Category Archives: Reviews

DVD review: “The Beaver”

It was a great misfortune (but not a forced error) that the movie The Beaver came out just when pretty much everybody in the country was mad at its star, Mel Gibson. Alas, Mel’s particular form of weirdness doesn’t fall within the bounds of Acceptable Deviancy under Hollywood rules, so not many people saw it. But you can get it on DVD, which I did this weekend, and I found it well worth viewing.

The story is of Walter Black (Gibson), the president of a once-dynamic toy company now drifting aimlessly, due to Walter’s chronic depression. Walter inherited the company from his father who (we are informed almost parenthetically) himself fell into depression and committed suicide. Walter has a loving, frustrated wife, Meredith (Jodie Foster), an adoring young son, and an older son, Porter (Anton Yelchin), who hates him out of fear that he himself will end up as his grandfather did, and as his father seems likely to.

When Meredith finally kicks Walter out of the house for the sake of the children’s safety, he (in a remarkable scene of black comedy) attempts unsuccessfully to commit suicide. It’s in this awful moment that The Beaver, a discarded puppet he found in a dumpster, starts “talking” to him. (It’s always very clear that Walter is saying the words, but the personality differences are great enough that the Beaver takes on a weird reality of his own.) The Beaver tells him he’s come to save his life, and under his inspiration Walter revitalizes his company with new ideas, and reconnects with his youngest son and his wife (though she’s very skeptical). Son Porter alone refuses to play along, seeing in the Beaver the flowering of the insanity that scares him. (There’s also a very nice subplot about Porter courting a girl at school, trying to find his own way to be a man while terrified of himself.) Continue reading DVD review: “The Beaver”

Twice the critical goodness!

Today we have two blog reviews of Troll Valley.

First, from Will Duquette at The View From the Foothills:

They always tell aspiring writers that they should write what they know. As commonly understood, I think this is hogwash—a writer needs to be able to go beyond his personal experience to date. But there’s no denying that when it’s done well, the personal touch can bring an immediacy and a concreteness to a work. And that’s precisely what Lars has done here.

Then, from Loren Eaton, at I Saw Lightning Fall:

For the record, I hold little in common with the characters of Troll Valley. I’m not of Norwegian descent, I’m not Lutheran, and the closest I’ve come to even setting foot in Minnesota is a trip to friend’s wedding in Wisconsin. But I still found them engaging. Walker understands that literature is supposed about the stuff of universal human experience, and he uses his characters’ specific situations to touch on it. Alienation and belonging, love and lust, faith and doubt — all make appearances.

Thanks to both.

Moonlight Mile, by Dennis Lehane

I think the general consensus is that, of all Dennis Lehane’s Patrick Kenzie/Angela Genarro private eye novels, the most perfect, memorable, and troubling was Gone, Baby Gone, which was also turned into a very good movie that not enough people saw. In that story, the detectives, who were also lovers, nearly split up for good over the decision of what to do about a little girl kidnapped from a neglectful home. The conclusion of the book was heartbreaking and a real moral puzzler.

After more than a decade, author Lehane has picked up the story again in Moonlight Mile. Much has changed for the Boston investigators. Patrick, having barely survived a gunshot wound, has turned to less dangerous forms of detective work, doing contract jobs for a large firm. Angela is working on a graduate degree. They have a four-year-old daughter who is the light of their lives. Money’s tight, but if they can hold out until Angela finishes school, life ought to be good.

And then the past shows up. The aunt of Amanda McCready, the little girl kidnapped in Gone, Baby, Gone, who originally hired Patrick and Angela, approaches Patrick. Amanda, now sixteen years old, has disappeared again, she says. She fears it has something to do with the girl’s stepfather, an ex-convict and drug dealer with a record of sexual abuse.

