Category Archives: Reviews

Cry Unto Heaven, by Darwin Garrison

Full disclosure: Darwin Garrison is a friend of mine. But even adjusting for my prejudice, I think Cry Unto Heaven is a good, satisfying story.

In a sort of post-apocalyptic world (a very special kind of post-apocalyptic world) a young girl named Renn, scavenging for food, is rescued from a rapist by a man named Zeke who reminds her of an angel. He has seemingly supernatural powers, and he’s on a mission to answer prayers, and to frustrate the plans of his own brother, who has committed great crimes and wants to commit worse.

Cry Unto Heaven is a quick read, with good characters, a tight narrative, and theological resonance (no preaching). I enjoyed it a lot, and it’ll only cost you a buck. Recommended.

The Well of the Unicorn, by Fletcher Pratt

A friend gave me a copy of The Well of the Unicorn by Fletcher Pratt, in order to reduce my appalling ignorance of some of the classics in my own genre. Having read it, I can see why it’s a (kind of a) classic, but also, I think, why it will probably never have a passionate following.

Fletcher Pratt, a prolific author who worked in many genres, as well as nonfiction, in the early part of the 20th Century, was a very fine author. The single thing that impressed me most about The Well of the Unicorn was the fact that he uses antique diction, but unlike most authors he actually uses it well. He very clearly understands the old words and idioms he employs, giving the whole story a flavor of authenticity.

On the other hand, that same diction can be an obstacle to the reader. I have a pretty extensive vocabulary, and I still found the prose a bit of a slog. Continue reading The Well of the Unicorn, by Fletcher Pratt

Phil’s Review of Troll Valley

I finished Troll Valley last night, and like many of you, loved it. His characters have authentic voices and raise questions that are not clearly answered. His main character, Christian Anderson, follows a story arc somewhat similar to the priest of Graham Greene’s The Power and the Glory, being a sympathetic boy who grows into a despicable coward and returns to being sympathetic again. It’s a beautiful, challenging picture of divine grace.

One of the pastors in Troll Valley reminds me of a preacher I know through family ties. He knows the Bible well and yet is so wrong on select issues that you wish you could push him to become either a wholly sound pastor or a ridiculous fanatic. You might trust him more if he was less complicated, but such complications make the story so good.

One brief scene from the book may illustrate this point. Christian slips into the underworld or faerie land a few times. You might even say the whole story is about how faerie land is breaking in on Chris’ life. One time, he sees a giant hammering away on the manacles tying him to the ground. He’s crying because he can’t get free, but when Chris asks him about it, he says he chained himself down so that he wouldn’t attack the beautiful children who were playing nearby. Now in his chains, he wrestles to get free and attack them. That complex conflict of the heart and will may be the key to Troll Valley. Christian and other characters are limited in ways that keep them healthy to a degree and restrained. They don’t know how to assert their desires in positive ways and chafe at their restrictions until they can no longer stand it. If and when they break free, they make a terrible mess of themselves. Can they handle the self-determination they seek? Some of the restrictions which bind them are not sound ones, which makes the binding worse, and that is one of the major themes that makes this novel wonderful.

Continue reading Phil’s Review of Troll Valley

Answering Big Questions and Overcoming Fear

I respect Dr. Edward Welch from some of his earlier works (a good example, Running Scared: Fear, Worry & the God of Rest). Now, he has a book for teenagers and young adults in which he answers a few fundamental questions. What Do You Think of Me? Why Do I Care?: Answers to the Big Questions of Life leads a reader into the reasons he may pander to his crowd by asking:

  1. Who is God?
  2. Who am I?
  3. Who are these other people?

Whatever answers we give to these questions point to what we worship, and that’s the heart of the matter.

Welch offers a gentle path to freedom to anyone wise enough to walk with him. He describes true and false worship as being those things that are worthy of our love and those that aren’t. “Love the approval, acceptance, or love of other people; they will be like a god to you and control your life,” he writes. “It is a basic principle: the more you are controlled by God, the less you are controlled by other people. The more you love God, the less you will love the acceptance or recognition of others. So grit your teeth and get to work! Just kidding.”

