Updike on an Artist's Tension with His Audience and Creativity

circa 1955:  American author and Pulitzer Prize winner John Updike in a youthful portrait, seated on a bench outdoors, holding a cigarette. His novels include Rabbit Run, Rabbit Redux and Couples. He is also a long-time contributor and critic for The New Yorker magazine.  (Photo by Hulton Archive/Getty Images)

When did artists first begin to chafe with their audiences and feel irritated at the idea that their creations should be styled in a limited way so as to gain popularity? John Updike in 1985 wrote about this history, what happened to Herman Melville, and what a modern artist might do with this tension. He said:

By authentic I mean actual and concrete. For the creative imagination, in my sense of it, is wholly parasitic upon the real world, what used to be called Creation. Creative excitement, and a sense of useful work, have invariably and only come to me when I felt I was transferring, with a lively accuracy, some piece of experienced reality to the printed page.

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