Category Archives: Reviews

‘Iron Chamber of Memory,’ by John C. Wright

They spent a few moments looking for her dropped hat, gradually circling out from the path as they searched, but they did not find it. It seemed the wind had taken it away and hidden it somewhere among the trees. He found the size of them oddly disquieting, rather like seeing a cow taller than a man.

I have shot my mouth off more than once – publicly – about my low opinion of most contemporary Christian fantasy. When I do that (and I expect I’ll do it again) I need to make a clear exception for a very few writers. One of those is John C. Wright, author of the new ebook, Iron Chamber of Memory.

If I had to find a comparison for this work, the closest thing I can think of is George MacDonald’s Lilith. It takes place (mostly) in a world which is ours, but not quite the same as ours. And there are excursions to worlds even stranger.

Hal Landfall, the hero, is an American student at Oxford University. His best friend is Manfred Hathaway, who has just inherited the Channel island of Sark, “the last feudal government in Europe.” On Sark no automobiles are permitted, and no electric lights burn at night. Manfred is engaged to the beautiful Laurel. Hal is attracted to her too, but would never dream of making a move on his friend’s fiancée.

But that’s in our world. There is a secret room in Manfred’s manor house in which all the relationships are different, and all the identities somehow altered. But Hal only remembers this when he enters that room – so he has to leave himself messages, to “trick” himself into going there.

And that room is only the first of a series of secret rooms…

Iron Chamber of Memory is simply a wonderful fantasy story – an original and unforgettable work of imagination. It’s about memory, and it’s about sex – or rather, erotic love. Not a dirty book, but I wouldn’t give it to younger readers. C.S. Lewis described That Hideous Strength as a “fairy tale for adults,” and that’s what this is.

Splendid stuff. Much recommended. There are a few copyreading errors (or I think they are), especially where Manfred repeatedly gets called Mandrake for no apparent reason. I assume that’s an incomplete search an replace job in the word processing, though there may be a subtle message being sent that I’m just too dense to comprehend.

Anyway, read this book. Especially if you’re a MacDonald fan. Strong Protestants may take issue with some Roman Catholic sentiments expressed.

Also, what a great cover!

‘The Chessmen,’ by Peter May

The storm had passed by the Monday, but it was still overcast, dull light suffused with a grey-green, as if we were all somehow trapped inside a Tupperware box.

I’ve reviewed the first two books of Peter May’s Lewis Trilogy below. The Chessmen is the third (the title refers to the famous “Lewis chessmen,” a remarkable set of Norwegian chess pieces discovered on the Scottish island of Lewis, the site of these books, centuries ago. They represent a 12th Century king and his court and warriors).

This time around Fin Macleod, our hero, is still living on Lewis, where he grew up, having left the Edinburgh police force. He takes a job as a security officer on a large estate, to solve the problem of poachers taking wild salmon. This leads him to a hike in the mountains with “Whistler,” an old friend. They discover a rare phenomenon – one of the mountain lochs has spontaneously drained, and they observe a small private airplane lying on the newly uncovered bottom. They both know immediately who must be inside – their old friend Roddy, who was involved with them in a rock and roll group in their college years and disappeared in this very plane.

As with the other books in the series, the story takes us into the past, to old relationships and old secrets. An interesting subplot involves Fin’s old friend/enemy Donald, now the pastor of the local Free Church, who has to defend himself in a church hearing, accused of the trespass of killing a man to save lives. The ending is a shocker.

Very good, especially the high quality of the prose. Cautions for language, and hard (but not entirely dismissive) statements on religion. Recommended.

‘The Lewis Man,’ by Peter May

Beyond the curve of the hill, Fin could see the dark roof of Crobost Church dominating both the skyline and the people over whose lives its shadow fell. Someone had hung out washing at the manse, and white sheets flapped furiously in the wind like demented semaphore flags urging praise and fear of God in equal measures.

Fin loathed the church and all it stood for. But there was comfort in its familiarity. This, after all, was home. And he felt his spirits lifted.

