Category Archives: Fiction

‘The Officers’ Club,’ by Ralph Peters

The Officers' Club

I could have listed a hundred things I liked about her and valued in her. But I knew I would never love her. The Newtonian universe doesn’t seek justice, only equilibrium.

I’ve come to admire Ralph Peters as a top-flight novelist, but I’m just too shell-shocked, after reading Hell to Richmond (reviewed down the page), to try another of his big Civil War novels. So I thought I’d try a smaller book, The Officers’ Club. This is another fine story, but it left me with questions.

Lt. Roy Banks is an officer with Military Intelligence in 1981. But he’s not exactly in the center of the action. He’s drafting training exercises at Fort Huachaca, Arizona. This is the end of the Carter era, and the country’s malaise is even worse in the Army. Bored, undertrained, and undersupplied soldiers fake their work, and party hard after hours. Roy is part of a small group wryly called “The Officer’s Club,” an alternative to the bland pleasures of the real facility on base. They like to run down to Mexico, drink themselves sick, have lots of sex, and sometimes do some drugs. Worse things go on too, but Roy tries to keep clear of that. He’s also having an affair with a married female fellow officer.

Then Jessie Lamoureaux is murdered. There’s no shortage of suspects. Beautiful, seductive, and devious, Lt. Lamoureaux worked her way through most of the males in Roy’s circle – except for Roy himself. For some reason he found her repellant.

Very little of this book is devoted to the mystery of Jessie’s murder. Most of it traces the course of events that led up to the crime. The plot reminded me of nothing so much as one of those cable miniseries where soap opera combines with sex and violence. However, Peters’ writing is on a much higher plane. Aside from his elegant prose, he creates well-rounded characters who (in many cases) surprise you.

I’m not sure I entirely understood The Officers’ Club. I think there’s a metanarrative here, related to conditions in the Carter era, that I never quite grasped. And a couple plot details never got resolved – I wonder if the answers were hidden and I just missed them.

I should caution you that the voice of morality in this book is a sympathetic homosexual record store owner whom Roy befriends. And one of the few cardboard characters is a born-again Christian (this is a little surprising, coming from the author who created the Abel Jones novels).

But I still enjoyed The Officers’ Club immensely, and got entirely caught up in it. Recommended, if you don’t mind a lot of profanity, sex, and a certain amount of violence.

‘Hell or Richmond,’ by Ralph Peters

Hell or Richmond

For all his concerns, his heart leapt at the prospect of fighting again. Lee smelled powder the way a horse smelled oats. There were things he dared not discuss with other men, matters he preferred not to think on too much himself. He loved war, that was the wicked truth. God forgive him, he loved it. Worse, this army had become his greatest love. It was a terrible thing for a man of faith, or any man, to recognize.

I wonder if it’s possible for a novel to be too successful. Not in the marketing sense – though there are certain authors whose success, in my opinion, is unmerited – but in the artistic sense. A novel that does such a good job of fulfilling its creative goals that the experience becomes nearly unendurable for the reader. Due to the subject matter.

That was my problem with Ralph Peters’ Hell or Richmond, a fantastically successful attempt to bring to life the experience of the 1864 Overland Campaign, during the American Civil War. Like his earlier novel, Cain at Gettysburg (which I admired greatly and reviewed here), it resurrects the historical events on both the macro and the micro level. Peters is a marvelous prose stylist, and succeeds in conveying not only the sights and sounds, but especially the sensations – the weariness, the thirst, the pervasive discomforts from an infantryman’s poison ivy to an officer’s inflamed feet, to Robert E. Lee’s digestive ailments. And the suffering goes on and on, far worse than Gettysburg, which seemed bad enough – through the Wilderness and Spotsylvania Courthouse to Cold Harbor, all of them famous slaughters. Continue reading ‘Hell or Richmond,’ by Ralph Peters →

In Which Sin Is Like Smoke

“Imagine a world in which sin is visible,” writes Hannah Beckerman in her review of Dan Vyleta’s fantasy novel, Smoke.

In which anger, lust, envy and avarice erupt in plumes of smoke and the clothes of the sinful are stained in dark soot. In which London is a city of vice, inhabited only by degenerates, its air polluted not with diesel but with transgression, its sewers running with the soot of sinners.

Nothing to Hide by J. Mark Bertrand

She rolls her eyes. “The Song of Roland. Don’t get me started. That was the first one we had to read. If that’s chivalry, then you can have it. That book infuriates me.”

“Really.” I flip through the pages, many of which are underscored. I’m familiar with the story, of course, though I can’t recall having actually read the poem. In fact, before now I’m not sure I realized it was a poem, with all the stanzas and verses. “He’s supposed to blow the horn to signal the ambush, is that it?”

“He’s supposed to blow it if they need help. Only Roland’s too proud for that, so he waits and waits until everybody’s basically dead. Does that sound like heroism to you?”


Bertrand’s third thrilling novel in his Roland March series begins with a body dumped in a recreational park. The head is missing and the hands, one of which is pointing, have been ‘degloved,’ which is a clinical word for skinned. March’s partner on the case, Jerry Lorenz, suggests the hand is pointing at something, maybe the missing head, and March nearly breaks his back looking for it. No dice.

