Category Archives: Reviews

‘Mortom,’ by Erik Therme

Here’s a weird book. Mortom by Erik Therme shows signs of promise, but I found it ultimately disappointing.

Andy Crowl is kind of obsessive-compulsive about puzzles. So he’s hopelessly hooked when his cousin Craig, whom he didn’t even know all that well, died and left him his house, complete with a mystery. The house, in a tiny town called Mortom, isn’t worth much, and it looks as if Craig’s debts and the house value will just about balance each other out.

But Craig leaves a clue behind – a gruesome one. Under the refrigerator Andy finds a decomposing rat, and in the rat’s mouth are a note and a locker key. This starts him on a quest for a series of obscure clues, impelled by his cousin’s promise that there’s a prize at the end – and a penalty if he should fail the test. Andy’s sister has come with him to help him close out the estate, but she isn’t enthusiastic about the treasure hunt.

I finished the book, so I’ll give it credit for keeping me interested. But overall I found it kind of disappointing. The plot is improbable, and the characters aren’t very well developed – their words and actions don’t always seem plausible. Andy is kind of a jerk, and doesn’t learn any lessons. And I found the final resolution, personally, unsatisfying.

I’ve read worse, and abandoned worse than that. But I don’t really recommend Mortom. Cautions for language.

‘Thread of Danger,’ by Jeff Shelby

Thread of Danger

I was almost surprised there was a new installment in Jeff Shelby’s Thread series. Thread of Danger is a well done, exciting book, though it seems to me the series is looking to find a new direction.

Years ago, Joe Tyler’s daughter Elizabeth was kidnapped. He left his job as a Coronado, California policeman and devoted himself to hunting for her, financing his existence by searching for other missing children as well. He succeeded well (except, for a long time, with his own daughter), but his marriage fell apart.

Over the course of several books, he finally located Elizabeth, and managed to bring her home and reestablish a relationship. Now he’s adrift in life, not looking for work, caring about little except his daughter, who – he can hardly bear to think about it – will be going to college soon.

So he gives in when she asks him to help him look for her boyfriend. The boy went camping in the mountains with a friend, and now the friend says he’s disappeared. Without enthusiasm, Joe drives to the camp site and starts searching with the two young people – and soon discovers something that puts them all in imminent peril.

Thread of Danger is a well done novel, like all Jeff Shelby’s books. Joe’s scenes with Elizabeth are especially memorable and poignant. But Shelby is either going to have to find a new direction for the series, or leave his characters in peace. A new character who appears in this installment may provide a way for him to do that.

I recommend Thread of Danger (though you ought to read the series in sequence. Don’t start with this one). Very little objectionable content.

‘Mine,’ by Brett Battles

Mine

I’m fond of Brett Battles’ Jonathan Quinn novels, so I bought Mine. It wasn’t what I expected – I think of Battles as a thriller writer. But this is a science fiction/coming of age story. Nevertheless, I read it to the end and enjoyed it.

One night years ago, seven teenagers took an illicit forest hike, away from their summer camp. Only three came back, and they were changed. Joel and Leah were suddenly off-the-charts intelligent, sucking up knowledge like vacuum cleaners. They also became stronger and faster than normal people. The third camper, Mike – well, he adjusted less well than the others, who made efforts to disguise their unusual gifts. Each of them forgot most of the events of that awful night, even one another’s names.

But Leah, now a young woman, discovers a clue, which leads her, eventually, to Joel. But Joel doesn’t want to remember what happened. He wants to drop out of sight and live in obscurity. They gradually realize, however, that they’re not alone in their own heads – someone or something is using them. And they finally agree that the only way to get their freedom is to return to the place where it all started.

Mine was tightly written, well charactered, and compelling. I recommend it. I don’t recall much in the way of objectionable material.

My only quibble is an epilogue the author felt it necessary to include. Such epilogues show up again and again in SF stories, and they’re all the same and totally predictable. I wish he’d done something else.

