Category Archives: Fiction

Dead Zero, by Stephen Hunter

There are various ways for authors to handle the problem of aging in popular series characters. Some characters never age at all. Rex Stout’s Nero Wolfe and Archie Goodwin were unaffected by the passage of decades. John D. MacDonald, as I recall, allowed his hero Travis McGee to age about one year for every three in real time. This lent an illusion of realism, while extending McGee’s effective life as an action hero as long as the author was likely to live. Perhaps the bravest course is to just let nature take its course.

That’s what Stephen Hunter is doing in his Bob Lee Swagger novels. Old Bob Lee, decorated Vietnam War Marine sniper, is getting long in the tooth. He’s moving slow, and feeling his aches and pains (especially the ones from his multiple wounds) pretty badly.

So Hunter has apparently decided to take the series in a new direction. And I salute him for it. In Dead Zero he’s produced an exciting and compelling action novel in which Bob Lee acts as the shrewd old detective, reader of human “landscape,” and spotter, but another, younger sniper has come on board to do the running and crawling and shooting. Continue reading Dead Zero, by Stephen Hunter

It seems like a good day; what did I overlook?

All in all, a pretty good day.

I took half a vacation day, because I had to meet a service entity for my regularly scheduled furnace inspection. I also needed to pick up my snow blower, which, I had been informed, was now back in fighting trim.

I knew both these things would cost me money, but as it worked out, neither cost as much as I expected.

How often does that happen in this economy?

Also, two blog reviews of Troll Valley appeared.

The first was from Hunter Baker, author of The End of Secularism. He calls me “talented and wise,” so I’m pretty sure he got me mixed up with Walker Percy.

Also, a nice review from Betsy Lightfoot at This, That, and the Other Thing.

Thanks to both.

I think both reviews link to the Amazon page.

But I should remind you that, if you have a Nook, you can get it from Lulu at this address.

Have a good weekend.

Stolen Away, by Max Allan Collins


In the shadows of the reflecting fire, her face was lovely, but she looked tired, and sad—or anyway melancholy, which is the wealthy’s way of feeling sad.

I have a memory of the first time my parents ever mentioned the Lindbergh kidnapping. To them, it was almost like a tragedy in the family. Charles Lindbergh was not only a national hero, he was a Minnesota hero, a Swedish boy from Little Falls. My father, a frustrated aviator, idolized him.

Max Allan Collins’ Stolen Away is a fictionalized account of the investigation, starring his private eye character Nathan Heller (I said I’d come back to this series, and I have). It’s a long and convoluted book, because it was a long and convoluted investigation. Judging from the author’s overview of source materials at the end, it appears one could do worse than come to this book first, if one were in the market for a comprehensive account of the whole thing (always taking fictional elements into consideration, of course).

The story starts in Chicago in 1932, when young Nathan Heller, a police detective, sights a suspicious woman carrying a baby through the LaSalle Street railroad station. Because police all over the country have been keeping their eyes out for the missing Lindbergh baby, he follows her, which leads to a gunfight and the recovery of the kidnapped baby—of a bootlegger. Continue reading Stolen Away, by Max Allan Collins

What the Night Knows, by Dean Koontz

I’m a fan of Dean Koontz, so when I say that I wasn’t entirely pleased with What the Night Knows, you must understand that I’m not saying it was a bad read, or that it bored me. It’s a professionally constructed story, with appealing characters and gripping terror. But there were things that disappointed me about it.

As in so many Koontz stories, the action is sparked by a bigger-than-life villain. This one is Alton Turner Blackwood, a gigantic, deformed sexual sadist who has an extra advantage—he’s dead. He can possess inanimate objects or people, and he uses them to commit horrific sex murders against entire families. He especially craves young, innocent females.

