Category Archives: Writing

One for Dale, one from

Our friend Dale Nelson is a fan of the long literary sentence–at least longer than is currently fashionable. He’ll appreciate this article from the LA Times, by way of Mirabilis: The Writing Life: The point of the long and winding sentence.

Enter (I hope) the long sentence: the collection of clauses that is so many-chambered and lavish and abundant in tones and suggestions, that has so much room for near-contradiction and ambiguity and those places in memory or imagination that can’t be simplified, or put into easy words, that it allows the reader to keep many things in her head and heart at the same time, and to descend, as by a spiral staircase, deeper into herself and those things that won’t be squeezed into an either/or. With each clause, we’re taken further and further from trite conclusions — or that at least is the hope — and away from reductionism, as if the writer were a dentist, saying “Open wider” so that he can probe the tender, neglected spaces in the reader (though in this case it’s not the mouth that he’s attending to but the mind).

Dale sent me this link, from the English Government Archives: J. R. R. Tolkien’s Army Commission Application.

It’s a Plot, Mugsy

The Master Book of Plots, Plotto, was written in 1928 by your favorite author and mine, William Wallace Cook, and Tin House has released it anew for your reading or writing pleasure. With well over a thousand plots, Plotto can spoil more stories than you can swap by the fireplace in a year of weekends. Of course, the joy is in the telling, which is why I’m working on revisions of The Tale of Two Cities and Macbeth. I may even combine the two–not sure.

Along these lines, Greg Bergstrom explains how the cliches line up in various TV mysteries and detective stories. “There are also 2.74 metric tons of clichés,” he says, “like the typical stubbly detective who breaks the rules, struggles with the bottle and tends to tune up suspected killers with a copy of the Manhattan Yellow Pages.”

Writing Advice, Pointers, Tid-Bits, and Junk

“I like to say there are three things that are required for success as a writer: talent, luck, discipline. … [Discipline] is the one that you have to focus on controlling, and you just have to hope and trust in the other two.” —Michael Chabon

More advice like this at Writer’s Digest.

Help needed

I’m pondering a small problem with my upcoming e-book, Troll Valley. And I thought, hey, I’ll crowdsource it to the world’s smartest people, the few, the proud who read Brandywine Books.

Our own Phil Wade has been applying his considerable graphic skills to creating a cover, based on a photograph I took of the Gunderson House, the house in my home town (Kenyon, Minnesota) which inspired the house where the main characters of Troll Valley live.

Friends, this is going to be an awesome cover. I know the word “awesome” is overused, but I mean it literally. Or almost literally. Anyway, it’s great. Phil took a bright, sunny picture, ran it through some filters, and turned it into a dark, numinous sort of thing, with extras that you’ll just have to wait to see. Almost identical to what I envisioned, and much better than I dared hope.

But here’s where the problem comes. We’re laying it out with my name where it belongs (at the top). And the title, somewhat larger, near the bottom.

And it occurred to me that most books include some kind of tag line, a teaser to give people a hint what sort of story they’re looking at here.

I’m trying to come up with a tag line that will suggest the kind of weird book this is. Here’s where I solicit your help.

But you need something to work with. A short synopsis of the story: Continue reading Help needed →

Inability

Novelist Geoff Dyer talks about the craft in The Guardian. “Writers are defined, in large measure, by what they can’t do. The mass of things that lie beyond their abilities force them to concentrate on the things they can,” he says. You can’t practice through your weaknesses like a tennis player, but neither is your work as defined as tennis is. One thing’s for certain: “it’s far easier to give advice about writing than it is to do it.” (via Andy Crouch and Alan Jacobs)

Books on Writing

Damyanti has a long list of books on writing, which may remind you of that one you have been wanting to read or help you find one from an author you respect.

If this list is too daunting for you, then read these ten recommendations from Paste Magazine. In this list, Kevin Keller notes, “For most of us, that moment [of manic inspiration] never comes, and the only way to unleash creativity is through persistence and discipline.”

Bad Grammar, Spelling Kill

BBC News: “Charles Duncombe says an analysis of website figures shows a single spelling mistake can cut online sales in half. Mr. Duncombe says when recruiting staff he has been ‘shocked at the poor quality of written English’.”

I agree with this article, but isn’t the period to go inside the quotation marks? Does British English differ from American English on end punctuation?

Quirky Steps to Drafting a Story Query Letter

Author Rebecca Makkai suggests boiling your novel story idea into a party anecdote to see how it goes over with a live audience. With a little analysis, you may have your story pitch when your done or the realization that your original story wasn’t complete.