Category Archives: Reviews

‘I’ll Keep You Safe,’ by Peter May

I'll Keep You Safe

Sometimes a book can be less than optimal in certain respects, but make up for it wonderfully in the sheer reading experience. For me, Peter May’s I’ll Keep You Safe is one of this sort.

Niamh and Ruairidh McFarlane are childhood sweethearts who grew up together on the island of Harris in the Hebrides. As a married couple, they took over ownership of “Ranish Tweed,” a small operation producing a cloth that’s similar to Harris Tweed, but softer and lighter. To their amazement, their tweed was discovered by a rising young designer, who made it the center of his whole collection that year, and before long they were running a large and profitable operation.

But there are shadows in their lives. Their parents still disapprove of their marriage, due to old injuries that the book reveals in stages. There are professional enemies, and false friends.

When the story begins, they’re in Paris for a fabric fair, and Niamh is suspicious, for the first time in her life, that Ruairidh might be having an affair. Then he enters a cab with the woman she suspects is his mistress, and the cab explodes. Suddenly a widow, wracked with guilt and doubts, she must return to her home and face the continued hostility of her in-laws, the suspicions of the police, and a growing recognition that the killing is not over. Someone wants her dead too.

I was not surprised by the final revelation of the killer in I’ll Keep You Safe. And there was an earlier plot surprise that also didn’t surprise much. But I didn’t care, because the ride itself was the reward. Author May, as he has shown many times before, excels in painting evocative descriptions of Hebridean geography and nature. It might be the next best thing to visiting the place.

Minor cautions for grown-up stuff, but I highly recommend I’ll Keep You Safe as splendid reading entertainment.

‘Jonathon Fairfax Must Be Destroyed,’ by Christopher Shevlin

I was a little disappointed with this sequel to Christopher Shevlin’s The Perpetual Astonishment of Jonathon Fairfax, which I reviewed favorably a few days back. But I’m not sure I’m being fair.

When last we saw our shy, ineffectual hero, he had survived great dangers and won the girl of his dreams.

At the beginning of Jonathon Fairfax Must Be Destroyed (set five years later), the girl of his dreams is completely out of the picture. He is living with a different girlfriend, and he’s working at a job he hates, as a temp at Fylofax, the most powerful corporation on earth. Jonathon isn’t quite sure what Fylofax does, but then nobody else is, either. In fact, the company’s unprecedented growth is the result of blatant fraud on the part of one of its top managers, an American who is on the verge of taking it over completely. He will do anything to succeed, including cold-blooded murder. By chance he becomes aware of Jonathon’s existence, and grows convinced that he’s a corporate spy. Therefore, Jonathon must be eliminated – from the face of the earth.

Meanwhile, Jonathon experiences unemployment, a breakup with his girlfriend, homelessness, and falling in love with another girl of his dreams. As in the previous book (and I didn’t really make this clear when reviewing it), Jonathon is more a maguffin than a hero, a calm, somewhat stagnant center for the story, and most of the real action revolves around his handsome, elegant friend Lance Ferman, who is Jonathon’s exact opposite, except for the fact that they’re both men of good will.

I had the impression that this book was less funny than its predecessor, but that may just be my prejudice. I took almost personal offense to the author’s writing out Rachel, the love interest in The Perpetual Astonishment… Her disappearance was explained, but I didn’t really buy it, and I think it embittered me. There were a lot of funny moments, and I laughed, but it wasn’t the same (for me). Brief, not too biting, jabs were taken at Christianity and at capitalism (though to be fair that was mostly at Ayn Rand, whom I don’t like either).

So you may want to ignore my jaundiced viewpoint. Jonathon Fairfax Must Be Destroyed is still funnier than most books around. Cautions for language and sexual situations. Also (once again) semi-comic murder.

