Category Archives: Reviews

‘The Key to Justice,’ by Dennis Carstens

I’ve been reading the later books in the Marc Kadella series of legal thrillers (set in Minneapolis), and enjoying them with some reservations. So when I got a deal on a package of the first three books, I bought it. Not sure what I was getting. I had the idea the first books might be a little clumsy. Instead I found that The Key to Justice, the opening novel, was remarkably good and wickedly entertaining.

The book opens with Jake Waschke, an honest, respected Minneapolis police detective. He’s half-brother to the governor’s chief aide, a troubled young man whom he has protected all his life. Now he faces a horrific problem. A knife-wielding serial killer is raping and murdering young women in the Twin Cities (including the governor’s daughter), and Jake knows his brother is doing it. So he selects Carl Fornich, a scumbag with a past rape conviction, and fakes evidence to get him prosecuted.

Carl’s brother comes to Marc Kadella for a defense. Marc is a struggling, small-time lawyer. He needs all the business he can get, especially because he’s involved in countersuing the US government in a tax case and it’s taking forever. Though the prospects of collecting a lot from Carl’s family seem small. But when Marc meets Carl, he’s convinced he’s innocent. If he is, that means the police are framing him. Which makes Marc mad.

In his Introduction, author Dennis Carstens informs us that one of his main motivations for writing the story was to dramatize the un-glamorous side of the practice of law. The long hours, the tedium, the difficulties in getting paid, the official arrogance that has to be swallowed. And that element was in fact one of the things I’ve liked about the books all along.

But to be frank, the later books have gotten a little formulaic. This first one is genuinely original. Lots of surprises and twists, and very dark irony. Carstens isn’t a great prose stylist (and he has a real problem with punctuation), but he can tell a heck of a story.

Also, thanks to his stinginess with character description, I’ve never known what the beautiful Maddy (Marc’s investigator, later his girlfriend) looks like . Now I know she’s tall, brunette, and blue-eyed. Good to know.

Recommended, with the usual cautions.

‘A Man of Affairs,’ by John D. MacDonald

I had the uncomfortable feeling that you could be marooned on an island with this fellow for seven years and never get a clue as to what he was thinking. He would be inevitably and interminably polite and charming, and were he forced to kill you and eat you, he would be deft and slightly apologetic and quite noble about it. And he would know exactly which leaves and berries to boil with you to give you the right flavor.

John D. MacDonald wrote paperback novels for Fawcett Gold Medal, whose stock in trade was cowboys, private eyes and soldiers of fortune. It’s a tribute to his skill that he could write a saleable (and engaging) story for that market about business. (He had a business degree from Harvard.) A Man of Affairs isn’t one of his top novels, I think, but it’s a pretty good read.

Sam Glidden is a top manager for a small manufacturing  company, the Harrison Corporation, in a fictional town. He rose from the work floor partly with the assistance of the company’s late owner, who was energetic but improvident. Since his death, Sam and the other managers have been trying to rebuild an out-of-date operation, which has prevented them from paying dividends to stockholders. This results in discontent, particularly with the late owner’s two adult children, one of whom, Louise, Sam has carried a torch for since high school.

Then Harrison Corporation comes into the sights of Mike Dean, a famous investor who’d be described as a “corporate raider” today. Dean talks a good talk about rebuilding the company, but Sam knows how this guy operates. He’ll pump the stock up, unload it, and leave the other shareholders in possession of the smoking ruins of a gutted operation. When Dean invites Louise and her brother and their spouses to his compound in the Bahamas, Sam manages to get himself invited too, in hopes he can counter Mike Dean’s persuasions.

What he finds is a house party with a creepy but seductive vibe. Millionaires, publicity people, entertainment people, hangers-on. Greedy, bored, kinky. Sam finds that Mike Dean’s charm and psychological strategy have him on the point of selling out. Then people start dying…

It’s a tribute to MacDonald’s narrative skill that he could transform a story about business into a life-and-death thriller and make it work. There’s sex in A Man of Affairs – fairly shocking by the standards of the time though tame nowadays (it’s all straight sex). The violence is a little far-fetched, but that goes with the territory.

