Category Archives: Reviews

‘Holy Disorders,’ by Edmund Crispin

Edmund Crispin (real name Robert Bruce Montgomery) was one of the great names of England’s Golden Age of Detection (under the Montgomery name he was a noted composer of music in various fields, ranging from saucy film scores to reverent sacred works). His most famous literary creation is Professor Gervase Fenn, an English professor at a fictional Oxford college. Holy Disorders is one of Crispin’s later works.

The story starts with Fenn’s friend Geoffrey Vintner, a composer of church music, receiving a muddled telegram from Fenn, demanding that he travel immediately to the fictional cathedral town of Tolnbridge – and bring a butterfly net! The lengthy description of Geoffrey’s journey, during which he is attacked three times by thugs, has a fantastical, dreamlike quality that reminded me a little of Chesterton’s The Man Who Was Thursday.

When he arrives in Tolnbridge, Geoffrey finds that Fenn has completely forgotten about him – which isn’t unusual. But the cathedral organist has been attacked and is in the hospital, and Fenn is investigating. That very night, the bishop is killed in the cathedral, and the organist is murdered in the hospital. Fenn and Geoffrey go to work comparing alibis and witness accounts, eventually uncovering hidden, unsuspected evil.

Holy Disorders is fairly disordered in its own right, in terms of plot. The puzzle is complicated, and the action often less than plausible. I also have to say that I figured out the murderer’s identity before I was supposed to.

The story had other problems too. I liked the writing – very classic English and erudite. But my main problem with the book was that our hero, Gervase Fenn, was one of the most unlikeable heroes I’ve ever encountered (not the worst, but hardly endearing). He shares with Sherlock Holmes a tendency to rudeness. But Holmes possessed some manners, and was only rude when necessary. Fenn genuinely doesn’t seem to care – which makes his occasional moral pronouncements sound unconvincing.

There are many churchmen in this book, and none of them are very saintly, while a couple are unworthy characters. The attitude to Christianity overall seems positive though, though the author’s theology appears weak. I was disturbed by attempts to partly justify the old witch trials (this is a subject on which I have strong views).

Modern readers will be amused by the depiction of “marihuana” in this story. I loathe pot personally, but we know today that it’s not anything like as addictive as it’s portrayed here.

There are no sex scenes, though I was surprised by a scene where a couple swim together in the nude. Very racy for a book published in 1940.

My final judgment on Holy Disorders is that it has its pleasures, but is not a great mystery novel. Edmund Crispin, perhaps, deserves another reading, selecting a better example of his craft. I actually enjoyed the book more than not, in spite of its weaknesses.

‘Deep Shadow,’ by Nick Sullivan

Boone Fischer is a divemaster who works guiding scuba excursions on the remote island of Bonaire in the Caribbean. He likes the job, but is restless, so he’s taken another job on another island. The problem is that he’s now falling in love with Emily, an English girl he’s working with, and hasn’t yet worked up the nerve to tell her he’s leaving.

One day while diving, Boone spots something he’s never seen before – a submarine. It’s not military or scientific. Emily snaps a couple pictures of it. These pictures prove of interest to two American customers – who just happen to be military. They make inquiries, and learn that there are rumors that a Venezuelan drug cartel has hired Russian engineers to build them a large sub for smuggling purposes.

What none of them know is that the cartel itself has been betrayed – one of their engineers is a Muslim extremist, and his plan is to take the sub and use it not for smuggling – but as a massive bomb.

That’s the premise of Nick Sullivan’s Deep Shadow. Boone, our hero, aside from being young and strong and agile, is also fortunate in being an expert in Brazilian martial arts. He’ll need them. In fact, luck plays, perhaps, too large a part in this story from a plotting perspective. The Caribbean is a large body of water – what are the odds Luke would stumble on the submarine, not once, but twice, purely by happenstance?