Film review: ‘The King’s Choice’

The King's Choice

Fair warning: I’ll probably be reviewing a few more Scandinavian movies and TV shows than usual in the future. Or not; maybe I’ll get tired of them. Since I’ve become (peripherally) associated with the Norwegian film industry, I figure I ought to have some familiarity with the field.

The film The King’s Choice, released in 2016, is probably the most acclaimed recent movie out of Norway. It is not one of those that “my” company worked on, but I decided to see it, so I’d be able to discuss it at all those industry cocktail parties I expect I’ll be invited to soon.

The film concerns Norway’s King Haakon VII (played by a Danish actor, Jesper Christensen. This makes sense, as King Haakon began life as a Danish prince. I was delighted to find that I could identify his Danish accent when he spoke). When he became king of Norway in 1905, he changed his name to Haakon and his son Alexander’s to Olav, because those were the names of the last two kings of the old royal line in the 14th Century. Thus, he symbolically picked up the dynasty where it had broken off – and by and large the Norwegians loved him for it (except for a few stubborn republicans).

At the beginning of the movie, it’s 1940, and Haakon is an arthritic old man with a purely ceremonial job, mostly occupied with playing with his grandchildren. But word comes suddenly that the Germans have invaded, and he, his family, and the government flee northward, sometimes under enemy fire, beginning what will come to be a long exile. Eventually he will be approached individually by the German ambassador, and faced with a very hard decision. Continue reading Film review: ‘The King’s Choice’

‘The Perpetual Astonishment of Jonathon Fairfax,’ by Christopher Shevlin

The Perpetual Astonishment of Jonathon Fairfax

Occasionally you run into a book that doesn’t fit neatly into any of your existing mental categories. Then there’s a temptation to pan it because it’s not the kind of book you think it ought to be.

But that’s unjust. The author should be judged on the basis of what he accomplished, not what you were expecting.

Christopher Shevlin is a pretty Wodehousian writer. And because of that, it’s a little jarring when actual murder enters the stage of his book. In a Wodehouse novel, the worst thing you’ll see is the abstraction of a silver cow creamer, or the purloining of a prize pig, or the alienation of a French cook’s services.

But The Perpetual Astonishment of Jonathon Fairfax begins with the murder of a fairly innocent middle-aged woman. And it’s played for laughs.

That kind of threw me for a loop.

But I stayed with it, because it was a very funny, very well written book.

Jonathon Fairfax is an ineffectual young man with deep insecurities, living in London. So he’s none the wiser when he (inadvertently) helps a murderer to find his victim’s address, then makes friends with two fashionable people in a disreputable café, and finally meets “the most deeply and woundingly beautiful girl [he] had ever seen,” all in a single day. He stumbles his way through an improbable courtship while getting unintentionally involved in the exposure of a massive government conspiracy. Continue reading ‘The Perpetual Astonishment of Jonathon Fairfax,’ by Christopher Shevlin

‘The Secret Knowledge,’ by David Mamet

The Secret Knowledge

David Mamet is, of course, one of America’s foremost dramatists. He was highly respected by critics until he came out as a conservative a few years back. Since then many have discovered that he has no talent at all.

Still, he perseveres, and he has written a book about Politics, The Secret Knowledge, to explain how his mind has changed on a number of issues and to provide a few glimpses into his personal pilgrimage. I don’t agree with all his opinions, but the book was fascinating to read.

The title is paradoxical. There is no secret knowledge, Mamet informs us. The basic truths of life are widely known by all people, even (or especially) the extremely unsophisticated. It is the intellectuals and the avant garde who reject obvious truth and embrace nonsense, to which they cling desperately, because their adherence marks them as among the Enlightened.

Any review is likely to devolve into commentary on Mamet’s actual beliefs, either approving or condemning them. So I’ll content myself with providing a few choice quotes – of which there are many. I think I may have highlighted about a third of the text.