I don’t care to outline the plot any further, because I enjoyed jumping into this novel having forgotten almost everything I’d heard about it. It’s a fun story, as are all of Bertrand’s March novels. Personal moments are filled with dialogue like the above interchange on The Song of Roland, showing Bertrand’s appealing bookish style. This brief description of the poem absolutely foreshadows the plot, which is exactly the way they do it in the movies, which reminds me how someone should be throwing money at Bertrand for the honor of taking his March trilogy to the big screen.

March isn’t any kind of super cop or brilliantly quirky detective. He’s a seasoned professional, like many homicide detectives on the force today. He has overcome the difficulties of his past, put numerous criminals behind bars, and continues to seek (and question) trust from his colleagues. He solves his cases by hard, honest work: asking questions, following leads, and pressuring forensics to cough up the right evidence. Like the title suggests, Nothing to Hide drives its story to a bold climax where all cards are on the table and everyone’s exposed.

‘True-Life Adventure,’ by J. Paul Drew

True-Life Adventure

I seem to have developed Critics’ Disease. I’ve become so obsessed with technical and artistic excellence in literature that, when presented with a perfectly pleasant little light mystery like True-Life Adventure, by J. Paul Drew, I find myself inclined to grouse. Even though I have no excuse for doing so.

This is the first book in a series, and various clues (such as a lack of cell phones) indicate that it was first published back around the ‘80s. The hero is Paul Mcdonald, a reporter who left his steady job to write mystery novels. Which he hasn’t succeeded in doing. Instead he gets by writing reports for a real private eye. But one day the private eye dies of poisoning while dictating to him. Paul, realizing that a true mystery has fallen into his lap, decides to investigate it himself so he can write it up and get it published. This leads him to the detective’s last case, involving the kidnapped daughter of a computer mogul.

The tone is light, with lots of wisecracks. Wisecracking, of course, is a hallowed tradition in detective novels, so that’s not a real criticism. I guess I’ve grown to expect some kind of serious underpinning in stories involving human deaths. Also, I found it a little hard to buy the scenario where a depressed, overweight guy somehow snags a hot girlfriend much younger than himself (I grow less tolerant of such plot lines, for some reason, as I grow old alone).

But I really have no reason not to recommend True-Life Adventure to you as light summer reading. Nothing really wrong with it.

‘Runaway,’ by Peter May

Runaway

In London in 2015, an old man who has been a fugitive for many years is murdered. In Glasgow, Jack Mackay, a retiree, is summoned by his old friend Maurie, who is dying of cancer. Maurie makes a request, or more of a demand. The murdered man did not do the crime everyone thinks he did. For that reason, Jack must get the old band together, and they must take Maurie to London before he dies. That’s the premise of Runaway, by Peter May.

It’s a crazy request, but Jack is at loose ends in his life and has nothing better to do. Also, he’s curious. Fifty years ago, the friends were in a rock band, and they all ran off on impulse, to find fame and riches in London. What happened was traumatic, and left Jack with many unresolved questions that still haunt him.

Soon the old men are on the road, in a “borrowed” car, with Jack’s couch potato grandson dragooned into driving. As they follow the route they traveled half a century earlier, the reader follows Jack’s recollections of the original journey, the central event and great tragedy of all their lives.

I was uncomfortable with this book at first. I feared it would be yet another celebration of the glories of the Love Generation, with its supposed idealism and courage. But what the band encounters in this story is much closer to the actual truth – passions running riot, drugged confusion, and cynical predation by exploiters. Jack is victimized, and victimizes others himself, to his eternal regret.

It’s a sad story, but insightful, and – in the view of this survivor of the era – pretty authentic. I also ought to mention that on one particular social issue – I won’t spoil it for you – it takes exactly the right side.

This wasn’t an easy novel for me to read, but in the end I found it rewarding and enriching. Cautions for language, sexual situations, and disturbing content.

He Who Waits For the Best Time to Act

The hobbit at his table
The hobbit at his table

One of my life quotes, which I wish I could say I’ve actually given proper attention, is a verse from a song in the Rankin/Bass version of The Hobbit.

“A man who’s a dreamer and never takes leave,
Who lives in a world that is just make-believe,
Will never know passion, will never know pain.
Who sits by the window will one day see rain.”

It’s a Glenn Yarbrough song, which you can hear here.

That verse is loosely related to a quote attributed by some to Martin Luther. “For truth and duty it is ever the fitting time; who waits until circumstances completely favor his undertaking, will never accomplish anything.” As our readers often say, “That’s the truth,” but did Luther actually say this?

The Quote Investigator doesn’t believe he did and has evidence to support his belief that another German theologian with a curiously similar name is the one who first put this thought (in his own words) on paper.

‘The Drop,’ by Dennis Lehane

The Drop

Bob’s church is closing. That, I think, is the central metaphor of The Drop, a masterful novel by Dennis Lehane.