But that’s a small thing.

Video review: ‘The Last Kingdom’

The Last Kingdom
Note the back scabbard. Also the inauthentic two-handed grip on the sword.

Someone on Facebook told me The Last Kingdom, the BBC TV adaptation of Bernard Cornwell’s series of novels about the days of Alfred the Great, was really good. So I watched one episode. Then someone else on Facebook said that it was all right, but Cornwell’s antipathy toward the Christian church was implicit throughout. So I decided I wouldn’t watch any more.

But that won’t stop me reviewing what I saw.

First of all, it seemed to me superior, from a historical perspective, to the execrable Vikings series on the History Channel. Cornwell is a serious historical novelist, and so the story bears some recognizable resemblance to real events and conditions. The picture of the Danes in England follows reality to an extent.

I was mostly troubled by the design of the production – the kind of muddy look that is so characteristic of the Vikings series. Everybody dresses dull, in browns and grays. In fact, the Vikings (as well as the Anglo-Saxons) loved bright colors, and chose them whenever they could afford them.

And the armor. Mostly leather armor, and helmets that seem inspired by real Viking stuff, but are oddly… vestigial. As if manufactured for Wal Mart. Where are the bright corselets, the gilded shields, the boar-crested helms of Beowulf (a roughly contemporary poem)?

And back scabbards. I am so sick of back scabbards. The Vikings didn’t use them, the English didn’t use them. The only way to make a back scabbard work is to strap it real tight, so it doesn’t shift around, and that will chafe you very efficiently after a few hours’ march, believe you me.

The Danes’ hall wasn’t bad, except for the upper gallery, which has no archaeological warrant. But I could forgive that, I guess.

Still, all and all, The Last Kingdom wasn’t appealing enough to persuade me to endure the ecclesiophobia of the overall production.

‘The Officers’ Club,’ by Ralph Peters

The Officers' Club

I could have listed a hundred things I liked about her and valued in her. But I knew I would never love her. The Newtonian universe doesn’t seek justice, only equilibrium.

I’ve come to admire Ralph Peters as a top-flight novelist, but I’m just too shell-shocked, after reading Hell to Richmond (reviewed down the page), to try another of his big Civil War novels. So I thought I’d try a smaller book, The Officers’ Club. This is another fine story, but it left me with questions.

Lt. Roy Banks is an officer with Military Intelligence in 1981. But he’s not exactly in the center of the action. He’s drafting training exercises at Fort Huachaca, Arizona. This is the end of the Carter era, and the country’s malaise is even worse in the Army. Bored, undertrained, and undersupplied soldiers fake their work, and party hard after hours. Roy is part of a small group wryly called “The Officer’s Club,” an alternative to the bland pleasures of the real facility on base. They like to run down to Mexico, drink themselves sick, have lots of sex, and sometimes do some drugs. Worse things go on too, but Roy tries to keep clear of that. He’s also having an affair with a married female fellow officer.

Then Jessie Lamoureaux is murdered. There’s no shortage of suspects. Beautiful, seductive, and devious, Lt. Lamoureaux worked her way through most of the males in Roy’s circle – except for Roy himself. For some reason he found her repellant.

Very little of this book is devoted to the mystery of Jessie’s murder. Most of it traces the course of events that led up to the crime. The plot reminded me of nothing so much as one of those cable miniseries where soap opera combines with sex and violence. However, Peters’ writing is on a much higher plane. Aside from his elegant prose, he creates well-rounded characters who (in many cases) surprise you.

I’m not sure I entirely understood The Officers’ Club. I think there’s a metanarrative here, related to conditions in the Carter era, that I never quite grasped. And a couple plot details never got resolved – I wonder if the answers were hidden and I just missed them.

I should caution you that the voice of morality in this book is a sympathetic homosexual record store owner whom Roy befriends. And one of the few cardboard characters is a born-again Christian (this is a little surprising, coming from the author who created the Abel Jones novels).