Years ago police detective John Calvino, then a teenaged boy, walked in on Blackwood just after he had murdered Calvino’s family. Calvino shot him to death. But somehow Blackwood’s evil spirit endures, and he is determined to recreate his last string of murders, on precisely the same timetable, finishing up with Calvino and his wife and three children. Continue reading What the Night Knows, by Dean Koontz

Apparently I have hidden depths

Our friend Grim at the Grim’s Hall blog has the honor of posting the first blog review of Troll Valley. And what he has to say about it is extremely intriguing:

There is a wider lesson to her example.  A family home is like a broader human community in that it has rules that establish a way of life, and under that way of life a community is possible.  We see in the early chapters how the traditions of Norwegian families at Yuletide sustained a broad community through hard work.  It is at that feast that the mother first uses her power to force a change in the rules, in her interest and against the interests of others.  It is by forcing continual alterations of the rules of life that she destroys the community within the house, so that finally no one can live with her at all.

Each of these rules is meant to represent moral progress, but each of them destroys the living community in which human kindness is possible.  

Grim sees the book as a drama of modern ideas of societal reform in conflict with the old traditions, and traditional relationships, that actually bind society together.

I find this fascinating, because I honestly didn’t have that in mind when I wrote. I was thinking of politics vs. religion, not politics vs. tradition. But now that he mentions it, I can see that the lesson is there. What I did was try to represent factually the kind of changes that were going on in the first couple decades of the 20th Century, and the “lesson” grew kind of organically from the events.

This all pleases me immensely. I like being smarter than I intended.

Different Magic

Aaron Armstrong asks, “Why are we okay with allowing our kids to watch The Chronicles of Narnia, but not okay with The Princess and the Frog? I have not seen The Princess and the Frog, but my little family did in the theater for a birthday party. My sweet wife said she was surprised at how evil the bad guy was, not like other Disney villains. As Aaron points out, Dr. Facilier isn’t a funny, magically bad man. He uses tarot cards and voodoo and has demons as sidekicks. It’s too close the real evil, meaning the occult, for a kids movie.

Of course, on the other hand, I can understand how secular writers would look at all magical stuff, regardless the labels, as fantasy and fair game.

Manalive, by G. K. Chesterton


When men are weary they fall into anarchy; but while they are gay and vigorous they invariably make rules. This, which is true of all the churches and republics of history, is also true of the most trivial parlour game or the most unsophisticated meadow romp.

We are never free until some institution frees us; and liberty cannot exist till it is declared by authority….

This may be the most delightful of all G. K. Chesterton’s fictional romps. Many love The Man Who Was Thursday, but Manalive is perhaps the distillation of the author’s philosophy of life; a comedy that makes his most serious point.

The central character of Manalive is Innocent Smith, a huge but oddly graceful gentleman who leaps into a suburban London garden one day, chasing his hat in the wind. He is not at all irritated by having his hat blown away; he declares to the people present that hat chasing is one of his favorite sports. He then proceeds to shoot a physician’s hat off with a pistol, an action which sparks the story’s odd action.

Soon three young men have proposed to three young women, and had their proposals accepted. Then authorities come to take Innocent Smith away. He is, according to information received, an attempted murderer, a burglar, and a bigamist, believed to be dangerously insane. Through one of those odd plot contrivances that could only happen in a Chesterton story, a hearing on his sanity is held in that very house. Evidence against Smith is heard, and explanations given.

Without giving away the details, the whole point is that Smith is a man who has discovered how wonderful life is, and is determined to make himself forever aware of the wonder of living through finding new ways rediscover its beauty. He seems insane because he’s eminently sane. He looks like a murderer because he imparts life wherever he goes. He is a walking paradox, Chesterton’s perfect brain-child.

If you’re looking for realistic fiction, this is not the book for you. Chesterton, as is his wont, stretches probability as wide as Innocent Smith’s waistcoat. He plays with ideas, plays with his characters, and plays with the reader. He is endearing and maddening—just like his main character.

Recommended without reservation.

The Skin Map, by Stephen R. Lawhead

Stephen Lawhead has never been a conventional Christian author, or even a conventional fantasy author. He writes by his own rules. Sometimes I like what he does, sometimes not so much. But all in all I was pleased with his novel The Skin Map, and look forward to the continuation of the series.

The main character is a generally unremarkable young man, Kit Livingston, who lives in contemporary London. One day he gets lost and wanders into an alley, where he meets a man who claims to be his great-grandfather, Cosimo Livingston. Cosimo claims that there are invisible paths and portals (“ley lines”) throughout the world, by which knowledgeable travelers may travel through time, space, and dimension.