I gave the first volume of Peter May’s Lewis trilogy, The Blackhouse, a mixed review the other day (see below). I thought the writing superior, but the main character inadequate. Fin Macleod, the hero, seemed to me a little passive and emo (too much like me, frankly) to be a mystery detective. But the setting in the Outer Hebrides was fascinating and seductive, and I bought the second book, The Lewis Man. I’m glad I did. I consider this one considerably better, and the first wasn’t all that bad.

Fin Macleod is back in his childhood home at the northern tip of the island of Lewis. His career as an Edinburgh detective is over, as is his marriage. He’s at loose ends, still mourning the death of his young son, but now he has living connections on Lewis, including Marsaili, the woman he was in love with as a boy.

Though he lacks an official police position, Fin is asked by his friend George Gunn, local cop, to come and assist when a body is found buried in a peat bog. At first they think it’s one of those famous prehistoric bog burials, sacrificial victims perfectly preserved in the acidic peat, that show up in northern Europe from time to time. But this victim has an Elvis Presley tattoo on one arm, which makes the death a modern murder.

The investigation uncovers a tangle of old secrets involving the treatment of orphans and organized crime. And it soon becomes clear that Marsaili’s father, now sinking into dementia, is not the person he claims to be. DNA evidence shows him to be a close relative of the murder victim. Is the gentle old man a killer?

I liked Fin Macleod much better this time around – he acted more like a detective, even off the payroll. And the writing was once again exceptional – especially the descriptions of Hebrides scenery and weather. The ending was perhaps a tad contrived, but it was also satisfying and emotionally touching.

Recommended. Cautions, mostly, for language.

‘The Blackhouse,’ by Peter May

The northern part of Lewis was flat and unbroken by hills or mountains, and the weather swept across it from the Atlantic to the Minch, always in a hurry. And so it was always changing. Light and dark in ever-shifting patterns, one set against the other – rain, sunshine, black sky, blue-sky. And rainbows. My childhood seemed filled by them. Usually doublers.

I was encouraged to check out Peter May’s “Lewis Trilogy” of Scottish police novels. I have now read The Blackhouse, the first of them. My reaction is positive, but mixed. The writing (witness the passage above) is superior. My main problem with the book was with the main character and sometime narrator (he narrates the out-of-sequence flashbacks which constitute about half of the book), Fin McLeod, Edinburgh police detective. One likes to like the hero of a book, but sometimes Fin is hard to like. However, there’s a reason for that, entirely in line with the purposes of the story.

Fin is a native of the island of Lewis, in the Hebrides, a bleak place where life is tough to sustain and economic times are hard. He got away and became a policeman in Edinburgh, and has been back only once since. But when a man is murdered in his old home town, in a way almost identical to a murder he’s investigating in Edinburgh, he’s assigned to go and see if there’s a connection.

Back at home, he encounters many old friends and enemies, most of them greatly changed physically but much the same at heart. The course of his investigation rouses memories, which constitute the many long flashbacks in the narrative. Gradually he finds that the similarities between the two murders are no accident, and that he will have to confront the deepest and blackest secrets of his past.

As I mentioned, I found it hard to root for Fin sometimes. He often seems cold and unsympathetic to others. But it’s not surprising that he keeps people at a distance, considering the amount of loss he suffered growing up, as we learn. He seems to have been touched by more than his share of tragedy, even in a place where life is a marginal proposition for most.

For the Christian reader, there are interesting implications. Fin describes himself as not a believer, but not an atheist either – he’s just mad at God. Christians – and there are many on Lewis – seem to be uniformly pinched and joyless. On the other hand, one of the most important positive characters in the book reads the Bible constantly and draws wisdom from it. So I think there’s more going on here than mere flippant modern secularism.

The Blackhouse is a beautiful book, but challenging. I’m not sure whether I recommend it or not, but I’ve bought the sequel. Cautions for sex and language and graphic descriptions of murdered bodies.

‘The Island of Sheep,’ by John Buchan

I’ve told you often of my fondness for John Buchan’s books, especially the Richard Hannay series, through which I’m working my way. Most recently I read The Island of Sheep, which offered the usual pleasures, with the addition of a Scandinavian element for me.

Richard Hannay, retired British intelligence agent, is settling into a peaceful country life with his wife and son, and feeling a little uncomfortable about it. So he’s up for an adventure when an event from his past reaches forward into his present.