Overall, there was nothing wrong with Deep Shadow. It was a well-told, exciting adventure story. The prose was professional. I found it a little simplistic – it reminded me of those kids’ novels I used to read, where the boy gets involved with spies or detectives or something, figures out what’s wrong before the adults do, and ends up the hero. However, Deep Shadow makes no claim to be Dostoevski – it promises a rousing adventure story, and it delivers just that.

There’s violence, but not too graphic, and hints of sex but no sex scenes. If you’re looking for uncomplicated action entertainment, perhaps for reading on the beach, Deep Shadow is a good choice.

Watching Jeremy Brett’s ‘Sherlock Holmes’

I’ve found myself watching some of the old Jeremy Brett Sherlock Holmes episodes from the 1990s, on YouTube. They’re all there, I think, or at least most of them. I’d forgotten how truly excellent they were, especially at the beginning. Toward the end, Jeremy Brett was visibly unwell and putting on weight, and those scripts, based on inferior Conan Doyle stories, were (in my opinion) weaker.

I was surprised to discover that Jeremy Brett played Freddy in the 1964 film version of “My Fair Lady.” He was good in that role, but playing what they used to call “Juvenile” parts was not his true destiny.  (I always thought Freddy should have gotten the girl, and indeed that’s what happens in G. B. Shaw’s original play.)

Granada Productions made a serious effort to do Sherlock Holmes in a manner faithful to the original stories. The series bowled me over back in the day, and it has aged excellently. Brett got the job because he resembled Sidney Paget’s original illustrations – except that Paget’s Holmes was pretty bald. The sets were great, the costumes were great, and Brett’s performance was at once faithful to Doyle’s descriptions and wildly original. Doyle tells us that Holmes would have made a great actor, and Brett plays him as an actor, affecting theatrical gestures and vocal flourishes. One wonders whether the man is quite sane (Brett’s life story suggests he wasn’t entirely), but we always wondered about Holmes the same way.

If you’re looking for top-shelf literary adaptations, check these out.

‘The Twist of a Knife,’ by Anthony Horowitz

Anthony Horowitz is a very famous author and screenwriter whom I don’t recall ever hearing of before. (Though he created both Midsomer Murders and Foyle’s War.) I got a chance to read The Twist of A Knife, book 4 in his Hawthorne and Horowitz series, and found it distinctive, well-crafted, and entertaining. Also a little weird. Which isn’t necessarily a bad thing.

In this series, apparently, author Horowitz has cast his real-life self as the narrator. References to his own life seem to be authentic (I have no way of checking). But here he has invented a situation (I assume it’s fictional) where he’s gotten involved with an enigmatic private eye known only as Hawthorne. They solve cases together, and Horowitz turns them into bestselling books. Hawthorne appears to be somewhat autistic. Certainly peculiar. He was kicked off the police force, lives in a sterile flat, and never talks about his life. He keeps his own counsel entirely, and Horowitz can never tell what he’s thinking. He’s not above petty revenge when he feels insulted. There are echoes of Holmes and Watson here, but Hawthorne is Holmesian in a highly distilled form.

As The Twist of a Knife opens, Horowitz is telling Hawthorne that he wants to end their association. The books they’ve produced have done well, but it’s all been too intense for him. He wants to go back to his quiet life of ordinary writing. Anyway, his first West End play is about to open. He hopes this will be the beginning of a stellar playwrighting career, a new stage in his life.

The first night seems to go well. But critic Margaret Throsby is in the audience – the most hated critic in London. She appears at the first night party and insults the cast, and then writes a scathing review. Soon after that, she’s dead – stabbed to death with a dagger which happens to belong to Anthony Horowitz. The police question him, and he suddenly finds himself in personal need of Hawthorne’s detective skills – but will Hawthorne be willing to help?

The tone is generally light, though the dramatic tension is elevated enough. Horowitz is not a great prose stylist, and his characterizations are (in my opinion) a little superficial. But the plot was extremely neat and clever. The book succeeds primarily on the author’s inventiveness, and that is formidable.

