Category Archives: Fiction

‘The Shadow Lamp’ and ‘The Fatal Tree,’ by Stephen Lawhead

I must admit that Stephen Lawhead almost lost me at one point, but I carried on with the last two books of the Bright Empires pentalogy, and came out a fan again.

If you’ve followed my reviews of the previous books, The Skin Map, The Bone House, and The Spirit Well (or if you’ve read the books; some people prefer to do it that way), you know the series involves a group of people who have learned the secrets of “ley travel,” using particular geographical formations in the earth at sunrise or sunset to travel to other times, places, and dimensions. The earlier books involve a sort of race between the good guys and the villainous Lord Burleigh to locate the “Skin Map,” the tanned skin of the discoverer of the ley lines, who had their locations tattooed on his body.

My temporary problems with the story occurred in the fourth book, The Shadow Lamp. I feared, for a while, that author Lawhead had succumbed to “Game of Thrones Disease” – not in terms of perversion, I hasten to add, but just in the sense of producing a story so complex and sprawling that he loses control of it. The characters seemed to be running around chasing each other through time and space, without advancing the story line much. But in the second half of the book things sharpen up. The focus shifts when the characters become aware that thoughtless ley traveling has caused a disruption in the very fabric of the cosmos. The quest becomes one to return to timeless Spirit Well and undo a thoughtless act. That quest continues in the final book, The Fatal Tree. By the time I got into that one I was back with the story all the way, and I found the resolution entirely satisfactory, nay, moving.

Lawhead (as I read him) has been endeavoring for some time to figure out a way to write epic fantasy without big battles. The Bright Empires series is his most successful effort so far.

Highly recommended.

Recapture that Blood Moon Moment

Last week, perhaps you were caught up in the thrills of seeing the moon turn to blood as a harbinger of the end of the world. Too bad it didn’t, right? That just means you can experience the fun all over again, and a group of short story writers may have you covered in this book about an apocalypse that wasn’t.

You can read the premise of the fauxpocalypse and more from the eleven contributing writers on their website. Briefly stated, a scientist predicted the path of an enormous comet would hit the earth on July 15 of this year, and it really looked as if it would hit us. But no. What do you do when almost everyone in the world believe this time it really isn’t a test? Dip into the book here.

I like the idea of the book, but perhaps gathering stories around the theme of something big that didn’t happen will only get you middling results, especially when the story begins with the anticlimax. As one story says it, “Either way, the world had not ended, so it was time for chores.”

I heard of this book through a writer friend, Dave Higgins. He contributes two stories, and you may find that his contributions are worth the price of the whole, though I also liked Alexandrina Brant’s exploration of faith in her story of a college student who attends what could be Oxford’s last chapel service.

Kingkiller Rothfuss Lands Huge Media Deal

“Honestly, I’ve never been very interested in a straight-up movie deal,” said Patrick Rothfuss, author of The Kingkiller Chronicle. But now he’s got a movie deal combined with TV shows, video games, bobble head dolls, and underwater theme park off the coast of Iceland. (I may have gotten a few of those details mixed up.)

Lars reviewed the two existing novels earlier this year, The Name of the Wind and The Wise Man’s Fear.

Can the Gospel Be Trojan-Horsed?

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Many Christian artists want to tell the Gospel in a compelling story in order to win readers or viewers to Christ, but can the gospel, which is the power of God for salvation, be Trojan-horsed into a new audience? Is there a delivery mechanism that can slip the gospel through cultural barriers and catch those who are tired of their church experience or unfamiliar with Christianity entirely?

Watch this video from a Christian filmmaker. He urges us to believe the moment is right for exploiting technology for the sake of the gospel. We must not be a divided house, he says. We must not hold ourselves to low standards. We must rally around a good, moral film and make it an international blockbuster.