Writers are asked, “how could you know so much about (fill in the profession)?” The answer, if the writing satisfies, is that one makes it up. And the job, my job, as a dramatist, was not to write accurately, but to write persuasively. If and when I do my job well, subsequent cowboys, as it were, will talk like me.

Continue reading ‘The Secret Knowledge,’ by David Mamet

‘The Gathering Murders,’ by Keith Moray

The Gathering Murders

Not bad. That’s my verdict on The Gathering Murders: Dead Men Tell No Tales, by Keith Moray.

West Uist is a fictional island off the west of Scotland. Each year it hosts “The Gathering,” a Gaelic festival and book festival, subsidized by “the Laird,” the owner of a string of cut-rate book shops.

The chief law enforcement officer is Torquil McKinnon, newly promoted to Inspector. He is the nephew of the local priest, Lachlan McKinnon, and his nickname is “Piper.” In fact he has high hopes for winning first prize in this year’s bagpipes competition.

The big star at this year’s book festival is a native daughter, Fiona Cullen, a mystery writer and once upon a time Torquil’s sweetheart. She greets him with the promise of renewed affections, but she also seems determined to cause a lot of trouble. And trouble there is, beginning with the suspicious murder of a noted local poet and bootlegger. The deaths don’t stop there, and Torquil finds he may be over his head investigating this kind of crime spree.

I liked The Gathering Murders. I thought the writing a little unpolished, but the story kept my interest and the characters engaged me. If, like me, you like a Scottish setting, this is a pretty good one, well brought to life.

Cautions for mature material, mostly language and sexual suggestions (though nothing explicit). Christianity comes out pretty well, especially because Father Lachlan is a very sympathetic character.

‘Rick Cantelli, PI,’ by Bernard Lee Deleo

Rick Cantelli, PI

Have you ever met someone (usually a guy) who thinks he’s a riot? Who not only tells one lame joke after another, but laughs uproariously at himself? And he’s actually a bore?

That was the impression Bernard Lee Deleo’s Rick Cantelli, PI had on me.

Rick Cantelli is a middle-aged former Navy Seal and CIA agent, who runs a private security agency with Lois Madigan, a former Agency colleague. There’s no romance between them – she’s happily married – but she keeps a mother hen-ish eye on his romantic life (enhanced by the legal and illegal surveillance technologies they employ in their work). Their relationship is characterized by back-and-forth verbal abuse, threats, and practical jokes, which they (not necessarily the reader) consider hilarious.

I didn’t make it a third of the way through this book, so I’m not sure what the plot is. It seemed to be a collection of short stories, actually. There’s Rick’s drug addict high school girlfriend, who reappears in his life and attempts to rob and kill him, but that doesn’t stop him from sleeping with her multiple times. And Lois’s movie star sister, with whom Rick also sleeps, to Lois’s fury. And a female client who owns a fitness center, who’s a couple decades younger than Rick and also who does her best to get him to sleep with her.

You get the pattern here. Between Rick’s improbable irresistibility (which, to be fair, is puzzling to him too) and the unrelenting “humorous” backchat between the two detectives, I couldn’t handle any more.

Fortunately the Kindle version was cheap.

Not recommended. Your mileage may vary.

Get it? “Your mileage may vary!” Like gas in a car! I kill myself sometimes!

‘Ordeal,’ by Jorn Lier Horst

Ordeal

In the most recent William Wisting novel in translation, Ordeal, we find Chief Inspector Wisting’s journalist daughter, Line, on maternity leave. She is going to be a single mother. Wisting is not over the moon about this (and neither am I), but it’s certainly consistent with the reality of modern Norwegian culture.

Line meets, by chance, an old school friend, Sophie, who is already a single mother. They renew their friendship, and Line gets to see Sophie’s home, which she inherited from her grandfather. Sophie was not fond of the old man – he was a criminal – so she’s cleared all his possessions out. Except for a huge safe in the basement, too large to move. She doesn’t know what’s in it because she can’t find the key. But both Line and Sophie are curious, so they do get into it eventually – with dramatic results.