Continue reading Moonlight Mile, by Dennis Lehane

The Unseen, by T. L. Hines

I think I’ll just start my review by saying that T. L. Hines’s The Unseen is one of the most impressive thrillers I’ve read in some time—not just among Christian books, but among thrillers in general. I liked Hines’ first novel, Waking Lazarus, quite a lot. I was less impressed with The Dead Whisper On, his second. But this book—in my opinion—knocks it out of the park. It works on many levels, not only as a straight thriller, but as a cultural metaphor.

Lucas, the hero, is not strictly a part of the normal world. He makes a little money doing temporary, menial jobs, but he doesn’t need much money, because he’s essentially homeless. He moves from place to place in Washington, DC—abandoned buildings, service tunnels, even the sewer. He lives to watch other people, from hiding places he sets up behind walls and ceilings, “between the seams of society.” He’s not a voyeur in the ordinary sense. He doesn’t spy on women in dressing rooms, for instance. He watches people in public places, or at work. He imagines what their lives are like. It’s the only thing that makes him feel good, that calms the incessant buzzing he hears in his brain.

But one day he meets another man who’s a watcher like him. Through that man he learns of a whole organization of “creepers,” people who install cameras and make secret videos of people in their homes. They film acts of domestic violence and murder plots, but they refuse to do anything about them.

Lucas does something about them. Only the results aren’t what he expects, and the more he learns the stranger the mysteries grow, until he finds himself pursuing—and fleeing from—spies and counterspies and mysterious scientists who may hold the secret to his own forgotten past.

Aside from the originality of the concept, I liked the way Hines progressively amped up the tension (some of the action is kind of hackneyed, but it’s effective) and managed to make sympathetic a character who could have been pretty repellant. And Lucas’s watching obsession obviously mirrors various pathologies in modern society, from which (I suspect) few of us are entirely free. (Porn, anyone? Reality TV?) I suppose most readers won’t identify with Lucas as strongly as I did, but I think most will identify to some degree or another.

Highly recommended for older teens and adults. Well done.

The Undead at War, by Kevin Long

Kevin Long, who is the author of The Undead At War is the same person as the Republibot 3.0 who wrote Ice Cream and Venom, which I reviewed a while back (I note that he’s come out of the closet on that authorship now). I thought his work showed a lot of promise then, and I’m happy to report that he’s only gotten better as a writer.

Although there are some stand-alone stories in the collection, the bulk of the stories fall into two sequences—the Undead stories (which, in spite of expectations, are not about zombies or vampires), and the Redneck Universe stories, which culminate in the last part of the book, a novella called “Home Again.”

The Undead stories are actually concerned with the question of medical life extension. What if we could preserve the brains of people whose bodies have died, hook them up to a virtual reality scenario, and put their brain power to work? Plenty of moral ambiguities are explored, and the texture of the narrative is enriched by the fact that the narrator, one of the Undead himself, is not a particularly admirable man, and has every reason to wish to postpone his absolute death.

The Redneck Universe stories have a Heinleinian flavor, and concern a mass exodus from earth by a large number of people who form colonies—entirely without the support of any terrestrial government—on distant planets. The essential theme of all these stories is the alienation experienced by people trying to find a way to be human in environments no human has ever known before. The narrator of “Home Again,” the bittersweet novella at the end of the book, is further torn when, on returning to earth, he finds himself (because of the effects of relativity) subjectively only a few years older than when he left, but faced with a world where everything has experienced decades of change. Christians are likely to have trouble with the one religious scene in this story, and also with its conclusion, which is nevertheless dramatically justified.

If you’re a science fiction fan, especially one with libertarian views, I think you’ll probably like The Undead At War. Cautions for language and adult situations.

Cry Unto Heaven, by Darwin Garrison

Full disclosure: Darwin Garrison is a friend of mine. But even adjusting for my prejudice, I think Cry Unto Heaven is a good, satisfying story.