The author also deserves credit for venturing into the dangerous territory of discussing race and “cultural appropriation.” He does it in a safe way, by making the minority concerned one whose actual presence in England is negligible, but I think he was brave to address it at all.

The classic Agatha Christie “payoff” scene was artfully done. There was even a positive Narnia reference.

The Twist of a Knife is a professionally crafted detective entertainment that will particularly delight fans of the Cozy subgenre. Worth the price for the entertainment.

‘The Long Farewell,’ by Michael Innes

I knew of Michael Innes (real name J. I. M. Stewart), one of the foremost classic English mystery novelists. I’ve probably read one or two of his stories before, though I don’t remember them. A deal on The Long Farewell persuaded me to buy it. It wasn’t bad, but it shows its age (the book was published in 1958. I suppose I have to agree that that’s a long time ago, though I remember the year well).

Our hero, Sir John Appleby, Commissioner of Scotland Yard, visits his friend Lewis Packford, an amateur scholar of Renaissance literature, while they are both on holiday in Italy. Lewis appears distracted, and makes several references to amazing possible discoveries of literary documents, and also to forgery.

On his return to England, Sir John is shocked to learn that his friend Lewis has shot himself to death at his family estate. He had recently made a sensational announcement about purchasing an old Italian book of stories – with notes in Shakespeare’s own hand in the margins of the Othello story. As if that wasn’t enough, Lewis has been discovered, posthumously, to be a bigamist.

Sir John is suspicious, and heads out to the Packford estate. He finds that Lewis’ brother has kept all the people who were present at the time of the death on site as guests, so Sir John is able to re-interview them all. Slowly he pieces the wicked plot together.

The mystery in The Long Farewell was all right. The characters were all right too. It was the presentation that slowed it down. Author Innes clung to Victorian – or at least Edwardian – literary conventions. The language is flowery, and the characters tend to express themselves in the style of literary essays. The book was a slow read.

There’s nothing really wrong with The Long Farewell, if you like this sort of thing. But if you’re looking for pulse-pounding entertainment, I’d advise you to go elsewhere.

‘The Case of the Baker Street Irregulars,’ by Anthony Boucher

I was familiar with Anthony Boucher (real name William Anthony Parker Wright), mainly because he wrote the scripts for the old Sherlock Holmes radio program. He was a prominent writer, editor, and critic in his heyday, working both in mystery and science fiction. Among his mystery heroes was a detective named Fergus O’Breen. But Fergus doesn’t appear in The Case of the Baker Street Irregulars; his sister does.

If you’re a fan (like me) of Sherlock Holmes, you’re probably familiar with two different groups known as the Baker Street Irregulars. The original group showed up occasionally in the Holmes stories, a ragtag gang of London street urchins who ran errands and served as informants for the Great Detective. The second group is an organization of Sherlock Holmes fans, originally organized in 1934 by Christopher Morley. It might be (I’m not sure) the first Fandom group. I’ve occasionally considered joining our local affiliate, which was called (last I heard ) The Norwegian Explorers.

Anthony Boucher was himself a member of the Irregulars, and paid his BSI friends the compliment of making them look like complete horses’ rear ends in his novel, The Case of the Baker Street Irregulars.

This is the scenario – the president of Metropolitan Studios in Hollywood is planning to make a movie based on the Holmes story, “The Adventure of the Speckled Band.” But he made the mistake of hiring Stephen Worth, a drunken, opinionated hard-boiled mystery writer, to do the script. Worth, however, actually hates the Holmes stories, and has been very public about it. The members of the BSI, of course, are outraged – and some of them are quite prominent and influential (membership has included, over the years, Alexander Woollcott, Isaac Asimov, and Franklin Roosevelt). So the studio head invites a group of BSI members to come to Hollywood at his expense and serve as technical advisors. He puts them all up in a large Hollywood house, and the very first night Stephen Worth shows up drunk and unleashes a tirade on them all. Later that night, he is shot to death in his room. Then his body disappears.