Kit tries to explain to his girlfriend Wilhelmina why he missed their date. To prove his story to her, he takes her back to that alley and successfully makes a jump to the historical past—17th Century London. But he gets separated from Wilhelmina, who finds herself (we learn later) in Bohemia at about the same time. (One of the pleasures of this book is the Wilhelmina subplot, in which an unhappy 21st Century feminist finds personal fulfillment as a businesswoman in 17th Century Prague.)

Kit finds Cosimo, who agrees it’s important to try to locate Wilhelmina and send her home. But to do that they need a map. There is only one map of the ley lines, the “Skin Map,” a piece of parchment made from the tattooed skin of the first explorer to chart the space-and-time-byways. (He had the map made on his own torso so that he could never lose it.) That map has been cut into several pieces, and the single piece Cosimo and his friend Sir Henry Fayth possessed has been stolen. Before long they learn they have more serious problems than the disappearance of Wilhelmina. A very dangerous and resourceful enemy is doing his best to assemble the Skin Map for his own megalomaniac purposes, and he will stint at no crime to get what he wants.

I found The Skin Map a very engaging fantasy entertainment, suitable for teens and older. Good values are taught, and Christianity is presented in a serious, positive light. I think Stephen Lawhead was wise to move away from medieval fantasy, at least for a while. He seems to have grown uncomfortable with the kind of sword-and-armor violence that such stories demand, and this idiosyncratic adventure gives him scope for other kinds of action. Recommended.

Dark Blonde, by David H. Fears

Her eyes were wide set, clear as a newborn’s, and a pale shade of blue that bordered on slate gray. I suddenly wanted to find paint that shade and redo my whole house with it.

Full disclosure: I got my e-book of Dark Blonde free from the author, David H. Fears. I reviewed his first Mike Angel novel, Dark Quarry, a while back, and he e-,mailed me to ask when I was going to review the next one, Dark Lake. I replied, frankly, that I didn’t like that book as well, and I thought the level of graphic sex (it’s about human sex trafficking) was probably a little high for the readers of this blog. He then sent me a copy of Dark Blonde and asked me to try that one, and indeed I like it better (though I’m omitting the cover art from this review. It’s not pornographic, but it’s a little racy for the room).

Private eye Mike Angel, as you may recall from my previous review, is a New York detective relocated to Chicago. He has a partner, a retired New York cop named Rick Anthony, and a secretary named Molly, who is also his girlfriend. In Dark Blonde, he is hired by Julia Gateswood, former beauty queen and now wife of a promising senatorial candidate, to look for her sister, who has disappeared. It doesn’t take long to find the sister, or rather her body, which is discovered decapitated in the Gateswoods’ summer house. Julia wants Mike to stay on the case, and he is ready to do just about anything for the gorgeous Julia. Instead of the police interfering, Chicago police reformer O. W. Wilson (a real historical character) particularly asks Mike to get involved and help out. It all comes down to old family secrets and contemporary corruption in the end.

Although David H. Fears’s writing plainly hearkens back to the pulp authors of old, like Raymond Chandler and Mickey Spillane (especially Spillane), and is done very well in my opinion, Mike Angel distinguishes himself in a couple of ways. One is that Fears has boldly embraced the obvious fact that private eye stories are fantasy stories, and has added some plain fantasy elements—Mike’s dead father gives him psychic warnings when he’s in danger (oddly, Mike generally ignores them), and also warns him wordlessly through a tingling in a facial scar.

There’s a further element of fantasy too, I think. I’ve written before that private eye stories are a form of male wish-fulfillment. Pulp detectives tend to live lives that ordinary males envy. Mike is enviable—in a way that stretches credibility—in his sex life. It’s not just that beautiful women constantly throw themselves at him. That pretty much goes with the genre. But Mike also has a gorgeous and sweet girlfriend who doesn’t mind that he strays, as long as he keeps it a secret from her. This relationship adds a level of depth to Mike’s character that a lot of pulp detectives lack (a very good thing). On the other hand, I find it pretty hard to believe in—especially in the early 1960s, before the sexual revolution.

But if you can buy that, there’s lots to like in Dark Blonde for the hard-boiled fan. Cautions for language, violence, and graphic sexual situations.