Meanwhile, Wisting himself is enduring a lot of press criticism, because of an investigation he’s leading which is making no visible progress. A taxi driver disappeared one night, and neither he nor the cab has been seen since. Wisting and his team will find their inquiry overlapping one going on in another city, and will encounter resistance from a suspiciously territorial detective there.

And, as has become usual in these books, Line’s mystery will turn out to be tied in as well.

The William Wisting books suffer, I think, from slow middles. There’s nothing wrong with that in itself, but I fear they will lose some readers who expect lots of fireworks all the way through. There’s plenty of tension and suspense in Ordeal once it gets going, but it does take a little time.

The translation is generally good, but has some truly clunky moments.

Recommended, for readers who prefer a more cerebral approach to detective fiction. Cautions for mature stuff. I’m looking forward to the next book.

‘The Caveman,’ by Jorn Lier Horst

The Caveman

‘We’ve just been hailed by the UN as the best country in the world to live in but, in research into citizens’ experience of happiness, Norway is in 112th place. Some country in the Pacific Ocean topped the list, a little island community where people have time for one another and take care of their fellow human beings.’

I think I liked this one best of Jørn Lier Horst’s series of William Wisting novels, to date. That probably has something to do with certain personal resonances in the story.

In The Caveman, Chief Inspector Wisting’s daughter Line, a journalist, becomes interested in the strange case of an old man who lived in the same neighborhood where she grew up. He sat dead in an easy chair in his home, the television on, for four months before his body was accidentally discovered. Line wonders how anyone could go entirely unmissed by the world for that long, and what the neglect says about modern society.

Meanwhile, her father has another case of a long-neglected body to investigate. A decomposed corpse is found under the base of a tree in a Christmas tree farm. It develops that the man was a scholar from the University of Minnesota, who had become obsessed with tracking down a serial killer who has never been apprehended. It appears he followed the man to Norway, and was killed by him. And now the disappearances of several young Norwegian women start making chilling sense.

As Line and Wisting pursue their separate investigations, it gradually becomes apparent that the two mysteries are connected.

This is a very good police procedural written by a former cop. I liked it a lot, and thought it had as much to say about life and society as about crime.

Recommended. Cautions for mature language and themes.

‘The Hunting Dogs,’ by Jorn Lier Horst

The Hunting Dogs

Wisting had found his own way: easy, quiet and patient. He could listen without letting his emotions get in the way, put himself in the other person’s shoes and demonstrate empathy. In time he had learned that, deep inside, all human beings are afraid of being alone. Afraid of loneliness, everyone craved a hearing.

On to the third novel (available in English) in Jørn Lier Horst’s William Wisting police procedural series. Chief Inspector William Wisting of Larvik, Norway finds himself suspended from the force at the beginning of The Hunting Dogs. 17 years ago he led a team of detectives who built a successful case against a man for the kidnapping and murder of a young model. Now that man is suing, claiming he has proof that the DNA evidence was faked.

Before he leaves Wisting manages to persuade the police archivist to lend him the old case files. He knows he didn’t cheat on the case, but what if one of his colleagues did? About the time he leaves, the rest of the squad starts investigating another kidnapping, that of a teenaged girl.

The pattern with the Wisting novels is that there are two plot strands. One involves the case Wisting himself is working. But at the same time we follow his journalist daughter Line as she pursues a story of her own, always one that resonates to some extent with her father’s case. This time she’s doing a feature on men who’ve served long (by Norwegian standards) sentences in prison, examining how they have changed, and whether their punishment made them more or less likely to offend again. One of the men she’ll be interviewing is the man who’s suing her father. The drama builds to a frightening confrontation.

This was the first novel in the series that I read, and I liked it very much. The reader is left, not only with an entertaining experience, but with human and societal questions to ponder. And yet no overt politics are apparent.

Cautions for mature themes and language. Recommended.