What follows is a very strange sequence in which each BSI member has a bizarre, improbable adventure which oddly echoes various elements from Sherlock Holmes stories. They report on these adventures to a gathering of the whole group, in monologues modeled after the ones you find so often in the Doyle stories (and I’ve always found those monologues the most tedious parts. They are no more riveting here). In the end they all gather once more to try to determine the real murderer.

There’s a lot of clever plotting in The Case of the Baker Street Irregulars. But it’s too complicated, too implausible, and too clever by half. Toward the end I stopped caring, but I did finish the book. (I might mention that Boucher was a leftie, and his political sympathies come through here and there.)

The Case of the Baker Street Irregulars is worth reading for its historical significance, but it’s not a great mystery novel. I found myself sympathizing a little with the murdered, hard-boiled Stephen Worth.

‘The First Death of Winter,’ by Kevin Wignall

The Senior Year Hiking Club of the exclusive Altdorf residential high school in Switzerland is on a mountain trek when a blizzard blows up. The teacher in charge makes the calculated decision –the right one, as it turns out – to return to the hotel at the cable car station rather than proceeding to their planned base camp. When they get back to the hotel, all the other tourists on the mountain have departed, and the weather makes it impossible to send another car down. But the night caretaker, a young American named Matty Burkhalter, opens the hotel for them so they can wait the storm out.

But that night, one of the students, a young woman, is stabbed to death. It’s The First Death of Winter. Matty Burkhalter finds himself responsible for preserving the evidence and (on the telephoned instructions of the police) interviewing the surviving students, now all suspects. Everybody has secrets, but Matty has a secret of his own – he’s wanted for murder in the US, and the less attention he gets from the police, the happier he’ll be.

Kevin Wignall is a reliable writer. Thrillers are his usual genre, but this one is more of a mystery, with echoes of Agatha Christie. He’s not the fanciest prose stylist out there, but his work is professional. The First Death of Winter was a low-key, satisfying mystery story. There’s a Christian character featured, who’s a little weird but sympathetic overall.

Recommended.

‘A Long Time Dead,’ by J. M. Dalgliesh

The other day I reviewed a book by William MacIlvanney, considered a founder of the Scottish “Tartan Noir” school of detective fiction. I disagreed with some of the attitudes he expressed, but was highly impressed with his writing. Now I’ve read a book by one of MacIlvanney’s successors, J. M. Dalgliesh – A Long Time Dead. The writing was good in general (though a misplaced modifier sneaked past the editors), but the world view here was even less to my taste.

Duncan McAdam grew up on the Isle of Skye, but fled family tensions as soon as he could. Now he’s a police detective in Glasgow, but he’s unpopular both with his colleagues and his bosses. When they get a call that a young woman’s body has been found on Skye, buried and preserved in peat, they send Duncan off to investigate. He has no wish to go – his mother has dementia and is confined to a home there, and he doesn’t get along well with his sister. But go he must.

The dead girl has been easily identified – she is Isla Matheson, who vanished about twenty years ago and was assumed to have been a runaway. Her body shows no sign of violence. And she seems to have been a popular girl – no motive for her murder is apparent. Duncan’s investigation will delve deeply into the dark side of island life, uncovering secrets  that, like the body, have been long concealed.

J. M. Dalgliesh is a good writer. He paints his characters well and crafts effective dialogue. I quite enjoyed reading A Long Time Dead – right up until the solution appeared.

Discussing that solution involves dropping a spoiler into this review – I’ll try to conceal it, but it won’t be hard to guess. The murderer’s identity and the motive hinge, as in so many modern stories, on the guilt of the one subculture in our society that it’s still OK to stigmatize. Crazy nonconformists who haven’t evolved with the times, who don’t even merit sympathy. Know what I mean?

Anyway, A Long Time Dead was a pretty good mystery, but I’m done with J. M. Dalgliesh.