The heart of the story, however, is a pretty solid examination of personal and business integrity. I think it holds up well on that level.

Recommended for adults.

‘The Color of Magic’ by Terry Pratchett

“He talks pretty big for a gutter wizard,” he muttered.

“You don’t understand at all,” said the wizard wearily. “I’m so scared of you my spine has turned to jelly, it’s just that I’m suffering from an overdose of terror right now. I mean, when I’ve got over that then I’ll have time to be decently frightened of you.”

Terry Pratchett’s first book in his long-running Discworld series, The Color of Magic, has an explosive start with the city of Anhk-Morpork (doubtless based on Dallas-Fort Worth) in flames and main characters Rincewind the wizard and Twoflower the tourist dragging themselves away from it. Both the wizard and the twin city, “of which all the other cities of time and space are, as it were, mere reflections,” found themselves completely unprepared for the arrival of a new type of visitor, a tourist. Here they have a man who doesn’t speak any of the languages, has plenty of money to spend, and hopes to see some of the legendary, fantastical people and events he has read about in his homeland far across the sea. Heroes, bar fights, dragons, magic–how fun it would be to see some of that!

Twoflower the tourist is guided into a tavern that happens to be tolerating the presence of Rincewind, who isn’t really a wizard because he was kicked out of magic school, but he can converse in many languages and consequently approaches the tourist as he attempts to talk to the innkeeper via a phrase book. The two can understand each other, and Rincewind is hired as a tour guide, a challenge he may not be able to rise to.

More than that problem, however, is the problem of helping his patron survive the night, because not only does he overpay in pure gold coins (not like any coins you’d find on the streets of Morpork), but his luggage is made of rare, very expensive wood and follows him around on its own tiny legs like a faithful, aggressive dog. Even without eyes, it leers maliciously at perceived threats. Rincewind immediately discerns there’s no telling what that thing could do when cornered or its master harmed.

Because Twoflower doesn’t understand the natural, human yearnings of the Morpork heart, he is instrumental in burning it to the ground, which can’t be a spoiler because you can see the flames on page one. But that story only takes you to page 87. There are more stories as the two travelers ride to the next city–all of it zany, funny, and ridiculous. The last story in this book is quite beautiful.

The humor isn’t particularly chaste, but it never gets bawdy. I wonder if that holds throughout the series. Once I thought it sounded just like The Princess Bride, and a couple times I noted turns of phrase that echoed Wodehouse.

I’ve read you can pick up the series at any point, because there isn’t a grand narrative to follow. The second published book, The Light Fantastic, does appear to be a direct sequel to The Color of Magic, so there’s some sense of order to some of them.

‘Showdown on the River,’ by J. L. Curtis

Rio Bell is 22 years old, the son of a Texas rancher. In spite of his youth, he already has an impressive reputation as a gunfighter. But he doesn’t expect to need that skill a lot on his present job – leading his first cattle drive, up the Goodnight-Loving Trail to Colorado. He’s got some older friends to back him up, but the decisions will be his, and he feels the responsibility.

The first part of the novel Showdown on the River, by J. L. Curtis (who happens to be a friend of mine, I need to confess) is pretty standard Western fare – the hard days of riding, the boredom and the danger involved in a cattle drive. I didn’t mind that at all. I can read that stuff all day long, if it’s done well, and it is here (Red River is one of my favorite Westerns).

Once the drovers reach Colorado, they encounter challenges they didn’t expect. Rio was planning to visit his hermit uncle in the mountains, but discovers the old man is dead. The people living on his old place are a father with two daughters, one of whom is away at school. But another rancher has moved in on the other side of the valley, with a plan to take over the whole area, at any cost in human lives. With the help of some old mountain men, friends of his cook, Rio and his cowboys will risk their lives to save his new friends – one of whom is a very attractive young woman.

