Category Archives: Fiction

‘Cooper’s Daughter,’ by Mark Yorst

Wall Street Journal columnist Mark Yost has written a really gritty detective story, Cooper’s Daughter. I’ve talked about Raymond Chandler’s rules of private detectives before in this space. Max Allan Collins has commented on this blog about his creation of a detective who would break those rules, but Mark Yost takes it further. His private eye, Rick Crane, who operates in upstate New York, extorts sexual favors from straying wives in return for his silence to the husbands who’ve paid him, and also acts as a collector for organized crime bosses.

But his life takes a turn when an old man asks him to investigate the beating death of his daughter, who had been dating a local minor league baseball star. His investigations cause him to step on important toes, and guys with heavy fists try to persuade him to stop poking into the matter. But he’s moved by his client’s grief, and seeks a kind of personal redemption in finishing the job.

The morals of this story are interesting. Rick commits adultery both recreationally and romantically, but also tells us he’s a regular churchgoer.

Rick Crane is an interesting and complex hard-boiled gumshoe, and I look forward to further stories about him. Cautions for adult themes and language.

‘Raylan,’ by Elmore Leonard

I read a couple Elmore Leonard novels decades back and concluded that, although he was a good writer, I just didn’t like him. He knew his business, but he wasn’t a somebody whose company I enjoyed.

After I started watching the FX TV series “Justified,” based on his character Raylan Givens, US marshal, I decided to give him another try. I think the series is pretty good. I especially like the way “rednecks” are treated as actual human beings, with a range of IQs and wisdom levels. So I tried Leonard’s novel Raylan.

Consumer report: Nope. I still have the same reaction to Leonard that I had when I was younger. I can’t say precisely why he rubs me the wrong way, but he does. The same characters I enjoy on TV get on my nerves in this book.

Which is not saying it’s bad. It just doesn’t please my palate.

It’s about lawmen and drug dealers in Kentucky coal country. Some plot lines are discernible from the TV series, but in a much modified form. Cautions for adult themes and lots and lots of rough language.

‘Diamonds and Cole,’ by Michael Maxwell

My plan was to handle the stack of book reviews I’ve been planning in chronological order, so I could tell you about the oldest books before I forget them completely.

But Diamonds and Cole by Michael Maxwell, which I finished yesterday, changed my plan. I’m so excited about this book that I want to tell you about it right away. Also, you can get it for Kindle (it’s only available in electronic format) free, at least as of the date of this review.

Cole Sage is a Chicago newspaper man. There was a time when he was a Big Deal. War correspondent, investigative reporter. But the fire went out of him, and for the last couple years he’s been reduced to writing filler stories thrown to him, like bones, by his editor.

Then one day he’s sent to cover the rescue of a cat from a tree. Only, by the time he gets there, it’s become a hostage situation. Cole is shocked back into his old consciousness, and writes a great story.

But when he gets back to the office, he finds a phone message on his desk. Ellie has called – Ellie, the love of his youth, the one who got away, the woman he thinks about every day. All the message says is that she needs help. He gets on a plane back to California, his home, without delay. Continue reading ‘Diamonds and Cole,’ by Michael Maxwell →

Derrickson Talks Horror, Reality with New Movie

Scott Derrickson is the writer and director of the new movie, Deliver Us From Evil. He was also the man behind for Sinister , The Exorcism of Emily Rose, and The Day the Earth Stood Still. He believes fear strips away the lies we usually tell ourselves and forces us to face reality. He sat down with Steven Greydanus to talk about his style and the new movie.

More here.

C.S. Lewis Reviews ‘The Hobbit’

In 1937, The Times Literary Supplement ran this review from Professor C.S. Lewis: “To define the world of The Hobbit is, of course, impossible, because it is new. You cannot anticipate it before you go there, as you cannot forget it once you have gone. The author’s admirable illustrations and maps of Mirkwood and Goblingate and Esgaroth give one an inkling—and so do the names of the dwarf and dragon that catch our eyes as we first ruffle the pages. But there are dwarfs and dwarfs, and no common recipe for children’s stories will give you creatures so rooted in their own soil and history as those of Professor Tolkien—who obviously knows much more about them than he needs for this tale.”

Read the whole thing.