I look forward to giving my daughters this book to help guard them against the fear of men, which I still find threatening. It’s probably the main reason I don’t feel as if I’ve fully grown up yet.

Dead Zero, by Stephen Hunter

There are various ways for authors to handle the problem of aging in popular series characters. Some characters never age at all. Rex Stout’s Nero Wolfe and Archie Goodwin were unaffected by the passage of decades. John D. MacDonald, as I recall, allowed his hero Travis McGee to age about one year for every three in real time. This lent an illusion of realism, while extending McGee’s effective life as an action hero as long as the author was likely to live. Perhaps the bravest course is to just let nature take its course.

That’s what Stephen Hunter is doing in his Bob Lee Swagger novels. Old Bob Lee, decorated Vietnam War Marine sniper, is getting long in the tooth. He’s moving slow, and feeling his aches and pains (especially the ones from his multiple wounds) pretty badly.

So Hunter has apparently decided to take the series in a new direction. And I salute him for it. In Dead Zero he’s produced an exciting and compelling action novel in which Bob Lee acts as the shrewd old detective, reader of human “landscape,” and spotter, but another, younger sniper has come on board to do the running and crawling and shooting. Continue reading Dead Zero, by Stephen Hunter

It seems like a good day; what did I overlook?

All in all, a pretty good day.

I took half a vacation day, because I had to meet a service entity for my regularly scheduled furnace inspection. I also needed to pick up my snow blower, which, I had been informed, was now back in fighting trim.

I knew both these things would cost me money, but as it worked out, neither cost as much as I expected.

How often does that happen in this economy?

Also, two blog reviews of Troll Valley appeared.

The first was from Hunter Baker, author of The End of Secularism. He calls me “talented and wise,” so I’m pretty sure he got me mixed up with Walker Percy.

Also, a nice review from Betsy Lightfoot at This, That, and the Other Thing.

Thanks to both.

I think both reviews link to the Amazon page.

But I should remind you that, if you have a Nook, you can get it from Lulu at this address.

Have a good weekend.

What the Night Knows, by Dean Koontz

I’m a fan of Dean Koontz, so when I say that I wasn’t entirely pleased with What the Night Knows, you must understand that I’m not saying it was a bad read, or that it bored me. It’s a professionally constructed story, with appealing characters and gripping terror. But there were things that disappointed me about it.

As in so many Koontz stories, the action is sparked by a bigger-than-life villain. This one is Alton Turner Blackwood, a gigantic, deformed sexual sadist who has an extra advantage—he’s dead. He can possess inanimate objects or people, and he uses them to commit horrific sex murders against entire families. He especially craves young, innocent females.

Years ago police detective John Calvino, then a teenaged boy, walked in on Blackwood just after he had murdered Calvino’s family. Calvino shot him to death. But somehow Blackwood’s evil spirit endures, and he is determined to recreate his last string of murders, on precisely the same timetable, finishing up with Calvino and his wife and three children. Continue reading What the Night Knows, by Dean Koontz

Apparently I have hidden depths

Our friend Grim at the Grim’s Hall blog has the honor of posting the first blog review of Troll Valley. And what he has to say about it is extremely intriguing:

There is a wider lesson to her example.  A family home is like a broader human community in that it has rules that establish a way of life, and under that way of life a community is possible.  We see in the early chapters how the traditions of Norwegian families at Yuletide sustained a broad community through hard work.  It is at that feast that the mother first uses her power to force a change in the rules, in her interest and against the interests of others.  It is by forcing continual alterations of the rules of life that she destroys the community within the house, so that finally no one can live with her at all.

Each of these rules is meant to represent moral progress, but each of them destroys the living community in which human kindness is possible.  

Grim sees the book as a drama of modern ideas of societal reform in conflict with the old traditions, and traditional relationships, that actually bind society together.

I find this fascinating, because I honestly didn’t have that in mind when I wrote. I was thinking of politics vs. religion, not politics vs. tradition. But now that he mentions it, I can see that the lesson is there. What I did was try to represent factually the kind of changes that were going on in the first couple decades of the 20th Century, and the “lesson” grew kind of organically from the events.