Taken purely as a story, I thought Showdown on the River worked pretty well. I felt the last scenes were a little rushed, and could have been fleshed out. But reading the book was a lot of fun, and that’s the main thing we ask for in these parts.

I have a couple historical quibbles – which may be unfounded. The author likely knows more about these things than I do.

One is the availability of dynamite. Dynamite is overused in Western stories, especially ones set as early as this (1871 by my calculations). The stuff did exist at the time, but I have the idea that finding some just lying around stretches probability a little (could be wrong).

The other is the issue of violence against women. There’s the famous incident of the killing of Dora Hand, Dodge City dance hall singer (involving Bat Masterson and Wyatt Earp). Though the killer escaped the gallows, the immediate reaction demonstrates the kind of outrage that the denizens of the American West were capable of when encountering violence of any kind against a (white) woman. They were rare out west in those days, and the culture was romantic and Victorian. In this book, women get threatened with rape and murder. There is negative reaction, I’ll admit, but some of the “bad guys” show an indifference that seems to me improbable. Even the bad guys wouldn’t stoop that far in that time and place. I’m not familiar with any historical exceptions.

In spite of this, I thoroughly enjoyed Showdown on the River, and recommend it highly.

‘A Divided Loyalty,’ by Charles Todd

Charles Todd, author of the Inspector Ian Rutledge series, is actually a mother-son writing team (our commenter Paul informed me of this). I found the first book in the series (the first I I read; we’re actually pretty far along in the series here) a little depressing, but I liked the positive attitude displayed toward Christians and the church. So I figured I’d try another, when a cheap download became available. Thus did I purchase A Divided Loyalty.

Inspector Ian Rutledge is an isolated man. He’s unpopular at Scotland Yard because he’s a victim of shell shock, considered a moral coward by other officers. He hangs onto his job only because they’re short of manpower, due to the losses of World War I. His shell shock takes a particularly painful form – persistent hallucination. His friend Hamish MacLeod, a wartime subordinate whom he was forced to order shot on the front lines, is forever at his shoulder, commenting on events. These comments are mostly – but not always – negative.

Avebury in Wiltshire is a famous place in England. It’s a double stone circle, not far from Stonehenge, less complete but larger. The village of Avebury nestles inside it.

A young woman was found stabbed to death in the ditch that surrounds the stones. Inspector Leslie, an older, respected officer, was the first to investigate, but he found no clues. Rutledge recently solved a similar mystery in another town, so his superior (who despises him) sends him to see if he can do any better. His real motive, Rutledge believes, is a desire to see him fail.

No clue to the woman’s identity has been found. She doesn’t “look English,” but she might have come from anywhere in the world. And what brought her here? How was she lured to the murder site?

Rutledge goes to work systematically, asking questions in a widening circle, investigating routes by which the woman might have come. Gradually a few facts – or probabilities – appear. And he begins finding indications of the culprit – indications that lead somewhere he does not want to go. However, the final twist will astonish even him.

I liked A Divided Loyalty better than I liked A False Mirror, the first book I read. It was by no means cheery, but it was less a downer than that one. And I liked Inspector Rutledge’s relentless professionalism in the face of depression and manifold obstacles.

I don’t recall any particular concerns in terms of language or themes.

‘Dead Low Tide,’ by John D. MacDonald

She nodded. It was the first time I’d ever had a good chance to look at her face. Big bright black eyes, and just a shade too much in the tooth department, so she had a very faint look of coming out of one of Disney’s woodland dells.

Early (1953) John D. MacDonald. That promises a great story, set back when men were men and women were women. Dead Low Tide does not disappoint in any way.

Andy McClintock lives in a small, cheap Florida cabin in a court originally built for tourists. It’s all he can afford on his current salary. His boss, land developer “Big” John Long, lured him to the state on promises of promotion and good money, but neither has appeared. (Rapacious land development was a continuing theme in MacDonald’s books, and it’s interesting to note his criticisms even at this early date.)