George Whitefield recently tweeted from beyond the Pearly Gates, “Self-indulgence lulls the soul into a spiritual slumber.” I think that may apply here. What do you think? (via Jeffrey Overstreet)

‘The Cold Dish,’ by Craig Johnson

Like many people, I recently watched Season Four of the “Longmire” TV series, broadcast first on the A&E Network, and now produced by Netflix. The series, in case you’re not familiar with it, is a crime series centering on a laconic modern day Wyoming sheriff. Australian actor Robert Taylor (not to be confused with the American actor Robert Taylor, who was unavailable for the role due to being dead) plays Sheriff Walt Longmire, and the supporting cast includes Lou Diamond Philipps as his Indian friend Henry Standing Bear and Katee Sackhoff as Deputy Vic Moretti. The series is well done and scenic (though shot in New Mexico instead of Wyoming, which has to lose something in translation), and it has a large and faithful following (A&E reportedly dropped it because it the viewers were too old. Right up my alley).

So I thought I’d check out the first of the original Longmire novels, by Craig Johnson. It’s called The Cold Dish (points if you know the Cervantes reference), and introduces the characters (or some of them; several are unrecognizable). The first thing to strike the reader is the substantial differences between the TV series and the books. The Longmire of the series is a sort of Gary Cooper character, slow talking and depressed over the death of his much-loved wife. The Longmire of the books is older, fatter, and more easygoing. He’s lonely, but he admits he never loved his late wife all that much, nor she him. He’s inclined to be a joker.

In this book he investigates a series of sniper murders. All the victims are young white men who got off easily a couple years before after their conviction for the rape of a mentally challenged Cheyenne girl. The girl is a niece of Henry’s (this makes Henry a suspect, which is awkward). The murder weapon appears to be a relic of the Old West, an antique Sharps rifle. It all works out pretty tragically.

The book was very well written, and I enjoyed it. I had some trouble with the treatment of Native American spirituality; it’s presented as pretty obviously true and effective. But taken on its own terms, The Cold Dish is a good book.

Cautions for the usual things.

‘The Christians’ Is Serious Theater

Alissa Wilkinson writes, “When theatre works best, it’s because it forces you into a room where the action is happening right there, live. It’s often serious precisely because it’s a good setting for confronting serious issues, like being locked in a room where a horrible argument is happening.”

This is what she says happens when people attend the off-Broadway production of Lucas Hnath’s play The Christians. They’ll see a depiction of a church split over a serious theological disagreement without strawmen and caricatures.

Eve Through the Eyes of Young

The author of The Shack, William Paul Young, has a new novel on creation. Ann Byle interviews Young on what responses he expects to receive.

Some might argue that you are recasting Scripture from a more feminine perspective.

Yes, some might argue and others will likely insist, but I reject the notion. I am not trying to recast the Scriptures from a more feminine perspective. I am doing something much more sinister than that. I am recasting Scripture from a more “human” perspective. How sad is it that any conversation about the emergence of true humanity in the world, which includes submission, generosity, kindness, strength, integrity etc., is seen as a feminist conversation?

What If Jesus Brought You Coffee?

Paul Pastor (you may call him Pastor Pastor) reviews the second volume of David Wilkie’s Coffee with Jesus. He remembers Wilkie saying, “You have to be able to laugh at yourself first, because you might be the problem, not everybody else.”

It is precisely this humility of humor, large and startling in its own way, that points to what I hope will be the true legacy of Coffee. Rather than blazing new comedic trails, pioneering cartoon art, or codifying some brilliance of original thought, it is the unitive speculation—what would Jesus say to the sincere nonsenses that we spurt on a daily basis?—that makes one think, that makes one feel charitably toward the weak of heart or opinion, that makes one laugh and wave some Trojan truth past the guards at the gates.

How Doctor Who Saved A Writer

Doctor Who and the Giant Robot - Penguin styleScottish author A.L. Kennedy says writing a Doctor Who novel alongside another novel for grownups saved her faith in childlike imagination.

It’s sad that so much of the air has gone from literary endeavour, that academic theorising and categorising have come to decide which novels are acceptable and reviewed, that literary publishing has squashed itself into more and more predictable boxes more and more often. Storytelling, company, human solidarity – they never go away, but they do seem to be moving away from the mainstream. It will be the mainstream’s loss. Readers will always go where they can find the joy they knew in childhood, the joy they deserve.