Category Archives: Publishing

The Right Editor Helps

Editor Nick Harrison has a post on how a writer should attempt to find the right editor or agent for his material, not just the first available. One editor may reject a manuscript or cover letter on a technicality; another may give it a chance.

The first commenter on this post, Tim Riter, offers this illustration from his experience. “For two of my books, I sent in a proposal to an editor, who promptly rejected it with the nicest form rejection letter. Within a year, at writers conferences I met another editor from each of those houses with whom she, I, and the book clicked, and the houses bought it.”

Not a review: The Love You Crave, by John Locke

I’m not going to post the cover of John Locke’s The Love You Crave, because it’s kind of racy for our standards in these parts. And I’m not even going to link to the e-book, because you can find it if you want to. I do not in any way endorse Locke’s Donovan Creed novels, of which The Love You Crave is the first I’ve read (and, I’m relatively certain, the last). But there are things to be said about the series as a phenomenon, and not just “Tsk, tsk.”

The Donovan Creed novels are a series of “humorous” thrillers about a government agent and assassin. He’s a little like James Bond on cocaine. The books (judging from this one) are full of violence and sex, and attempts at humor which (according to reviews) work for some people, though I’m not one of them.

The book suffers from a severe lack of likeable characters. The hero (not himself very likeable) tries at one point to figure out one of his friends whom he can trust with his life. He realizes that most of his friends have tried to kill him at least once. Continue reading Not a review: The Love You Crave, by John Locke

Jacob's Voice in Literature

On D.G. Myers’ new blog, he talks about Jewish American Fiction.

As proud as I am to serve as an enforcer for the Jewish literary mafia, I think the real explanation for the sudden and prolonged prominence of American Jewish novelists is much simpler. They sound different from other American novelists. And the sounds they make, “the jumpy beat of American English​,” as Philip Roth​ once described it, are hard to resist. Other novelists sound laconic, if not sleepy, by comparison. American Jewish fiction is the fiction that is written in a distinctive voice — Jacob’s voice.

NJ School Takes Book Off Reading List; Outcry Ensues

Here’s the news straight from the publisher:

On August 24, 2011, a New Jersey school district announced that it was removing from it’s summer reading list the novel Norwegian Wood by Haruki Murakami, published by Vintage Books in 2000. Citing objections from parents about inappropriate language and graphic sex, the school board withdrew its original approval of the novel, which had been placed on the list by its own committee of area teachers, librarians, and school administrators.

In response to this action, Knopf has issued the following statement: Continue reading NJ School Takes Book Off Reading List; Outcry Ensues

I feel less stupid now, if that's possible

You may or may not recall (it’s seared, seared into my memory) my recent post in which I highly recommended the novel The Last of the Vikings, available on Kindle. I had to hurriedly post a correction once I had downloaded it myself and discovered that it was an entirely different (and to all appearances much inferior) English book.
I now think I see whence the problem arose. The first listing of the book I saw on Amazon was not the listing I linked, but this one, which very specifically identifies it as Johan Bojer’s book on fishing in the Lofoten Islands. I bought it today and checked it, just to make sure. Nope. Same old English novel. Now I have two copies on my Kindle.
I suppose there’s some mechanism for requesting a refund, but it’s a little late in the day to start standing up for myself now.
My publisher, Nordskog Publishing, has now posted my book trailer on their web site, here. Scroll down to the bottom of the page. It’s also on their page for West Oversea if you want to bore in and see it there too, for some reason.

Two-ton trailer

At long last! Months in the making! Hundreds spent! A cast of a dozen or so! My book trailer for West Oversea.

Looking at it dispassionately now, I’m generally pleased. There are some rough joins that could be sanded down a little, and I might have synched the music to the action better, but my main frustrations still have to do with Windows Live Movie Maker’s inherent limitations, especially in terms of sound editing.

Still, I think I achieved something resembling what I intended.

Now it remains for you, my loyal posse, to spread it around. Make it viral.

Or at least mildly allergic.

Do They Have Crime in Ireland?

John Connolly talks about Irish readers’ lack of interest in crime novels. He says the Irish naturally clash with systemic qualities of crime fiction, such as urban life and respect for police. An Irish inferiority complex may come into play too.

After all, crime fiction is less about the world as it is than the world as it should be. As William Gaddis wrote in his novel JR (1976): “Justice? – you get justice in the next world, in this world, you have the law.”

Crime fiction refuses to accept that this should be the case, and in doing so it reflects the desire of its readers for a more just society. Even at its darkest it is, essentially, hopeful by nature.

Perhaps, for the Irish, that hope is yet to come. (via Books, Inc.)

Friedman: Is the Book Dead? Who Cares!

Publishing is still innovating, says Jane Friedman, so even if one type of book becomes permanently out of print, other types will live on. Printed books won’t go out of print any time soon, but other types me dominate the future market. Remember the first cell phones? What if today’s Kindles and Nooks looked like that in 10-20 years compared to what they will become?

Interview with a Superagent

The man behind the Wylie Agency speaks to the Wall Street Journal Magazine about his aggressive deals and some of the needs in the publishing industry. “I think most of the best-sellers list is the literary equivalent of daytime television. This is a world in which Danielle Steel is mysteriously more valuable than Shakespeare,” Wylie states.