Tag Archives: The Great Good Thing

Hubristic musings on Story

Photo credit: Infralist.com. Unsplash license.

Let’s see. Where am I? I did a Zoom interview with a student from the University of Wisconsin-Green Bay this morning. Some kind of history class assignment. She was supposed to speak with a more impressive Viking reenactor, but had to settle for me due to a glitch in the system. It was nice. She was an intelligent young person. Gave me hope.

I’m trying to figure out Adobe Indesign (not Light Desk, as I erroneously termed it last night; I saw the I and D logo in my mind, and they looked like an L and a D, so I vamped). I was referred to a YouTube video for an introduction, but that created as much confusion as it cleared up for me. I bought a book, which I shall try out this evening. I intend to learn this irrational, user-unfriendly mouse maze of an app, or die in the attempt.

Packed for my trip to Brainerd tomorrow. Paid my bills a day early, because I’m flexible that way. Walked to the post office for stamps.

But what shall I blog about? I think, on consideration, that I still have things to say about Story as a key to the universe, as if I didn’t overtalk my intelligence in my previous post on the subject.

Dale Nelson, in commenting on that post, noted that our Lord, when He came to earth, did not come as a philosopher, but as a storyteller. This is an excellent point, one I wish I’d thought of.

So I’ll double down. When God chose to reveal Himself to us in written form, He did not give us a book of systematic theology (I’ve often wished He had, but oddly He did not consult me). Instead, He told us a story.

Wouldn’t it have been a relief if the Bible had begun with The Book of Epistemology? We could have a Book of Trinitarian Doctrine, and a Book of Soteriology, and it would all end up with a Book of Eschatology.

The Quran is kind of like that, as best I understand it, based on my limited examination of the book, though it’s not very organized. The Quran is essentially a book of doctrines and commands. It’s not what you’d call a gripping narrative.

The Bible we’ve been given, however, is a narrative. God chose to tell what is essentially a story. There’s other elements in there – poetry, and law, and wisdom literature, etc. But it’s all set within an epic dramatic narrative. The world is created, Man is created, Man falls, Man runs berserk, God begins calling out a series of individuals, then a family, then a nation, through whom He will – gradually – reveal His purposes for redemption. Finally the Hero – God Himself in human form – appears and – through great sacrifice – undoes the Fall, conquers death and the devil. Finally, we’re given a glimpse of Christ’s ultimate triumph and the eucatastrophe.

A lot of church schism and religious war could have been avoided if we’d had a divine book of unambiguous theology instead of the Bible we got. But God hasn’t chosen to reveal Himself that way, either in His written Word or in His incarnate Word. He seems to prefer stories. And stories tend to be so… ambivalent. The better the story, the harder it is to explain.

During my recent long road trips, I decided to splurge on a couple audio books. Both were by Andrew Klavan – books I’d read before but wanted to revisit. My Minot book was The Truth and the Beauty, Klavan’s manifesto of art-oriented theology. My Green Bay book was The Great Good Thing, his spiritual autobiography.

I found The Great Good Thing easier to grasp. It’s a straight memoir, with its lessons fairly obvious. Great story, too.

But The Truth and Beauty, though fascinating and inspiring, eludes me at some points. Even after two readings, I still have a hard time articulating what the point of the book is. It’s mostly about how the Romantic poets followed their perceptions of beauty, which led them (in some cases not very far) towards the truth of Christianity in a world gone apostate.

But I can’t grasp the nub. I can’t tell you what Klavan is trying to say we need to learn from the Romantic poets.

And it occurs to me that’s the whole mystery of the thing.

Great art generally can’t be reduced to a formula or a moral. It leads you to a place where you confront an idea that is a Person. And persons can’t be defined – not within the limits of human reason. (God can define it all, I have no doubt.)

It’s a little like Zen, where you sit around and meditate until you “get” some irrational concept. I reject Zen, and I reject the irrational too. But the Buddhists have an inkling of some truth there.

Stories can lead us to an encounter with God. Reason can too. But neither the story nor reason automatically produce faith. The faith comes from an encounter with Jesus Christ. That encounter is a miracle; St. Paul knew, and the theologians have agreed, that it’s nothing either our imagination or our reason can produce. It comes from outside. It’s something you receive.

And you can’t always put it into words. You can only tell stories about it.