Then John’s wife, the small, intense Mary Eleanor, asks Andy for help. John has been acting strangely, she says, and she’s concerned what’s troubling him. Andy agrees to talk to him. He goes to see John on a building site, and concludes that the man is hiding a problem – likely a health scare. Andy also confronts John about his job, asking for more responsibility and money. To his surprise, John hands him a contract the next day, and the deal involves a partnership.

Then John is found dead, apparently having committed suicide with a speargun that belonged to Andy. He does not identify it for the police. Mary Eleanor asks Andy for another favor – there’s an envelope in John’s desk, she says, that belongs to her. Don’t open it. Just bring it to me. Andy doesn’t agree, but he does search the desk.

The next thing he knows, he’s been arrested for John’s murder. The cops know the speargun was his, and the new contract is motive. But that’s only the beginning of his troubles. Something far, far more valuable than his freedom is about to be taken from him…

Outstanding prose. A tight, gripping plot. Vivid characters who surprise you. A shocking twist toward the end. Dead Low Tide had everything. I highly recommend it.

Minor cautions for mature themes.

‘No More Lies,’ by James Scott Bell

I’ve become a big fan of James Scott Bell, one of the very few really good Christian mystery writers out there. So I picked up No More Lies, a newly released revision of one of his earlier works. The book shows obvious signs of a writer still in the learning stages, but it also showcases a lot of the virtues that make Bell such a good storyteller.

The location is the small town of Pack Canyon, once the site of Old West movie sets, in the western San Fernando Valley. Arty Towne is out hiking in a wilderness area with his new wife, Liz. Arty has recently become a born-again Christian, and has left a good-paying job on principle. Liz doesn’t get this. Money is everything to Liz. It makes her very angry. Tragedy follows.

Caught up in the ensuing drama is Arty’s sister “Rocky,” an insurance investigator whose life has been blighted by a facial scar she acquired in childhood. And “Mac” MacDonald, an ex-con and new Christian who’s trying to keep straight in spite of numerous pressures, including recurring headaches from wartime injuries.

No More Lies is a tight, convoluted tale with lots of surprises (some of them a little far-fetched). Lots of “Noir” elements – weak-willed people wading into crime and getting caught in the undertow. I liked the characters, and the book contained moments of laughter as well as pathos.

What didn’t work – and it pains me to say it – is the “God talk.” One of the hardest things for a Christian writer trying to write for a secular audience is making the God talk sound natural. And it’s strained here. (No doubt it’s often strained in my own books.)

Also, there’s a weird anticlimax scene that serves no dramatic purpose I can discern.

But other than that, No More Lies is a lot of fun. Excellent entertainment. No cautions for language or themes.

Amazon Prime viewing report: ‘Vinland Saga

My curiosity got the better of me. I couldn’t resist sampling Vinland Saga, a Japanese anime series about Vikings set at precisely the point in history I’ve been writing about in my Erling books. What follows isn’t exactly a review, because I don’t think I’ll be finishing the series, but it’s certainly interesting enough to tell you about. You may be surprised to learn that I have a lot of positive things to say.

When we think of Vinland and the Norse discovery of America, the name we generally think of is Leif Eriksson. But in many ways the real hero of the saga (at least in one of its two versions) is another man, an Icelander called Thorfinn Karlsefni (the nickname means “quite a guy” or “manly stuff”). Though it’s not plainly stated, I’m pretty sure the Thorfinn portrayed in Vinland Saga is that guy – but during an imagined childhood and youth.

As the series tells it, Thorfinn is the son of Thors, the Troll of Jomsborg, a former Jomsviking (a legendary order of Vikings based in Poland) who grew to hate war and deserted, fleeing to the peace of Icelandic farming. A friend of theirs is Leif (Eriksson, one assumes, portrayed here as a wandering blowhard rather than chieftain of the Greenland colony, as he actually was), who regales Thorfinn with tales of the rich soil and mild climate he encountered when he visited Vinland, years ago.