Bob loves his church, and goes to mass every day. But he never communes, because he refuses to make confession. He loves the old church’s traditional beauty. He finds a kind of peace there. But the Boston diocese can no longer support it, due to legal obligations to victims of priestly abuse.

Bob is a nice guy. People like him. But he’s lonely. Women don’t find him attractive. His only real friend is his boss, his cousin Marv. He and Marv set out to be gangsters once, years back, trying to be tough. But then the Chechen mob moved in, showing them what tough really meant. They took over Marv’s bar, and Marv and Bob sank back, almost with relief, into semi-respectability. Except that the bar is now a “drop,” where from time to time gambling money is collected for pick-up by the mob’s messengers.

Then one night, Bob hears a noise from a garbage can. He opens it to find a puppy there, bloodied and abandoned. A girl watches him rescue the animal, and in one night Bob acquires both a pet and a (sort of) girlfriend.

Bob doesn’t know it, but people are making plans, intending to use him as a pawn.

They are making a big mistake.

This is one of Lehane’s best novels, in my opinion, which is saying a lot. Not only does he ratchet up the tension mercilessly, but he plots with elegance. I wasn’t prepared at all for the conclusion.

Christianity plays a major role in The Drop. I don’t think Lehane is advancing any kind of apology for Christianity, but he asks the right questions, and poses the big problem (in my view) entirely correctly.

Highly recommended. Not for kids, or those easily shocked.

‘Entry Island,’ by Peter May

Entry Island

A warm sun slanted out of the autumn sky, transforming every tree into one of nature’s stained-glass windows. The golds and yellows, oranges and reds of the fall leaves glowed vibrant and luminous, backlit by the angled rays of the sun, turning the forest into a cathedral of color. Sime had forgotten just how stunning these autumn colors could be, his senses dulled by years of gray city living.

Another novel by Peter May. Another home run, in my opinion. This guy can write.

As Entry Island begins, a man has been stabbed to death on Entry Island, in the Madeline Islands on the Gulf of St. Lawrence in Canada. Detective Sime Mackenzie is sent to act as translator for the investigators. The province is francophone Quebec, but the people on Entry Island still speak English, which is also Sime’s (short for Simon’s) childhood tongue. He’s not eager to go – he’s exhausted, debilitated by chronic insomnia. And he doesn’t get along well with the other officers – especially the one he used to be married to.

The murder victim was the richest man on the island, and suspicion centers on his wife, who says she was attacked by a knife-wielding man, and her husband died defending her. But the moment Sime meets Kersty Cowell, he has an irrational sense that he’s seen her before. Then she remarks on the signet ring he wears, an heirloom from his father. She has a pendant that matches it exactly, she says – though she can’t find it when she looks for it.

As he pursues the investigation, Sime is tormented by brief, vivid dreams during his short periods of sleep. In these dreams he relives the experiences of an ancestor who bore his name, who was a victim of the 19th Century land clearances in the Scottish Isles (his grandmother read to him from the man’s journals). He loved, tragically, a woman also called Kersty. History, dreams, and police work come together in a drama that might save Sime, or drive him mad – or kill him.

Once again, Peter May presents a fairly far-fetched plot, but closes the deal with style. His characters are good, his dialogue vivid, and his descriptions cinematic. As a Christian, I had trouble with suggestions of some kind of reincarnation, but the faith of the Christian characters is presented with sympathy and no axes are ground.

Cautions for the sort of things you’d expect. Sometimes heartbreaking, sometimes transcendent, Entry Island is a superior reading experience for mystery fans.

‘Extraordinary People,’ by Peter May

Extraordinary People

I’m becoming a fan of Scottish writer Peter May. Extraordinary People, which seems to be the first book of a new series, only added to my enthusiasm.

Enzo MacLeod (half Italian, half Scottish) is the father of two daughters. One, whose mother died, adores him and lives in France. The other, whose mother he divorced, will not speak to him. However, she too lives in France.

Enzo used to be a forensic scientist for the police, but now he teaches biology at the University of Toulouse. As a sort of a lark, he makes a bet with a friend, a journalist who’s writing a book on unsolved disappearances. Enzo bets him that he can solve the disappearance of a famous professor, public intellectual, and film critic about ten years before.

Quickly he is able to identify a skull discovered in a metal case in the catacombs of Paris as that of the missing man. Along with the skull various items were found, and Enzo believes they are clues to the motive and murderer. He begins to run the clues down, using the resources of the internet, which did not exist when the man was murdered. Along the way he gradually learns that someone is following his investigation, someone willing to kill him and those he cares about to keep old secrets.

The form of this mystery is one I don’t generally buy into – the serial puzzle mystery, where the detective has to solve a series of obscure riddles to solve the crime. Such things happen in real life, I think, never. In outline, this story resembles the National Treasure movies, which I found contrived and unconvincing.

But May plays the game at a much higher level, and while I recognized the implausibility of the plot, I still had a good time following it. Enzo is an ambivalent character who can sometimes repel the reader, but his growth in maturity and self-knowledge is part of the story.

Cautions for the usual stuff, plus a couple naive comments in the Dan Brown line. But overall I enjoyed Extraordinary People very much.