In a sort of post-apocalyptic world (a very special kind of post-apocalyptic world) a young girl named Renn, scavenging for food, is rescued from a rapist by a man named Zeke who reminds her of an angel. He has seemingly supernatural powers, and he’s on a mission to answer prayers, and to frustrate the plans of his own brother, who has committed great crimes and wants to commit worse.

Cry Unto Heaven is a quick read, with good characters, a tight narrative, and theological resonance (no preaching). I enjoyed it a lot, and it’ll only cost you a buck. Recommended.

The Well of the Unicorn, by Fletcher Pratt

A friend gave me a copy of The Well of the Unicorn by Fletcher Pratt, in order to reduce my appalling ignorance of some of the classics in my own genre. Having read it, I can see why it’s a (kind of a) classic, but also, I think, why it will probably never have a passionate following.

Fletcher Pratt, a prolific author who worked in many genres, as well as nonfiction, in the early part of the 20th Century, was a very fine author. The single thing that impressed me most about The Well of the Unicorn was the fact that he uses antique diction, but unlike most authors he actually uses it well. He very clearly understands the old words and idioms he employs, giving the whole story a flavor of authenticity.

On the other hand, that same diction can be an obstacle to the reader. I have a pretty extensive vocabulary, and I still found the prose a bit of a slog. Continue reading The Well of the Unicorn, by Fletcher Pratt

Phil’s Review of Troll Valley

I finished Troll Valley last night, and like many of you, loved it. His characters have authentic voices and raise questions that are not clearly answered. His main character, Christian Anderson, follows a story arc somewhat similar to the priest of Graham Greene’s The Power and the Glory, being a sympathetic boy who grows into a despicable coward and returns to being sympathetic again. It’s a beautiful, challenging picture of divine grace.

One of the pastors in Troll Valley reminds me of a preacher I know through family ties. He knows the Bible well and yet is so wrong on select issues that you wish you could push him to become either a wholly sound pastor or a ridiculous fanatic. You might trust him more if he was less complicated, but such complications make the story so good.

One brief scene from the book may illustrate this point. Christian slips into the underworld or faerie land a few times. You might even say the whole story is about how faerie land is breaking in on Chris’ life. One time, he sees a giant hammering away on the manacles tying him to the ground. He’s crying because he can’t get free, but when Chris asks him about it, he says he chained himself down so that he wouldn’t attack the beautiful children who were playing nearby. Now in his chains, he wrestles to get free and attack them. That complex conflict of the heart and will may be the key to Troll Valley. Christian and other characters are limited in ways that keep them healthy to a degree and restrained. They don’t know how to assert their desires in positive ways and chafe at their restrictions until they can no longer stand it. If and when they break free, they make a terrible mess of themselves. Can they handle the self-determination they seek? Some of the restrictions which bind them are not sound ones, which makes the binding worse, and that is one of the major themes that makes this novel wonderful.

Continue reading Phil’s Review of Troll Valley

Answering Big Questions and Overcoming Fear

I respect Dr. Edward Welch from some of his earlier works (a good example, Running Scared: Fear, Worry & the God of Rest). Now, he has a book for teenagers and young adults in which he answers a few fundamental questions. What Do You Think of Me? Why Do I Care?: Answers to the Big Questions of Life leads a reader into the reasons he may pander to his crowd by asking:

  1. Who is God?
  2. Who am I?
  3. Who are these other people?

Whatever answers we give to these questions point to what we worship, and that’s the heart of the matter.

Welch offers a gentle path to freedom to anyone wise enough to walk with him. He describes true and false worship as being those things that are worthy of our love and those that aren’t. “Love the approval, acceptance, or love of other people; they will be like a god to you and control your life,” he writes. “It is a basic principle: the more you are controlled by God, the less you are controlled by other people. The more you love God, the less you will love the acceptance or recognition of others. So grit your teeth and get to work! Just kidding.”

I look forward to giving my daughters this book to help guard them against the fear of men, which I still find threatening. It’s probably the main reason I don’t feel as if I’ve fully grown up yet.