This all pleases me immensely. I like being smarter than I intended.

Manalive, by G. K. Chesterton


When men are weary they fall into anarchy; but while they are gay and vigorous they invariably make rules. This, which is true of all the churches and republics of history, is also true of the most trivial parlour game or the most unsophisticated meadow romp.

We are never free until some institution frees us; and liberty cannot exist till it is declared by authority….

This may be the most delightful of all G. K. Chesterton’s fictional romps. Many love The Man Who Was Thursday, but Manalive is perhaps the distillation of the author’s philosophy of life; a comedy that makes his most serious point.

The central character of Manalive is Innocent Smith, a huge but oddly graceful gentleman who leaps into a suburban London garden one day, chasing his hat in the wind. He is not at all irritated by having his hat blown away; he declares to the people present that hat chasing is one of his favorite sports. He then proceeds to shoot a physician’s hat off with a pistol, an action which sparks the story’s odd action.

Soon three young men have proposed to three young women, and had their proposals accepted. Then authorities come to take Innocent Smith away. He is, according to information received, an attempted murderer, a burglar, and a bigamist, believed to be dangerously insane. Through one of those odd plot contrivances that could only happen in a Chesterton story, a hearing on his sanity is held in that very house. Evidence against Smith is heard, and explanations given.

Without giving away the details, the whole point is that Smith is a man who has discovered how wonderful life is, and is determined to make himself forever aware of the wonder of living through finding new ways rediscover its beauty. He seems insane because he’s eminently sane. He looks like a murderer because he imparts life wherever he goes. He is a walking paradox, Chesterton’s perfect brain-child.

If you’re looking for realistic fiction, this is not the book for you. Chesterton, as is his wont, stretches probability as wide as Innocent Smith’s waistcoat. He plays with ideas, plays with his characters, and plays with the reader. He is endearing and maddening—just like his main character.

Recommended without reservation.

The Skin Map, by Stephen R. Lawhead

Stephen Lawhead has never been a conventional Christian author, or even a conventional fantasy author. He writes by his own rules. Sometimes I like what he does, sometimes not so much. But all in all I was pleased with his novel The Skin Map, and look forward to the continuation of the series.

The main character is a generally unremarkable young man, Kit Livingston, who lives in contemporary London. One day he gets lost and wanders into an alley, where he meets a man who claims to be his great-grandfather, Cosimo Livingston. Cosimo claims that there are invisible paths and portals (“ley lines”) throughout the world, by which knowledgeable travelers may travel through time, space, and dimension.

Kit tries to explain to his girlfriend Wilhelmina why he missed their date. To prove his story to her, he takes her back to that alley and successfully makes a jump to the historical past—17th Century London. But he gets separated from Wilhelmina, who finds herself (we learn later) in Bohemia at about the same time. (One of the pleasures of this book is the Wilhelmina subplot, in which an unhappy 21st Century feminist finds personal fulfillment as a businesswoman in 17th Century Prague.)

Kit finds Cosimo, who agrees it’s important to try to locate Wilhelmina and send her home. But to do that they need a map. There is only one map of the ley lines, the “Skin Map,” a piece of parchment made from the tattooed skin of the first explorer to chart the space-and-time-byways. (He had the map made on his own torso so that he could never lose it.) That map has been cut into several pieces, and the single piece Cosimo and his friend Sir Henry Fayth possessed has been stolen. Before long they learn they have more serious problems than the disappearance of Wilhelmina. A very dangerous and resourceful enemy is doing his best to assemble the Skin Map for his own megalomaniac purposes, and he will stint at no crime to get what he wants.

I found The Skin Map a very engaging fantasy entertainment, suitable for teens and older. Good values are taught, and Christianity is presented in a serious, positive light. I think Stephen Lawhead was wise to move away from medieval fantasy, at least for a while. He seems to have grown uncomfortable with the kind of sword-and-armor violence that such stories demand, and this idiosyncratic adventure gives him scope for other kinds of action. Recommended.