But I still enjoyed The Officers’ Club immensely, and got entirely caught up in it. Recommended, if you don’t mind a lot of profanity, sex, and a certain amount of violence.

‘Hell or Richmond,’ by Ralph Peters

Hell or Richmond

For all his concerns, his heart leapt at the prospect of fighting again. Lee smelled powder the way a horse smelled oats. There were things he dared not discuss with other men, matters he preferred not to think on too much himself. He loved war, that was the wicked truth. God forgive him, he loved it. Worse, this army had become his greatest love. It was a terrible thing for a man of faith, or any man, to recognize.

I wonder if it’s possible for a novel to be too successful. Not in the marketing sense – though there are certain authors whose success, in my opinion, is unmerited – but in the artistic sense. A novel that does such a good job of fulfilling its creative goals that the experience becomes nearly unendurable for the reader. Due to the subject matter.

That was my problem with Ralph Peters’ Hell or Richmond, a fantastically successful attempt to bring to life the experience of the 1864 Overland Campaign, during the American Civil War. Like his earlier novel, Cain at Gettysburg (which I admired greatly and reviewed here), it resurrects the historical events on both the macro and the micro level. Peters is a marvelous prose stylist, and succeeds in conveying not only the sights and sounds, but especially the sensations – the weariness, the thirst, the pervasive discomforts from an infantryman’s poison ivy to an officer’s inflamed feet, to Robert E. Lee’s digestive ailments. And the suffering goes on and on, far worse than Gettysburg, which seemed bad enough – through the Wilderness and Spotsylvania Courthouse to Cold Harbor, all of them famous slaughters. Continue reading ‘Hell or Richmond,’ by Ralph Peters

‘True-Life Adventure,’ by J. Paul Drew

True-Life Adventure

I seem to have developed Critics’ Disease. I’ve become so obsessed with technical and artistic excellence in literature that, when presented with a perfectly pleasant little light mystery like True-Life Adventure, by J. Paul Drew, I find myself inclined to grouse. Even though I have no excuse for doing so.

This is the first book in a series, and various clues (such as a lack of cell phones) indicate that it was first published back around the ‘80s. The hero is Paul Mcdonald, a reporter who left his steady job to write mystery novels. Which he hasn’t succeeded in doing. Instead he gets by writing reports for a real private eye. But one day the private eye dies of poisoning while dictating to him. Paul, realizing that a true mystery has fallen into his lap, decides to investigate it himself so he can write it up and get it published. This leads him to the detective’s last case, involving the kidnapped daughter of a computer mogul.

The tone is light, with lots of wisecracks. Wisecracking, of course, is a hallowed tradition in detective novels, so that’s not a real criticism. I guess I’ve grown to expect some kind of serious underpinning in stories involving human deaths. Also, I found it a little hard to buy the scenario where a depressed, overweight guy somehow snags a hot girlfriend much younger than himself (I grow less tolerant of such plot lines, for some reason, as I grow old alone).

But I really have no reason not to recommend True-Life Adventure to you as light summer reading. Nothing really wrong with it.

‘Runaway,’ by Peter May

Runaway

In London in 2015, an old man who has been a fugitive for many years is murdered. In Glasgow, Jack Mackay, a retiree, is summoned by his old friend Maurie, who is dying of cancer. Maurie makes a request, or more of a demand. The murdered man did not do the crime everyone thinks he did. For that reason, Jack must get the old band together, and they must take Maurie to London before he dies. That’s the premise of Runaway, by Peter May.

It’s a crazy request, but Jack is at loose ends in his life and has nothing better to do. Also, he’s curious. Fifty years ago, the friends were in a rock band, and they all ran off on impulse, to find fame and riches in London. What happened was traumatic, and left Jack with many unresolved questions that still haunt him.

Soon the old men are on the road, in a “borrowed” car, with Jack’s couch potato grandson dragooned into driving. As they follow the route they traveled half a century earlier, the reader follows Jack’s recollections of the original journey, the central event and great tragedy of all their lives.

