Category Archives: Writing

Doug Wilson on Celebrity and Plagiarism

Author and pastor Doug Wilson has a lengthy post big-named Christians, ghostwriting, and plagiarism. He’s had to deal with plagiarism accusations in the past and he describes some of them:

One of my first books was one called Persuasions. In that book I have a character compare monogamy to buying a musical instrument and learning to play it, which is not like buying a record album and being stuck with listening to just one album over and over again. Years later I had a friend tell me he was disappointed that I had used C.S. Lewis’s analogy when he thought I was fully capable of coming up with my own. But I had no idea I was borrowing from Lewis. I am sure I got it from Lewis, and had used it in many witnessing conversations, and then when I wrote a book of witnessing encounters, in it went.

Other times I use something consciously. I conclude my weekly homily at the Lord’s Table with a phrase I got from John Bunyan — “come, and welcome, to Jesus Christ.” Should I feel bad about not saying, every week, “as Bunyan once said . . .”? But I don’t feel bad.

This reminds me of some devotional emails I used to write. One man praised my writing highly twice, both times after I had simply forwarded a portion of a Puritan prayer printed in The Valley of Vision. I thanked him, but wondered if he thought what I had just sent out was mine. I’m still not sure.

Tim Keller on Pastors Who Write

Author and pastor Tim Keller talks about writing as a pastor, recommending young pastors to give all of their time to their ministry and plan to write later. They can write short pieces now, if they feel compelled to write, but he suggests they wait for greater maturity before they tackle whole books. He also recommends reading:

That is far and away the most important discipline. You must read widely in general for years before you become capable of recognizing good writing. And then before you write a book on a subject, you should read 20 or 30 good books on the subject carefully and skim another 20 or 30. If you just read three or four (and refer to another three or four), your book will be largely a rehash and will offer few fresh insights.

Storytelling Tips

Emma Coats, formerly a storyboard artist with Pixar, has taught storytelling for a few years, I gather. Her 22 principles of storytelling have been on the Interwebs for a while, but I don’t believe I’ve linked to them here. They are very good.

#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.

#5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.

#9: When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.

For a different perspective, award-winning author Paul Harding has a few ideas of what makes fiction work. “Fiction is about immanence. We are beings who experience our selves in time and space, through our senses. Fiction persuades its readers that they are reading something artful by immersing them as fully as possible in the senses and perceptions, the thoughts and actions of fictional lives.”

Author Barnabas Piper also chips in his two sense, saying it’s the boring parts that make the whole story work. “World-class novels are not composed of email responses and traffic jams and grocery shopping. But without such things the characters would never get where they needed to go and be who they need to be.”

Pixar-Storytelling1

"Writing for others is a privilege."

Kevin DeYoung talks about a pastor’s responsibilities and possible conflicts with writing books and articles. Among other good thoughts, he says, “I’m glad I read Martyn Lloyd-Jones before I ever wrote a book because I can hear the Doctor in the back of my head saying, ‘The pastor is first of all a preacher and not a writer.’ There is nothing wrong with being a writer first, but that’s simply not the calling of a pastor.”

He notes what a wonderful privilege it is for people to read anything you’ve written, which is a good reason for a writer to get over himself.

On a related note, Miles Mullin writes about contemporary tribalism among evangelicals. “This is the troubling reality of the personality-based leadership that encompasses much of American evangelicalism. Often, charisma and dynamic communication skills trump character and integrity as popular appeal wins the day,” he observes. Like fans of sports teams who argue over purely subjective judgements, fans of preachers and writers defend their leaders against any accusation, sometimes even against obvious sins.

Do We Need Another C.S. Lewis?

People have often suggested a popular Christian fantasy author is the next C.S. Lewis. I don’t think that’s an appropriate question. Few people strikes us as the same as another person only better, so why should we look for a living author to replace a dead one? That would make the dead one mostly obsolete, wouldn’t it?
Steve Harrell doesn’t think so. He says we need a new Lewis. “When we try to insert Lewis’ cultural observations into our culture today,” he writes, “we become like Indiana Jones—still fighting the Nazis through the 1980s. The Modernist war between reason and theology is over…. We live in a postmodern, post-secular age that doesn’t respond well to the intellectual arm-twisting and large-scale historical criticism that Lewis excelled at.”
Joel Miller argues Harrell is missing the point. “A vibrant intellectual life includes thoughts that span millennia. They’re not so foreign as some insist, and their differences might just keep us from going off the rails.”
Rowan Williams, a former Archbishop of Canterbury, notes Lewis’s blessing to us is “in what you might call pastoral theology: as an interpreter of people’s moral and spiritual crises; as somebody who is a brilliant diagnostician of self-deception; and somebody who, in his own book on bereavement after his wife’s death, really pushes the envelope – giving permission, I suppose, to people to articulate their anger and resentment about a God who apparently takes your loved ones away from you.”
In related a post, Jeremy Lott notes the angst many have had over Susan’s absence from The Last Battle. Many readers think Lewis condemns her life choices by appearing to keep her out of Narnia when everything comes falling down, but Lott quotes from Lewis’ letters to show that the author simply believed Susan’s story was longer and more adult than the one he wanted to tell. “Why not try it yourself?” Lewis asked a reader, to which Lott replies, “Who has tried to tell Susan’s story?” He hopes someone will attempt to pick up the life of Susan Pevensie and finish at least part of her story.

