Category Archives: Fiction

‘The Murderer’s Daughter,’ by Jonathan Kellerman

Tragic; could you blame a boy for going bad? You sure could. Turning the tale over and over, Grace found herself growing steely. She knew all about rejection and loss, deep wounds of the soul that required psychic excavation and cauterization, the acid wash of self-examination. Life could be a horror. No excuse.

It occurred me after I finished reading Jonathan Kellerman’s The Murderer’s Daughter that the heroine could be described as a sort of American version of Stieg Larsson’s Lisbeth Salander, main character of his “The Girl” novels, but without the annoying Marxist themes. I’m OK with that. Grace Blades is a vivid character. I generally avoid novels with female protagonists because I can’t identify with them, but I was all in for Grace from the first paragraph.

Grace Blades (isn’t that a great name?) is a genius, off the charts, and a world-renowned clinical psychologist. She is especially famous for her successful work with trauma victims. Yet oddly, her own psychological world is rather barren.

Grace was born to a neglectful, abusive home, and orphaned at an early age. After that she entered the foster care system, until she found a loving home with a couple who cared for her and nurtured her intellectual gifts. Since their deaths, Grace has kept other people at a distance, confining her sex life to occasional anonymous encounters with strangers.

But one day she opens her office door to a new patient, and sees before her a man she had a tryst with just the night before. She tries to salvage the session, but the man flees at last, hinting at family guilt and something about atonement.

Soon Grace learns that this man was not in fact a stranger at all, but a fellow witness to the most traumatic event of her life. And now Grace is in danger from the person that man feared.

Grace does not take danger passively. Her rule is to go on the offensive. And so she does.

The Murderer’s Daughter is quite unlike Kellerman’s Alex Delaware novels. Alex is well-adjusted, and has a productive relationship with the police. Grace Blades is more like Batman, a law unto herself, a genius with fighting skills who takes the law into her own hands.

Morally, I disapprove. As a reader, I loved this book. Cautions for language, sex, and violence.

‘The Dregs of Aquarius,’ by Rick Dewhurst

I have a strange reader’s relationship with Rick Dewhurst. My limited, personal online contact with him, as well as my reading of his work, suggests to me that he’s a good guy, a good pastor, and a good writer. Yet I’ve had trouble with his novels. I reviewed his novel Bye Bye Bertie, a satire of evangelical culture presented as a mystery story, and had difficulty seeing the point (I suppose that may mean I’m just the kind of Christian he’s lampooning). His novel The Darkest Valley, which I also reviewed, was a story of a failed ministry. It was far more accessible to me, but kind of a polar opposite of the first book – so realistic and tragic that I had a hard time dealing with it.

His new novel, The Dregs of Aquarius, falls somewhere in between. I think it’s far more successful as a novel, and has the further advantage of being hilarious in parts.

Tom Pollard, the main character, is a hippie in a small British Columbia town, (apparently) sometime in the 1970s. He has a job as a bartender, but his life centers on his circle of stoner friends, some of them American draft dodgers, with whom he regularly gets drunk and high. What seems to him a pretty idyllic existence is marred only by two things – as a result of a head injury, he has recently begun to see spiritual beings, whom he thinks of as gods, hovering in the sky. And his girlfriend Ruby, whom he cares for more than he’s willing to admit, is showing signs of being drawn back to “straight” life, and has gone home to spend time with her parents.

She didn’t really want to control me. She only wanted a real person to relate to, and I didn’t want to be one. But then why would I want to define myself or be defined. I knew that if you began to coalesce around a solid identity, there was a good chance you might be held accountable.

Tom’s adventures climax in a marathon “encounter session” (you’ll remember what those were if you’re old enough) that’s as good an example of escalating slapstick as I’ve ever encountered in a book.

I had a little trouble with the ending of the story, but not because I thought it was badly done or inappropriate. On the contrary, it’s exactly the kind of payoff you look for in a Christian novel. It just struck me as oddly… conventional in a book this eccentric.

But maybe that was the point.

It’s also a little jarring that the main characters of this funny book, Tom and Ruby, are the same people as the pastor and his wife who suffer so in The Darkest Valley. It’s a strange juxtaposition, though I suppose there may be a larger purpose.

In any case, I can recommend The Dregs of Aquarius. Not perfect, but a rare example of a Christian comic novel that works. Also a pretty good evocation of a time which (thankfully) has passed forever. Let’s hope.

Call me ‘Mushroom,’ ‘cuz I’m a fun guy

I have in my hands the latest issue of a handsome publication called Fungi: A Magazine of Fantasy and Weird Fiction. It includes a “spotlight” section devoted to Your Humble Servant, which includes:

-“Lars Walker Biography”
-“Lars Walker Bibliography”
-“Laxdaela Saga,” a critical essay by me which first appeared on this blog
-“Song of a Grumphy Dwarf,” a poem by me, also originally published here (though they leave off the last verse for some reason, which kind of spoils it in my opinion)
-“Harbard,” my favorite of my own short stories, first published in “Amazing Stories.”

The bibliography was penned by our friend Dale Nelson, who also recommended me to Fungi’s publisher, Pierre Comtois.

The issue is available at Amazon, here.

Trash Planet Vacation, a WALL-E Draft

Early drafts of Pixar’s wonderful movie WALL-E were very different from the final film. The key robot wasn’t playing Hello, Dolly everywhere, but “leading a Spartacus-like robot revolution.”  There was a Planet of the Apes vibe to the storyline, and the writers hoped to make the entire film dialogue free. For a time, they threw around alternative titles, like Trash Planet, but eventually they worked a fix for their original title and along with it, a better story.

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Flannery O’Connor’s Prayer

Flannery O'Connor and peacock
What did Flannery O’Connor pray for? To be guided toward the right people.