I was uncomfortable with this book at first. I feared it would be yet another celebration of the glories of the Love Generation, with its supposed idealism and courage. But what the band encounters in this story is much closer to the actual truth – passions running riot, drugged confusion, and cynical predation by exploiters. Jack is victimized, and victimizes others himself, to his eternal regret.

It’s a sad story, but insightful, and – in the view of this survivor of the era – pretty authentic. I also ought to mention that on one particular social issue – I won’t spoil it for you – it takes exactly the right side.

This wasn’t an easy novel for me to read, but in the end I found it rewarding and enriching. Cautions for language, sexual situations, and disturbing content.

‘The Printer and the Preacher,’ by Randy Petersen

The Printer and the Preacher

I picked up this book with great anticipation. It’s fairly well known that Benjamin Franklin and the English revivalist George Whitefield were friends. An account of their friendship promised a very entertaining and educational story. Unfortunately, though it was educational, the entertainment element was largely wanting in The Printer and the Preacher.

Author Randy Petersen clearly did a lot of research to produce this book on two remarkable men. George Whitefield to a large degree invented popular evangelism as we know it – emotional, dramatic preaching, avoiding denominational distinctives for a “mere Christianity” gospel. Benjamin Franklin, as his major publisher, supported his work (most of the time) because of its positive social effects, but could never accept the deity of Christ. Nevertheless the two men liked and respected each other, and were friends for many years, until Whitefield’s death. Whitefield again and again urged Franklin to consider Christ’s claims, and Franklin politely put him off.

Wouldn’t it be intriguing to have been a fly on the wall during one of these men’s meetings, when the very concepts of what would become American religion were being worked out by two men of intelligence and wit? Alas, The Printer and the Preacher never provides any detail of such a meeting, even in summary. Apparently such accounts don’t exist, and the two men’s letters don’t preserve the kind of interchange we’d like to have. What we get, instead, is bits of factual information scattered like raisins in the great oatmeal bowl of the author’s analysis. Don’t get me wrong – the analysis is good, as far as I can tell. But I wish the author had trusted his story more, and felt less obligated to explain each point to us. Of course that would have left us with a much shorter book.

The Printer and the Preacher is a useful work. But it’s not a great pleasure to read.

‘The Drop,’ by Dennis Lehane

The Drop

Bob’s church is closing. That, I think, is the central metaphor of The Drop, a masterful novel by Dennis Lehane.

Bob loves his church, and goes to mass every day. But he never communes, because he refuses to make confession. He loves the old church’s traditional beauty. He finds a kind of peace there. But the Boston diocese can no longer support it, due to legal obligations to victims of priestly abuse.

Bob is a nice guy. People like him. But he’s lonely. Women don’t find him attractive. His only real friend is his boss, his cousin Marv. He and Marv set out to be gangsters once, years back, trying to be tough. But then the Chechen mob moved in, showing them what tough really meant. They took over Marv’s bar, and Marv and Bob sank back, almost with relief, into semi-respectability. Except that the bar is now a “drop,” where from time to time gambling money is collected for pick-up by the mob’s messengers.

Then one night, Bob hears a noise from a garbage can. He opens it to find a puppy there, bloodied and abandoned. A girl watches him rescue the animal, and in one night Bob acquires both a pet and a (sort of) girlfriend.

Bob doesn’t know it, but people are making plans, intending to use him as a pawn.

They are making a big mistake.

This is one of Lehane’s best novels, in my opinion, which is saying a lot. Not only does he ratchet up the tension mercilessly, but he plots with elegance. I wasn’t prepared at all for the conclusion.

Christianity plays a major role in The Drop. I don’t think Lehane is advancing any kind of apology for Christianity, but he asks the right questions, and poses the big problem (in my view) entirely correctly.

Highly recommended. Not for kids, or those easily shocked.