
The good folks at Nordskog Publishing have made my novel West Oversea available in e-book format now.
Your Kindle version is here.
Your Nook version is here.
Happy Easter.

Vincent Zandri is producing a series of novels about Albany, NY private eye Dick Moonlight (I’m not kidding. That’s his name). Murder by Moonlight was the first I’ve read, and although I read it through and enjoyed it a fair amount, I find I didn’t really like it much.
Dick Moonlight is a private eye with a difference (aren’t they all nowadays?). He attempted suicide a couple years back, leaving himself with a .22 bullet in his brain which the doctors can’t remove. At any moment it might shift and kill him, so he lives with that.
In Murder by Moonlight, he is hired by Joan Parker, who was horribly injured in an ax attack in her home, one which killed her husband. At the time she told the police that her son Christopher was to blame, but now she’s changed her mind and wants Moonlight to prove the young man innocent.
A number of things irritated me in this book. One is the present-tense narration, which doesn’t actually spoil the story, but which I find an irritating affectation that adds nothing.
Secondly, the story wanders into the realm of ancient conspiracies, which I don’t believe in. People aren’t that good at keeping secrets, especially in large groups.
But most importantly, the hero/narrator, Dick Moonlight, got on my nerves. Many people in the story tell him he’s a jerk (they generally use more colorful language), and they’re right. He claims he has a built-in lie detector (again, he uses an earthier term), and feels that gives him the right to be insulting to anyone he doesn’t like on first sight — even when he needs a favor from them. That’s just bad detective procedure. What he is, is judgmental and tactless.
So though the story kept my interest (in spite of some weak writing moments and needless complications at the end), I don’t recommend it highly. On the other hand, it’ll keep your interest on a plane, if that’s what your needs are.
Cautions for language and adult themes.
In his new book, Creativity, Inc., Ed Catmull, co-founder of Pixar, talks about how to keep a creative team running. He says he noticed many creative companies, even Disney, dying off a bit at some point. They couldn’t keep their creativity going. Catmull wanted to know the reason and whether it could be avoided. Now, with co-writer Amy Wallace, he has given us his conclusions.
“If you’re doing something new, you will make mistakes,” he says. “In fact, if you’re not making mistakes, you’re probably just copying other things. The way you avoid mistakes is to be super safe. Well, we can’t be safe. That means somebody will make mistakes, and we have to say let’s learn from it.”
He says he learned from Disney the technique of putting your storyboard on video to see it works the way you think it will. And it never does at first. In fact, the original storyboarded video isn’t good at all, but artists and writers lose their objectivity at that point and fail to see the problems. Catmull tries to work through the problems with an atmosphere that builds everyone up and allows them to take risks in pursuit of a stronger story.
You can read an excerpt from Catmull and Wallace’s book through NoiseTrade and your eReader before you buy.

Former journalist Andrew E. Kaufman has managed to jump from self-publishing to a major house contract on the strength of three novels, two of which involve the character Patrick Bannister. It’s those two, The Lion, the Lamb, the Hunted, and Darkness and Shadows, that I’ll tell you about briefly today.
I was drawn to the Patrick Bannister novels because the main character is a fellow I can identify with. Though a successful journalist for a national magazine (OK, I don’t identify with that), he suffers from deep insecurities and Obsessive-Compulsive Disorder, brought on by a childhood dominated by a loveless and narcissistic mother. Patrick is, indeed, unusually unfortunate in his relationships with females, because the second book involves his disastrous first love relationship, with a girl who had a terrible secret.
In The Lion, the Lamb, the Hunted, Patrick goes home for his mother’s funeral, and retrieves a single box of his childhood possessions from the house where he grew up. In it he finds a couple odd things – a piece of paper bearing a name, which a little research tells him belongs to the victim of a child murder in Texas years back, and a St. Christopher medal. When he finds a picture of that dead boy and sees that the boy is wearing the same medal in it, he starts on a desperate search to discover his mother’s and uncle’s relationship to the crime.
In Darkness and Shadows, Patrick finds himself out of a job, having allowed his emotions to overcome his journalistic good judgment. Then he sees a news report about the murder of a wealthy woman, and realizes that she is the same person as a girl he dated in college, who had (he thought) died in a fire before his eyes. Forging an unexpected alliance with a disturbed female criminal, he uncovers a sinister conspiracy and learns truths that could tear up his personal world.
Author Kaufman has had considerable success with readers, so I’m not alone in finding these books fascinating. Speaking for myself, I found the description of the inner life of an abuse victim extremely well-rendered. I was less impressed with the stories themselves. The writing was good – perhaps it could use a little pruning – but the plotting seemed to me weak. The first book, especially, ended with a big action scene that got resolved by pure luck. And the big surprise at the end was one I had guessed in about the second chapter. The second book was a little better.
Still, the characters were fascinating, and if the psychology of abuse interests you, these are a pretty good read.
I’ve been meaning to post a very short review of three of Jo Nesbø’s Harry Hole mysteries. There’s a whole list of books in the series, but the trilogy of The Redbreast, Nemesis, and The Devil’s Star form a self-contained unit within it, and make an interesting read in themselves. I reviewed Redbreast sometime back, and read The Devil’s Star without reviewing it. Recently I read Nemesis (out of order), and gained a new appreciation.
Nesbø’s Oslo police detective character, Harry Hole (pronounced “hoo-leh”) is difficult to evaluate. He pushes credibility, because it’s hard to believe that anyone this alcoholic and reflexively self-destructive has managed to maintain a career in a modern police department. But in these books Hole has begun a difficult — but promising — relationship with a single mother, which inspires him (intermittently) to attempt to reform himself. This would give him one added thing he actually cares about in his life, beyond police work.
The running narrative in this trilogy involves another detective, a popular and charismatic one, whom Hole suspects of illegal activities and the murder of a colleague. Hole hates him, but is almost seduced into corruption by him.
What’s fascinating about the Harry Hole books is the multiple layers of mystery involved. Once the mystery is solved, there’s plenty of book left, and the reader discovers there’s a mystery within the mystery. Then there’s a further mystery within that. It unpeels like an onion.
This may relate to one of Harry’s mottos — “There is no such thing as a paradox.” Someone informs him in the third book that paradoxes do in fact exist. It seems to me possible (I’m not sure) that that discovery is the whole point of the books.
A few weeks ago, a couple guys invited me to participate in a Google+ group they called Legendary Author Battles (LAB). It’s a shared storytelling like we have discussed here in the past. One writer begins, the other continues, and back and forth until a conclusion. Then Simon Cantan makes a video of the authors reading their parts.
This is my first one, and even though I wish I could have taken my reading dramatics up several notches, I think the story itself is pretty good. Feel free to tell me I’m wrong.
The story is an urban fantasy which pits a telepathic librarian against an urban developer. The businessman wants to buy up the neighborhood, but the librarian and his neighbors won’t go along with him. That standard beginning doesn’t come anywhere near describing the whole story, so give it a listen and tell me what you think.
I shared this story with Dave Higgins, who has a new book out.
An upcoming animated film, based on the book The True Meaning Of Smekday, will be released as Home. Which of these titles is more interesting to you? Studios may have a habit of preferring bland titles over interesting ones.
“For me, McCarthy’s exercise in rhetorical compression was only so successful,” Jesse Freedman writes. “Saramago, for example, reaches considerable stylistic heights in Blindness, and he does so without proper punctuation. I think, in the end, that I wanted The Road to be more like that: daring, complete, raw, and unwavering.”

Kudos to Cam Magee and Caitlin Griffin for this infographic.

Kudos to Cam Magee and Caitlin Griffin for this infographic.