Long ago, in Africa, he and a friend helped to save the life of a well-known explorer, a Dane named Haraldsen. When it was all done, Haraldsen called on both of them to make a vow, in Viking fashion (he’s a Scandinavian romantic), to come to his help, or his son’s, at any time. Now Richard hears from the son. Old enemies of his father’s from Africa have reappeared, with both a lawsuit and an implied physical threat. Young Haraldsen has a daughter, and he’s terrified for her safety as well as his own.

Hannay and the friend who also made the vow sally forth from their respectable lives then, to keep their promise, with the help of another old friend, familiar to the reader from previous books, and Hannay’s teenaged son.

The story climaxes in a struggle on the Island of Sheep, Haraldsen’s home (one assumes it’s really in the Faeroe Islands, since that’s what “Faeroe” means). It’s all fairly preposterous, but Buchan knows how to tell a story, and it’s great fun. As usual.

Recommended.

‘Breakdown,’ by Jonathan Kellerman

The big problem with a successful, ongoing fiction series is self-repetition. The template for Jonathan Kellerman’s Alex Delaware novels is pretty well established. Dr. Delaware, successful child psychologist, gets a call from his police detective buddy Milo Sturgis (overweight, conservative, and “gay”), who asks him to advise him on some case in progress. Alex happily cooperates, and together they uncover motive, means, and opportunity. (In real life, of course, Alex would never be allowed to meddle in police work that way, and defense lawyers would have a heyday with his involvement. But in the real world both Alex and Milo would be long retired by now, so why mess with success?).

In Breakdown, the latest in the series, author Kellerman jiggers the template a little. This time it’s Alex who asks for Milo’s help in a case of his own. Some years ago, he was called in to consult on the welfare of a child at risk. The little boy’s mother was an actress on a TV sitcom. She had personality disorders, but seemed to be functioning all right as a mother, and Alex found her son highly intelligent but otherwise normal.

Now he gets a call from a mental health worker. The actress, long out of work, has been found living on the streets, psychotic. Her primary psychologist is dead, so Alex is now the health care professional of record on the file. Alex talks to the former actress, being held in a ridiculous government-funded facility (which gives the author a chance to make some pointed comments on our current mental health system). She’s almost completely psychotic now. There seems to be no record that she ever had a child, and Alex, driven by concern and guilt, enlists Milo in trying to uncover the actress’s past, to see what happened to the boy.

What they uncover is a dark family secret and a string of unsolved murders going back decades.

I always enjoy the Alex Delaware books, and this one pleased me particularly. I love cold case stories, and Breakdown was a fascinating one.

‘The Black Gang,’ by H. C. McNeile

I invested in a complete set of Bulldog Drummond books for Kindle. So I’ll review the second book, though there’s little to say about its virtues or failings beyond what I said in my review of the first book, Bulldog Drummond.

The Black Gang is the title of this outing, and the fact that the title refers to the hero and his friends rather than the villains indicates the ambivalent character of the book for the modern reader.

At the very beginning, the Black Gang capture a criminal villain and take him into their own custody, to be sent to a secret prison of their own. The police are aware of their activities, but not too concerned, as the “right sort of people” are disappearing.

The modern reader has a hard time with this sort of thing – though heaven knows we may be quickly moving into a state of nature where every man will again have to do what seems best in his own eyes.

Anyway, Bulldog Drummond, our intrepid hero, sets his sights on closing down the operation of the greatest criminal mastermind in the world (a Communist, which pleased me), and there are attacks back and forth, and kidnappings, and Drummond triumphs in the end.

Nothing very challenging. Nothing very plausible. There are some ethnic slurs (especially of Jews), but we’ve come to expect that sort of thing, haven’t we?

Mindless entertainment from a more innocent era. Cautions for racist elements.

‘Persons of Interest,’ and ‘In This Bright Future,’ by Peter Grainger

A while ago I reviewed the first three D.C. Smith novels by Peter Grainger. I was happy to discover recently that there are now two more. I read them with pleasure and review them here.