For Men Who Don’t Read

For the man who says he wants to read more novels, but doesn’t, Mark Mason recommends A Man Called Ove by Swedish atuhor Fredrik Backman.

“The reason it’s the perfect book for weaning men back onto literary fiction is that Ove (pronounced “oover”) is just like us. He’s a grumpy old pedant. No matter if you’re younger than his 59, or less bothered about neighbours breaking residential parking restrictions, or more relaxed about the fact that no one knows how to put up shelves properly these days, there will be a part of you that’s just like Ove. He even hits a clown at one point, and any man who tells you he hasn’t wanted to do that is lying.” (via Prufrock)

The Whirlwind in the Thorn Tree

This first of three books is free for Kindle, and I suspect you may enjoy it. It’s a western-style fantasy framed by the stories of a deceased fantasy author. Fans of his books discover they aren’t entirely fictional, and there are big stakes at risk in the war they find.

Ortlund: “I am an endlessly hungry dead thing”

Mike Duran interviews Eric Ortlund about his zombie novel, Dead Petals. Ortlund says, “At some level, I am an endlessly hungry dead thing; but I’m also watching to see how I might survive that evil. And it got me thinking about what the apostle Paul says about humanity being dead in sin in Ephesians. Then I wondered, if a zombie could talk while still undead, what would that sound like? Then the writing started happening. . . .

“The influences are many. First, the Old Testament is the first apocalypse—i.e., it first got that particular way of looking at reality going. Second, the OT has a fund of cosmic symbols (the abyss, the storm, the holy mountain, the tree) which cannot be translated or decoded without essential loss. . . . Third, the OT has this really interesting way of protesting the surrounding idolatrous culture and also “highjacking” it—taking over symbols and themes and images and using them to talk about the real God.”

‘Field of Prey,’ by John Sandford

I should probably apologize for promoting John Sandford’s Prey novels, of which Field of Prey is the latest installment.

I mean, I always have to warn you about the language, which can be pretty coarse, and the psycho serial killers, who just get more and more creepy. In a way you could call these books horror novels (Psycho seems to be an inspiration for this one), and I don’t even like horror.

But… but I like the writing and the characters. Sandford deftly relieves the horror with episodes of mordant cop humor, and some dissing of political correctness.

And most importantly of all, he writes about Minnesota!

At one point in Field of Prey, Dr. Weather Davenport, wife of the hero, says, “TV. It’s like if you’re not on it, you don’t exist. The single most pernicious idea in our culture.”

I’m kind of like that with books. Those of you who live in Manhattan or LA or Chicago are used to seeing stories set in your home towns. But I’m a boy from Goodhue County, Minnesota, and Field of Prey is set precisely there, mostly. My home town isn’t mentioned (though I’m pretty sure Lucas Davenport drives through it at one point), but the story starts in Faribault, and then there’s Owatonna, and Red Wing, and Zumbrota, as well as a fictional town called Holbein.

My home area is in a bestselling book! We exist!

Also the book is pretty exciting, if you can put up with the rough elements.

YA Fiction and Superhero Movies

Alan Jacobs is laying out the facts on Twitter right now.

“Noteworthy: the real problem with YA fiction (much of it is bad) is the same as the problem with superhero movies (most of them are bad).”

“If you think there is something *intrinsically* juvenile about stories that concern beings with superhuman powers, then you’re committed to saying that the Iliad, the Odyssey, the Aeneid, the Divine Comedy, Paradise Lost, etc. etc. are juvenile. Which is manifest nonsense.”

“So the problem is not that we have too many superhero movies, but that those movies are unimaginatively conceived and incompetently written.”

“Much dislike of YA fiction & superhero movies is grounded in two things:19c pref. for realism & Modernist pref. for ‘difficult beauty.’ But if you go pre-c19 you can find plenty of aesthetic models that don’t privilege either realism or difficulty. The Modernist preference for difficulty was consolidated by the professiorate: we need difficult texts to justify our jobs.”

“But some of the most beautiful poems I’ve ever read are perfectly clear and call for little or no professional interpretative assistance.”

And Alex Knapp chips in: “Clarity doesn’t mean simplicity and difficulty doesn’t mean complexity. But oh how critics love to assume that this is the case.”