Category Archives: Authors

It Only Gets Freakier From Here

Author Terence P. Jeffrey talks with National Review Online editor-at-large Kathryn Lopez about his new book, Controls Freaks: 7 Ways Liberals Plan to Ruin Your Life.


LOPEZ: Why is a book published in 1910 important to you, Mark Levin, and the Social Security Administration?

JEFFREY: In Liberty and Tyranny, Mark Levin notes that Columbia University economist Henry Rogers Seager, in his 1910 book Social Insurance: A Program for Social Reform, laid out an argument for an American welfare state anchored in a social-security program. As Mark pointed out, the contemporary Social Security Administration is so taken with Seager’s statist views that it has posted his book on its website. Seager was the consummate Control Freak, someone who wanted to eradicate the pioneering spirit from American life, and he pushed not only for a welfare state, but also for eugenics — literally advocating the sterilization of people he believed unworthy of breeding. Seager exemplifies how modern liberals parted ways with both the constitutional and the moral traditions of our nation.

LOPEZ: Is the conscience front the most insidious? Or is the speech front?

JEFFREY: Yes, conscience is the most insidious. Liberals today don’t just believe they can force you to pay for the killing of someone else’s unborn child (and brazenly tell you they are not doing it), they also believe they have a right to teach your five-year-old kindergartner that same-sex unions are a good thing — without ever telling you they are doing it. There is a reason why liberal politicians like President Obama don’t like school choice, even if they send their own children to very expensive private schools. They see the public-school classroom as a moral battlefield where they can wage a 13-year insurgency to capture the soul of your child.

Writing is Hard

NPR’s Talk of the Nation has a good segment about writing with three authors who are honest about the struggle to put words on paper, so to speak. One caller asks if pain is a requirement for writers, noting a particular unhappy author who stopped writing during a short happy spurt then returned to writing once the sadness settled back.

Playwright Mamet Rejects Liberalism

David Mamet, “America’s most famous and successful playwright,” has rejected the political liberalism of his past, perhaps in an effort to avoid unpleasant New York cocktail parties. In the current Commentary magazine, Terry Teachout describes the playwright’s conversion as revealed in print.

Metaxas on Bonhoeffer: Extended Interview

This is remarkable. At about the 15 minute mark, author Eric Metaxas talks about how focused the Nazis were on race. Their corrupt view of purity and polluted ideas about the Jews became woven into almost every German, Christian and non. Bonhoeffer among a few others argued against the Nazis racism in part because he had seen racial division in the United States.

Grading Websites

Michael Hyatt has some interesting thoughts on author websites and points to a tool for grading your site. I thought BwB would rank fairly low, and I could see how we could improve our grade, but our website grade is 95. I wish that meant something. Maybe it means more than I know. Perhaps a more realistic score comes from the blog-specific grader, which gave us a 68. And the grader did not find our Twitter account, so I wonder if that put us down a notch.

Anyway, I’m a little encouraged by our 95 grade. That’s a solid A, and we have room to improve. Our traffic could be much better. Our images could have alt tags, and our pages meta tags. We could allow Sissel to guest blog. Anyway, I’m encouraged.

Methods for Book Signing

Overlook Press comments on an article about how book-signing events go down in New York. It isn’t first come, first serve. From the article:

It’s just that certain branches are simply better for certain types of books. “There are definitely uptown authors and subjects and downtown authors and subjects,” he said. “A lot of it has to do with where a writer has most of his posse. Thus, you’re not going to put the latest Tea Party author at the B&N at 82nd and Broadway,” Mr. Kirschbaum continued, alluding to the store in the heart of the famously liberal Upper West Side.

Where Are the Conservative Novelists?

Reviewer Craig Ferhman writes, “Every so often, spurred by some kind of creative liberal guilt, someone will ask: Where are the conservative novelists?” He reviews a first novel from a conservative novelist, and I have to ask, looking at this review, if foul language is required for publishing serious stories today?

Thoreau, Born Yesterday (so to speak)

Henry David Thoreau was born July 12 a while back. He’s thoughts on place can be transformational, not that I know anything about them. Here Thoreau talks about what appears to be enlightenment.

That man who does not believe that each day contains an earlier, more sacred, and auroral hour than he has yet profaned, has despaired of life, and is pursuing a descending and darkening way. After a partial cessation of his sensuous life, the soul of man, or its organs rather, are reinvigorated each day, and his Genius tries again what noble life it can make. All memorable events, I should say, transpire in morning time and in a morning atmosphere. The Vedas say, “All intelligences awake with the morning.” Poetry and art, and the faire stand most memorable of the actions of men, date from such an hour. All poets and heroes, like Memnon, are the children of Aurora, and emit their music at sunrise. To him whose elastic and vigorous thought keeps pace with the sun, the day is a perpetual morning. It matters not what the clocks say or the attitudes and labors of men. Morning is when I am awake and there is a dawn in me. Moral reform is the effort to throw off sleep. Why is it that men give so poor an account of their day if they have not been slumbering? They are not such poor calculators. If they had not been overcome with drowsiness, they would have performed something. The millions are awake enough for physical labor; but only one in a million is awake enough for effective intellectual exertion, only one in a hundred millions to a poetic or divine life. To be awake is to be alive. I have never yet met a man who was quite awake. How could I have looked him in the face?

We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the dawn, which does not forsake us in our soundest sleep. . . . To affect the quality of the day, that is the highest of arts. Every man is tasked to make his life, even in its details, worthy of the contemplation of his most elevated and critical hour.

Updike on an Artist's Tension with His Audience and Creativity

circa 1955:  American author and Pulitzer Prize winner John Updike in a youthful portrait, seated on a bench outdoors, holding a cigarette. His novels include Rabbit Run, Rabbit Redux and Couples. He is also a long-time contributor and critic for The New Yorker magazine.  (Photo by Hulton Archive/Getty Images)

When did artists first begin to chafe with their audiences and feel irritated at the idea that their creations should be styled in a limited way so as to gain popularity? John Updike in 1985 wrote about this history, what happened to Herman Melville, and what a modern artist might do with this tension. He said:

By authentic I mean actual and concrete. For the creative imagination, in my sense of it, is wholly parasitic upon the real world, what used to be called Creation. Creative excitement, and a sense of useful work, have invariably and only come to me when I felt I was transferring, with a lively accuracy, some piece of experienced reality to the printed page.