‘Uncle Fred in the Springtime,’ by P.G. Wodehouse

The Duke shot back in his chair, and his moustache, foaming upwards as if a gale had struck it, broke like a wave on the stern and rockbound coast of the Dunstable nose. A lesser moustache, under the impact of that quick, agonized explosion of breath, would have worked loose at the roots.

I recently reviewed P. G. Wodehouse’s Uncle Dynamite, which I enjoyed immensely. So I was happy to see Uncle Fred in the Springtime show up on sale soon after, and I snapped it up. I knew I’d read it before, and had been somewhat disappointed. I consider the classic short story, “Uncle Fred Flits By,” the funniest story ever written, and I felt (this was many years ago) that “Springtime” was just a little below the Plimsoll line. Perhaps, I thought, a re-reading would show me the error of my judgment.

Alas, no. I won’t say Uncle Fred in the Springtime is a bad book (a bad Wodehouse book is an oxymoron), but I still felt just a tad disappointed, like a lion in the Coliseum (as Wodehouse might have put it) sitting down to devour his daily Christian, and suspecting that someone has substituted a Gnostic in heavy French sauce.

The plot is the sort of thing you’d expect, and features the added pleasure of taking us to the familiar precincts of Blandings Castle, where the wooly-headed Earl of Emsworth desires nothing more than a quiet life in contemplation of his prize fat pig, the Duchess of Blandings. But he’s bedeviled by a neighbor, the Duke of Dunstable, a choleric and officious busybody who’s convinced the earl’s pig fixation is unhealthy, and who demands that Emsworth give it (the pig, that is) to him.

Meanwhile, Uncle Fred, himself an earl, is concerned about the fortunes of Miss Polly Pott, daughter of his friend Claude “Mustard” Pott, a former bookie and confidence man. Polly wants to marry a poet who’s looking for 250 pounds to enable him to purchase an onion soup bar in London. Uncle Fred, who is kept on an allowance by his wife, is hunting for a way to find her the money. This leads, through complex narrative paths and byways, to Uncle Fred and his nephew Pongo traveling to Blandings Castle, where Fred, as is his custom, takes up residence under an assumed identity, in this case that of the esteemed brain disease specialist Sir Roderick Glossop. The theft of the pig becomes a central theme.

My problem with this story – and it may just be me – is partly that it contains about one more main character than I can easily keep straight in my head. Also, though it’s always a delight to watch Uncle Fred lie with a straight face when caught in a previous lie, this time out I thought his prevarications sometimes a little thin. I had trouble believing anyone would fall for some of them, in spite of the old man’s charm.

Nevertheless, it’s Wodehouse, so it’s fun to read. Recommended, but a little less than other books from the Master.

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