Then the Jomsvikings show up at their home, extorting through threats of violence Thors’ agreement to join them in enlisting in the army of Svein Forkbeard of Denmark in his conquest of England. Thorfinn stows away on the ship, eager to see war. On the way to England, Thors (who’s all but invulnerable) is murdered by the pirate leader Askeladd (a name borrowed from a figure from Norwegian folklore, something like Jack the Giant Killer). Improbably, Askeladd is amused by Thorfinn’s attempts to avenge his father, and keeps him with his army, promising to kill him in a proper duel when he’s old enough.

The next episodes deal with the Danish conquest of England, as Thorfinnn grows to be a feared warrior. At that point, I kind of lost interest. Not that the story wasn’t interesting, but the whole thing got too weird for me. I think there’s a whole artistic sensibility surrounding anime as an art form that I’m too old to adjust to.

Nevertheless, I have to say that there were elements of surprising authenticity. I’d say Vinland Saga is at least 50% more faithful to history than the History Channel Vikings series. Costumes and props are surprisingly good in a lot of cases. The history follows actual chronology. Real persons show up all the time – though sometimes in bizarre ways. Thorkell the Tall is an actual giant here. King Svein’s son Knut, later to become King Canute the Great, is presented as a guy who looks like a girl (and how they’re going to develop that story line I have no wish to discover).

In short, you can learn some genuine history by watching Vinland Saga. I did not expect to be able to say that. If you appreciate anime as an entertainment form, you just might enjoy it.

‘Shaking the Tree,’ by Mike Donohue

Max Strong works as a baker in a diner in the small town of Essex (which I learned, about half way through the story, is in Minnesota). That’s not his real name, though. He’s in the federal witness protection program. He has a history in organized crime that’s not clearly explicated. But he’s trying to make a fresh start, to keep his nose clean. He likes the place and the people. That’s the setup for the thriller, Shaking the Tree.

One of the people Max likes is his roommate Stevie, an inveterate runner who is nearly beheaded by a briefcase falling from the sky, one morning out in a country road. When he gets the case open, he finds it contains millions of dollars.

Meanwhile, a man’s body is found impaled on an apple tree in a farmer’s orchard.

Suddenly a shady DEA agent and a Russian hit team show up in town. The local sheriff, who’s involved in cooking meth, is trying to figure a way to keep the heat off his operation while locating the missing money for himself. He will lie, bully, torture or kill to make his pile and get out of this town.

Innocent people are going to die. And that will make Max Strong mad.

There was a lot about Shaking the Tree that intrigued me. The story was complex, and the shifting points of view through which it was told were well-realized.

But I found the book hard to like. It was grim, grim, grim. Noir-ish in the sense that sin is punished brutally. It reminded me of No Country for Old Men. I didn’t like Max Strong well enough to care about reading the next book.

There are odd, obscure references to the Bible through the story, but I’m not sure what we’re supposed to make of them.

Cautions for language, violence, and mature themes.

Amazon Prime review: ‘The Terminal List’

I finally got around to watching Chris Pratt’s critically panned but commercially popular miniseries, The Terminal List, on Amazon Prime. In case you’re even slower on the uptake than I am, I’ll review it here.

James Reece (Pratt) is a Navy Seal lieutenant whose platoon is cornered and nearly wiped out in a botched operation. Returning home, he learns that the other survivor has been killed, and an attempt is made on his own life. At the same time, he starts noticing problems with his memory – blank spots and certain recollections of things that apparently never happened.

As he grows increasingly frightened of threats to his family, he starts to believe he’s the object of a conspiracy – but can he even trust his own thinking?

The Terminal List is violent and loud and full of dramatic tension and pathos. Critics have panned it, but the audience loved it, and I agree with the audience. I strongly suspect the critics reacted to Chris Pratt’s politics rather than to the story itself. Government conspiracy stories have been common since the 70s, after all, and many have come from filmmakers on the left. What the production lacks, I think, is the obligatory sermons about Woke doctrines that are expected in today’s productions.

I was expecting the final surprise, I must admit, simply based on the process of elimination.

Recommended, for adults with high tolerances for violent scenes and language you’d expect from the military.