‘Strange Loyalties,’ by William McIlvanney

While we waited for Jan, Brian asked me about Ena and the children. I had seen them the day before; Sunday: the day of the child, the new agnostic sabbath when all over the western world diffident fathers turned up to catch a glimpse of the only things they still believed in from their marriage. They brought gifts of ill-fitting clothes and books that would never be read and membership-cards for leisure centres.

Usually, when a writer is expressly liberal in his opinions, I’ll drop him quietly, because we’re just not compatible. But I enjoyed William McIlvanney’s Strange Loyalties too much to do that. I may even spring for the previous two books in this series. This novel was written back in the 1970s, and the liberalism expressed is similar to the naïve kind I myself espoused back in those days. McIlvanney is remembered as a founding father of the “Tartan Noir” school of detective writing, but I doubt very much that any of his successors ever surpassed him. This is a bona fide work of literature, genre or not.

Jack Laidlaw is a Glasgow detective. In the honorable tradition of hard-boiled policemen’s lives, his is going to pieces. He’s divorced, and his relationship with his new girlfriend is on the rocks. When his brother Scott is hit by a car and killed in their home town, Jack is gripped by an existential compulsion – he needs to know why. The death isn’t legally suspicious – the driver was with his family, and Scott was unquestionably drunk. But why had Scott’s life gone awry in the first place? Once he was a talented artist with a bright future, but somehow he’d lost his reason for living.

The investigation will lead to Scott’s ex-wife and her social circle, and to his old friends. Jack will uncover corruption, which will tie in with a case his partners are working on back in Glasgow. And he will learn, in the end, his brother’s dark secret.

First of all, I have to say that the prose in Strange Loyalties was as good as I’ve ever read. Anywhere. McIlvanney was a brilliant stylist. Great lines abound: “A kitchen in the morning: it can be a garden of the senses. The sunlight is shafting in through the window, as if William Blake had been given the commission today and is announcing the sacredness of everyday.” “There are few sounds more forlorn than the phone of someone you love ringing out with no one to answer.”

Also (and maybe this is a function of the cultural period), even though there’s plenty of darkness and cynicism in this book, it wasn’t nihilistic. There were hopeful moments. There was even an obscure biblical reference, a mention of the “Rechabites.” (But that was also the name of a temperance society, so maybe it was they the author had in mind.)

I relished Strange Loyalties. It was as smooth as top-shelf, single malt whisky (not that I’ve ever tasted that). Highly recommended.

‘Surf City Acid Drop,’ by Craig Terlson

“Trust a guy like you to drive this far. What’s wrong with Minnesota?”

“Too many Scandinavians.”

Craig Terlson’s entertaining Luke Fischer mysteries began with Surf City Acid Drop, which I’ve finally gotten around to. I had assumed, on the basis of the title, that we’d find about our hero’s background as a surfer, but in fact it’s just a metaphor. The “acid drop” is a phenomenon where a wave drops out from under a surfer; Luke (who has never surfed) gets the water pulled out from under his feet, so to speak, more than once in this story.

Luke Fischer is a Canadian expatriate slacker living near Puerto Vallarta, Mexico. He insists (often) that he’s not a private detective, but occasionally people ask him to look for things. His new client is a slightly shady woman who tells him she wants him to find her brother, who has disappeared and gone on the road.

Thus Luke sets out on a road trip that will take him through the American West and Midwest. Along the way he’ll encounter an eccentric hit man he calls Mostly Harold, who will become his problematic ally – if Harold doesn’t decide to kill him instead. All in a quest for a much-coveted bag full of rocks (not diamonds).

As always, Craig Terlson’s quirky characters and socko prose are what made the book. I found this one a little more cohesive than the one I read previously, but still I think Luke’s great weakness as a main character is his lack of fire in the belly. He doesn’t seem to care much about anything, and even his fear of death seems muted. Which doesn’t mean he isn’t still fun to spend time with. But it did make some stretches of the book a little slow. The humor, though often dark, helps pass the time.

All in all, I quite enjoyed Surf City Acid Drop, and recommend it. Cautions for language and violence.