Cleansing the palate with ‘When Christmas Comes’

But he was wrong, you know. Eddie-My-boyfriend got it wrong altogether, evil little troll that he was. That wasn’t what the look on my face was expressing, not at all. I wasn’t feeling shock and horror at the hypocrisy and phoniness and decadence of modern life. In fact, in that moment, it didn’t seem hypocritical or phony or decadent to me at all…. The one solid reality I could cling to… was, again, our Christmases, our past together, my love.

It was a strenuous weekend, by my declining standards. We got a heavy snow Friday night – I’m not sure exactly how much, but I think I read it was about 7 inches. Heavy stuff, too. And my kindly neighbors, who always move the snow for me (we share the driveway) suffered a failure of their snowblower. So they hired some neighbor kids, whose snowblower broke down too. Thus, there I was, with the neighbor lady, shoveling in front of my garage for about a half hour. Somewhat to my own surprise, I didn’t collapse of a heart attack.

Then I had to go and buy a new inkjet printer. Because for the life of me I couldn’t make the old one work with the new wifi. Also the tray has been broken for some time. That meant a trip to my favorite computer store and a long wait in line. And then the inevitable siege, trying to make it talk to the wireless network. I succeeded at last (this always feels like sorcery, employing incantations I don’t understand at all). Which made it possible, at last, to print my Christmas newsletters.

Moving on to books, you may recall how intensely I disliked Trevanian’s The Loo Sanction, which I reviewed on Friday. Fortunately, I had the perfect antidote at hand. Andrew Klavan’s new book When Christmas Comes, which I adore and was planning to re-read anyway.

When Christmas Comes could almost have been written as a counter to The Loo Sanction (I’m not saying it was. I’m just saying they both deal with the same questions in drastically different ways.)

Both the heroes, Trevanian’s Jonathan Hemlock and Klavan’s Cameron Winter, are American academics who formerly worked in covert espionage operations. Dangerous men, skilled at killing.

And both of them walk into situations where hypocrisy is (or is apparently) rife. Hemlock into the world of cutthroat international politics. Winter into a seemingly idyllic American town where a clean-cut, decorated veteran is on trial for murdering his sweet wife. With the Christmas season as a backdrop, offering lots of opportunities for comment on commercialization and the emptiness of tradition.

But unlike Hemlock, who smashes fetishes and is himself smashed in return, Winter never closes his heart. Much of the book is taken up with his narrative – to a psychologist – of the story of his love for a girl named Charlotte, whom he spent time with every Christmas as he was growing up. And how the magic of those early Christmases was undermined and overwhelmed by old secrets of horrific ugliness.

And yet Winter has the wisdom to discern the truth, even in the midst of lies and hypocrisy. “The great good thing,” as Klavan describes it in his autobiography. As long as he still believes in the great good thing, he remains open to salvation.

A repeated theme in When Christmas Comes is “psychomachia,” the literary device where the characters in a story represent aspects of the storyteller’s own soul.

If that’s so, then in giving life to others, as Winter does at the end of the story, he may also be given life himself.

I don’t know whether it would be better for Andrew Klavan to write a sequel, or just leave us with that hope.

Personally, I vote for the sequel.

‘The Great Good Thing,’ by Andew Klavan

For years, maybe most of my life, I had languished in that typical young intellectual’s delusion that gloom and despair are the romantic lot of the brilliant and the wise. But now I saw: it wasn’t so…. The hungry can’t eat your tears. The poor can’t spend them. They’re no comfort to the afflicted and they don’t bring the wicked to justice. Everything useful that can be done in the world can be done in joy.

Has Andrew Klavan written Surprised by Joy for the 21st Century? I’m not qualified to say. But I will say The Great Good Thing is a wonderful book, a book in the great tradition of spiritual autobiographies like those of Lewis and St. Augustine – but with a modern edge.

You already know I’m wholly sold out to Andrew Klavan as a writer. He may be the best author of mystery/thrillers alive. You probably also know that he converted to Christianity from secular Judaism a few years back. In Klavan’s view these two facts aren’t unconnected. As he internalized the elements of storytelling, he reports, he was drawn ever closer to eternal truths.

Klavan tells us of his youth – economically comfortable – in a Jewish neighborhood in Great Neck, Long Island. His family seemed normal – he himself believed it was normal – but in fact it was deeply dysfunctional. His father was angry and a bully. His mother was a disengaged, frustrated social climber. The first real motherly love he experienced was from a Christian Ukrainian nanny, and her influence lingered. A smart but lazy kid, Drew Klavan faked his way through school and then college, buying the assigned books but never reading them, bluffing in classroom discussions and on tests. Continue reading ‘The Great Good Thing,’ by Andew Klavan