Journaling

Read many good reasons for keeping a journal in this post by Ivan Mesa. One reason is to help us remember God’s blessings. Mesa writes, “D. A. Carson is right: ‘Believers who spend no time reviewing and pondering in their minds what God has done, whether they are alone and reading their Bibles or joining with other believers in corporate adoration, should not be surprised if they rarely sense that God is near.'” (via Challies)

Gay Talese on Writing "Frank Sinatra Has a Cold"

Frank SinatraGay Talese didn’t want to write about so public a figure as Frank Sinatra when his editors at Esquire assigned it to him, but he took it on with creative persistence and produced a masterful profile. Elon Green talked to him about it for Nieman Storyboard, so we now have the feature story with writerly annotations throughout.

Greens says at one point every story he has ever heard about Sinatra appears to have come from Talese’s profile, which is enormously detailed. Here’s an appealing bit:

I had seen something of this Sicilian side of Sinatra last summer at Jilly’s saloon in New York, which was the only other time I’d gotten a close view of him prior to this night in this California club…. That night dozens of people, some of them casual friends of Sinatra’s, some mere acquaintances, some neither, appeared outside of Jilly’s saloon. They approached it like a shrine. They had come to pay respect…. Continue reading Gay Talese on Writing "Frank Sinatra Has a Cold" →

Take your colon out to lunch

Today, according to this web site, is National Punctuation Day.

I think I’m pretty good at punctuation, generally. The problem comes with differing styles. For years I eschewed the Oxford Comma, because somebody back in elementary school told me you should never add a comma before the conjunction, as in “I had lunch with Gary, Eric and Denny.” It was only fairly recently that I learned there was any controversy. I learned this while acting as editor of the Journal of the Georg Sverdrup Society. I found out that we follow the Chicago Manual of Style, which mandates the Oxford Comma (“I had lunch with Gary, Eric, and Denny”). The Associated Press is against us, but we don’t follow them. So I learned to love it. Now I can’t imagine doing without it. And that’s good, because we use the APA Manual in graduate school, and they’re Oxfordian as well.

I keep wondering how the American Psychological Association’s style book came to dominate graduate school documentation.

The only other punctuation problem I can think of that I personally struggle with is the way Microsoft Word automatically clumps the three periods in an ellipsis together, turning them into a single, compact idiogram. Which we then have to unclump over at the Sverdrup Journal, because we want our periods separate but equal. I don’t know why. I just do it.

Happy Punctuation Day. Period.

No coincidence

Our friend Greybeard sent me a link to a comic today, and I thought it was pretty funny. I’d post it here, but I’m not certain about copyright fair use, so I’ll just link to it and you can look for yourself.

It’s about “contrived coincidences” in story plots.

This, friends, is a very bad thing.

You read a story, and you’re following along with it, and suddenly something happens out of the blue, completely out of left field, purely so that the author can make the plot go in a direction he wants.

C. S. Lewis wrote about a similar issue, somewhere (I forget where, and I don’t have time to riffle through my library). In writing about miracles, he notes that it’s entirely against the rules for a novelist to include a miracle in a story, just to get his hero out of a tight place.

But, he notes, there is at least one legitimate use for a miracle in a story. You can start the story with a miracle. The occurrence of a miracle, followed by an examination of the way it affects the people who observe it, is a perfectly legitimate premise for a story.

In other words, a miracle can pose a problem in a story. But it can’t solve one.

Otherwise, you’ve wasted your reader’s time. You’ve dragged him through all the sturm und drang of plot development, rising action, rising tension, repeated frustrated attempts at resolution, and then you resolve the whole mess with a deus ex machina (a Latin term referring to a dramatist’s trick of sending an actor, dressed like a god, down by block and tackle to save somebody from a bad situation). The whole purpose of a story is to teach the main character something through suffering, and to teach the reader by proxy. The miraculous/coincidental resolution renders the whole exercise meaningless. The story itself becomes a redundant appendage to the climax. You might as well have written the climax on its own, and saved the reader the time.

I note that I have confused coincidence with deus ex machina in this post, but they’re closely related and undeserving of individual attention.