The continuing hero, D.C. Smith, is an aging police detective in the fictional city of King’s Lake in England. He is utterly uninterested in career advancement, and has no personal life to speak of. For him it’s all about the work – our friend Gene Edward Veith might say he’s a man of his vocation, perhaps to excess.

One of D.C. Smith’s great strengths is the low profile he keeps. He’s physically unimpressive, and he purposely presents himself as less intelligent than he really is. His very nickname, “D.C.,” is a police rank (Detective Constable), but his actual title is Detective Sergeant. Thus from the very beginning he keeps the people he meets at a disadvantage, something he enjoys and exploits.

In Persons of Interest, a low-level convicted felon is murdered in prison, and Smith’s phone number is found among his effects. This is puzzling, as Smith has never met the man. Then a couple teenagers disappear, and it all comes together in an investigation that takes on ruthless and powerful gangsters.

In In This Bright Future Smith takes an excursion into his own past, or at least the ruins of that past. In his youth he served as a British spy in Belfast, North Ireland. There he failed to complete his mission and nearly got killed. Only now, while resting up from a leg injury, Smith receives a summons from the son of an old friend there, learning that a young man he’d liked, one who’d been promising and non-political, had disappeared the same night he fled the city. Smith goes back, impelled by a sense of obligation, once again adopts a false identity, and begins investigating what happened to the young man.

I like each D.C. Smith book better than the last. I’m particularly impressed to learn that author Grainger began in self-publishing – few writers in that field (and I include myself among them) rise to this high level of craftsmanship. Also the language is mild and though there’s much violence in the air, little actual violence happens on stage, largely because Smith is too smart to let it happen.

Highly recommended.

‘The Boat Man,’ by Dustin Stevens

“The Boat Man” is the titular murderer’s own name for himself. He and another were the victims of a horrible crime some years ago, and now he’s back, having mastered patience and the use of a sword, to make the perpetrators understand exactly what they have put others through. And then die.

That’s the premise behind The Boat Man, written by Dustin Stevens, who is pretty good at thrillers if this book is any indication.

The hero of the story is Columbus, Ohio Detective Reed Mattox, who has suffered from PTSD since the death of his (female) partner. Since then he has withdrawn from human society generally. He manages to remain a cop through taking a K-9 partner (Billie, a Belgian Malinois) and working the night shift.

When the Boat Man murders begin, however, his superiors are forced by a manpower shortage to move him to the day shift and put his team in charge of the investigation. And gradually Reed begins to uncover a terrible injustice and a shameful cover-up.

Author Stevens creates good characters and believable situations. The writing is generally of pretty high quality, though some typos managed to survive into the final text. I liked the book a lot and recommend it.

‘Missing or Murdered,’ by Robin Forsythe

My ongoing attempt to shift my recreational reading to older novels is not, I must admit, going as well as I hoped. I’ve discovered some gems, it’s true – Frank H. Spearman’s westerns, E. Phillips Oppenheim’s spy stories. But my attempts to acquire a taste for Golden Age mysteries seems fruitless. Aside from Dorothy Sayers, I honestly can’t think of a Golden Age mystery novelist I care much for. Robin Forsythe did not change that judgment.

Robin Forsythe was an English civil servant who went to prison for a while for fraud, and came out determined to make his living writing mysteries. He did all right too, for the remainder of his short life.

His fictional detective was Tony “Algernon” Vereker (I never did figure out quite how to pronounce that last name). Vereker is a London artist of independent means. In Missing or Murdered, the first novel in the series, his old friend, Lord Bygrave, a government minister, disappears. Vereker attaches himself to the investigation (the Scotland Yard detective in charge is oddly untroubled by the intrusion). He follows the detective around and compares notes with him frequently. They make the investigation a sort of competition. Eventually the work out what happened to Lord Bygrave and who is responsible.

I suppose my tastes have been corrupted by postmodern culture, but I had trouble enjoying Missing or Murdered. Both Dorothy Sayers and Charles Williams liked Forsythe’s work, but for my money they both leave him in the dust. There’s lots of talking in the book, with some rather forced wit, and everything is leisured and decent, and it bored me silly. Couldn’t wait for the thing to be done with.

But it’s fine if you like this sort of thing.