used. (I plan to put up a smaller one in my backyard this year.)
New routines have come since then; normal has taken a hiatus.
I’ve heard many sermons on living a quiet, respectable life of prayer and service based on this passage: “I urge that supplications, prayers, intercessions, and thanksgivings be made for all people, for kings and all who are in high positions, that we may lead a peaceful and quiet life, godly and dignified in every way. This is good, and it is pleasing in the sight of God our Savior, who desires all people to be saved and to come to the knowledge of the truth” (1 Tim 2:1-4 ESV).
Sometimes I wonder if the quite life is evangelical enough. I wonder if we live in noisy times and need bold witnesses to confront materialistic, entertainment-driven people who take their values from today’s famous who are only justifying actions they haven’t thought through. But I also think it’s peaceful, quiet people who clean up storm-damaged neighborhoods, who look after widows and shut-ins, and who take the time to pray for everyone they can think of. They aren’t people looking to make a name for themselves.
Will we continue to nurture the quiet life in 2021 or distract ourselves from it?
“I’m an interpreter of stories. When I perform it’s like sitting down at my piano and telling fairy stories.” – Nat King Cole
Nat King Cole, the stage name of Nathaniel Adams Cole (1919-1965), has always been one of my favorite singers. He won a Grammy for “Midnight Flyer” and had 28 Top 40 hit songs. Mel Tormé and Bob Wells’s 1945 piece “The Christmas Song” is a Nat King Cole piece in my mind; I don’t care who else has sung it.
Cole also made famous a beautiful lullaby by Alfred Bryan and Larry Stock, “A Cradle in Bethlehem,” written in 1952.
This is the real meaning of Christmas: “The Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truth” (John 1:14 ESV).
This does not mean God posed as a man for a few years, casting an illusion on everyone in order to influence them with well-spoken sermons.
It does not mean God sent his spirit into a man for a time, having found someone who was sufficiently humble to indwell for divine purposes.
It does not mean that God actually is a man who lives eternally on another plane but for a season he came to Earth to do things.
It also does not mean that Jesus was only a man who connected dots like no one before him and introduced some darn good principles to Western civilization.
It does not mean that a uniquely spiritual man called on divine power to perform marvelous works and speak with wisdom beyond the scope of mortal reason.
Those ideas are a bit easier to understand. The truth is beyond us. Christ Jesus, born as a child to a poor, virgin woman, was the Word of God from the beginning, both with God and actually God. The invisible, eternal God became a mortal man. That doesn’t make complete sense to us, but it is the only hope for ourselves and all the world.
He set his mug on the former family table near the one that was already there. Poured coffee in both and spooned a dried red-green spice mix into hers.
Her shivering hands gripped the other mug, skin sagging by the knuckles, nails long and intertwining. She spoke in tremorous tones through slack lips.
“She cannot come back.”
He lifted the mug, her hands locked around it, to her mouth to guide the potion in.
“Binding me . . . won’t bring her back.”
His heavy sigh could have broken glass. “You took her from me,” he muttered, “but you didn’t intend to stay?”
In a week, we will be set upon by Christmas. I hope you, your friends, family, and neighbors will receive God’s transforming grace to know with confidence what the Lord has done by taking on flesh and living as one of us.
The Christmas carol in this video, “A Virgin Unspotted,” used to be very popular and can be found in many variations. The music, “Judea,” was written by William Billings in 1778.
Billings was a tanner who taught himself music and was friends with men you know from the American Revolution. Britannica states, “His music is noted for its rhythmic vitality, freshness, and straightforward harmonies.” That’s what I love about this song. The joyous chorus that dances round the room.
The words come derive from a 1661 carol called “In Bethlehem City,” which appears in many versions and was originally paired with a tune that has been lost. The writers of Hymns and Carols of Christmas state, “The carol has appeared in one form or another in most of the old collections of songs, and was a popular subject for the broadside trade. Interestingly, it almost never appears in hymnals.”
I came to know the song through The Rose Ensemble album, And Glory Shown Around.
Each threshold crossed a point of no return; each turn of the door knob a turn of fate. Take each step boldly, confident you’ll earn access to behold some mystery great with import or delight, that dawn will break on an undiscovered country with stores of adventure and peril that can slake the greatest thirst––all this and so much more awaits you on the other side of every door.
Poetry is a difficult art, easy for good-hearted folk to do badly. That’s isn’t a sin, of course. If they enjoy crafting their poems, who can say they have wasted their time? Robertson’s poems are rather good, each in a different style. The one above is a Spenserian Stanza.
Short poems like these are a bit like flash fiction; they present you with an idea or emotional picture and sometimes a clever turn of phrase, but they are easily sipped up and forgotten. Reading these things within a social group may motivate readers to pause long enough to reflect on them. Do blogs still provide that kind of social group, or has the world moved on to shinier things?
“Some children see him bronzed and brown, The lord of heav’n to earth come down; Some children see him bronzed and brown, With dark and heavy hair.”
I appreciate artwork depicting Christ Jesus as someone in a different ethnic context than he lived. I suppose that should go without saying, since we tend to understand Jesus of Nazareth did not look like the Romanized figure we most recognize. If we depict him in a painting at all, we’re going to depict him as we are.
Alfred Burt wrote the music to this Christmas carol for his family Christmas card in 1951, a tradition his father started in 1922. Alfred wrote fifteen such carols, including “The Star Carol” and “Caroling, Caroling.” You can see all of the cards and songs on this tribute page.
The carols were known primarily to those who received the cards until Burt was invited to the King Family Christmas party and introduced a various Hollywood people. That emboldened him to get enough material together for an album, which was released in 1954.
The King family was something of a big deal last century. I haven’t heard of them, but they sang as an ever-growing family for decades and had their own variety show in the mid-60s. In 1967, they put together a live Christmas special that offered viewers this special moment of a son returning from Vietnam while she sang of him on stage.
One night I dreamed a dream. As I was walking along the beach with my Lord. Across the dark sky flashed scenes from my life. For each scene, I noticed two sets of footprints in the sand, One belonging to me and one to my Lord.
This is the start of the famous, anonymously written “Footprints” poem. Many have tried to establish ownership. Justin Taylor makes a few notes and points out an introduction to one of Spurgeon’s sermons that takes the footprints in the sand imagery in a better direction than the poem did.
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