The Georgia Center for the Book has O’Connor’s prayer journal on the list of books all Georgians should read. The list for adults started in 2002. The Center’s coordinators started with a list of 25 books. They now add ten new books to the list each year. See all of their selections here.

Regarding the prayer journal, Betsy Childs describes it, saying, “O’Connor wasn’t a writer sitting at her typewriter crafting prayers; she was a girl pouring out her heart in longhand.”

As a small example, the young Georgia woman, while in the Iowa Writer’s Workshop in 1946, prayed, “I dread, Oh Lord, losing my faith. My mind is not strong. It is a prey to all sorts of intellectual quackery.”

If only all Georgians would follow her Lord and heed this warning.

‘What Dies in Summer,’ and ‘BlackBird,’ by Tom Wright

I had trouble making up my mind about reviewing these two remarkable novels. I liked them, but didn’t entirely approve of them. But they didn’t offend me either. I guess I’ll just describe them and let you draw your own conclusions.

What Dies in Summer and Blackbird, by Tom Wright are connected novels, with the same main characters, but there’s enough separation to make them very distinct; not quite a series.

The central characters are Jim “Biscuit” Bonham, a teenager in Dallas in What Dies in Summer, and his cousin Lou Ann (“L.A.”), who comes to live with him and his grandmother. The two cousins are children of sisters who are both alcoholic, and are no longer able to live with their parents.

They’re poor, and you might almost describe them as “white trash,” except that their grandmother is a smart and good woman, determined to see that they grow up loved and well educated. They are both unusually intelligent, though Jim doesn’t believe it of himself.

Their story moves out of soap opera territory when, one day, out hunting returnable bottles, Jim and L.A. discover a murder victim – a girl their own age, raped, strangled, and left naked.

Two kids this smart can’t stay out of the investigation, and their inquiries bring them into serious danger from a surprising quarter. Continue reading ‘What Dies in Summer,’ and ‘BlackBird,’ by Tom Wright →

Bookseller Offers Refund for ‘Go Set a Watchman’

A bookseller says the hype over Harper Lee’s Go Set a Watchman mislead readers, who are now expressing their disappointment in what was supposed to be a new classic.

Brilliant Books in Traverse City, Michigan, has said that its “dozens” of customers for Go Set a Watchman are owed “refunds and apologies” over the way the novel has been presented. “It is disappointing and frankly shameful to see our noble industry parade and celebrate this as ‘Harper Lee’s New Novel’,” the bookseller writes on its website. “This is pure exploitation of both literary fans and a beloved American classic (which we hope has not been irrevocably tainted). We therefore encourage you to view Go Set a Watchman with intellectual curiosity and careful consideration; a rough beginning for a classic, but only that.”

The Watchman

Is There Beauty in Sodom?

“What appears shameful to the mind, is sheer beauty to the heart. Is there beauty in Sodom? Believe me, for the great majority of people it is in Sodom and nowhere else.” — Dostoevsky, The Brothers Karamazov

Dmitri Karamazov, in the “Confessions of an Ardent Heart in Verse,” rants with great feeling about the two ideals of beauty that haunt the heart of man: the Ideal of Sodom, and the Ideal of Madonna. Dostoevsky expanded on this idea in one of his journals, calling the Ideal of Sodom the “Second Beauty” — the beauty which sin has in the eyes of those who are tempted to commit it.

Dostoevsky was criticized, of course, by those who felt that his works sank too far into the darkness without offering any “real” solutions to the problem of human sinfulness. D. H. Lawrence wrote that, “He is like the rat, slithering along in hate, in the shadows, and in order to belong to the light, professing love, all love,” while Freud lamented that “Dostoevsky threw away the chance of becoming a teacher and liberator of humanity; instead he appointed himself as jailer.” Such criticisms are typical of a certain critical tenor that sees literature, and art more generally, as a force for reworking the social order and rewriting the heart of man. It is a critical pose that leads to a kind of puritanism, and it is found just as commonly amongst atheistic reformers as amongst Christians.

Melinda Selmys writes about this second beauty and where the incarnation comes in.

‘I, Ripper,’ by Stephen Hunter

Stephen Hunter, after years of writing successful sniper novels, has taken a flyer with a change of genre—a historical thriller. I, Ripper is a fictional retelling of the Jack the Ripper murders which is not intended to solve the historical mystery, but to illuminate the history of modern ideas.

The story is told through the eyes of three characters. One is a young London reporter who calls himself “Jeb” (we don’t learn his true identity until late in the story). By luck he’s the first newspaper man on the scene of the initial prostitute murder in Whitechapel, and he becomes his paper’s chief man on the story. He even bestows on the murderer the nickname by which he’ll be known to history.

The other narrators are the Ripper himself, in a fictional journal in which he does not reveal his identity, and a young prostitute who describes in a series of letters how she and her fellow streetwalkers react to the killings.

Jeb wants to do more to uncover the killer, in the absence of effective work by the official police. He makes the acquaintance of a renowned linguistics scholar, who produces what today we’d call a “profile” of the killer. Armed with this profile, Jeb and the professor reduce the pool of suspects to a few men, and then one.

Then the investigation explodes in surprises and a dramatic confrontation.

I, Ripper isn’t a bad novel on its own terms. I found it difficult to read at the beginning, because the murders are described in unpleasant detail. The final working out of the story was much to my liking, however.

But I don’t think I can recommend it to our audience, unless you have a strong stomach.

With Great Power Comes Great Quotations

Who first said, “With great power comes great responsibility“? Was it Marvel Comics writers for Spiderman? Was it Voltaire? Quote Investigator says there are better references, such as this from the French Revolution: “They must consider that great responsibility follows inseparably from great power.” A similar idea is found in Luke 12:48.

Learn more uses of this idea in QI’s post.