Category Archives: Fiction

Opening strong



Picture credit: Bidgee.



I’m going to write this very carefully. Because it involves a real book, written by a real human being, with feelings, and I don’t want to cause that person any kind of embarrassment. I’m going to use the neutral but awkward pronoun “them” when referring to them, so that not even the gender of the writer will be apparent. You will not, I hope, be able to identify them by what I write.

A little while back, this person contacted me about a novel they’d e-published. It was a Christian novel (I won’t say what genre), and the author seemed to know their business, having been published in the non-fiction field. So I started the book with some hope.

Alas.

Although this person knows how to spell and cast a sentence, they don’t know the craft of fiction, which is a different thing from the craft of non-fiction. Their approach to the story was wrong. It was static. It lacked life and drama.

What this person doesn’t understand is that in fiction, you don’t just tell a story. You stage a story. You dramatize a story.

I’m going to show what this person did wrong, and then show how it could be done better. The first little narrative nugget below is not what that person wrote. The characters are different, the situation is different, the genre is different. Only the technique is (more or less) the same. Then I’ll fix it, to demonstrate how to make it work. Continue reading Opening strong →

Bullet for a Star, by Stuart M. Kaminsky

The good news—almost wonderful news, except for the One Problem that I’ll detail at the end of this review– is that the late Stuart M. Kaminsky’s delightful Toby Peters novels are being released for Kindle by Mysterious Press. I downloaded the very first book of the series, Bullet for a Star, and read it with pleasure.

The Toby Peters novels, if you’re not familiar with them, are light mysteries set in Hollywood. Toby is a very small-time P.I. who nevertheless keeps getting hired for cases involving famous movie stars (and a few other notables) of the Golden Age of Hollywood.

In this story, an executive at Warner Brothers (which fired Toby as a security man some time earlier) asks him to look into a blackmail scheme. Someone has sent them a print of a photo of Errol Flynn in a compromising position with a very young girl. Flynn admits the accusation isn’t out of the question, but in this case he’s never met the girl. The studio wants Toby to make arrangements to pay the blackmail anyway.

But instead of a simple exchange, there’s a fight, and Toby gets knocked out, and somebody gets dead, and then the action takes off. Continue reading Bullet for a Star, by Stuart M. Kaminsky →

Angel in Black, by Max Allan Collins


The bright lights of Hollywood Boulevard took on a shimmering radiance, neon burning in the coolness of dusk, the hard, unpleasant edges of an ugly one-industry town blurred into blemish-free beauty. Like an aging screen queen with a great makeup artist, a gauze-draped key light, and a Vaseline-smeared camera lens, Hollywood didn’t look half bad.

Continuing my random-order reading of the novels in Max Allan Collins’s Nate Heller historical mystery series, I came to Angel in Black, his treatment of the Black Dahlia murder.

1947 finds Nate Heller newly married and honeymooning in Los Angeles. He’s riding along with a newspaper reporter when they follow a police radio call and become the first two people (after the murderer) to see the naked, bisected female corpse that will soon become a national sensation.

Heller, a former cop and well-known private eye, is invited by the chief investigator to help out. He agrees, for reasons he keeps secret. Continue reading Angel in Black, by Max Allan Collins →

Faces in the Fire, by T. L. Hines

I have to give T. L. Hines a lot of credit. In Faces in the Fire he has, first of all, broken with standard Christian genre fiction in making his message implicit, not explicit. You’ll search in vain here for a conversion moment or an explanation of the way of salvation.

Secondly, he’s messed with the form. It’s not that nobody has ever written a story out of sequence before, it’s just that Christian novelists, in general, don’t have the confidence to do something so experimental. Faces in the Fire begins with Chapter 34, and proceeds to tell the major characters’ stories out of sequence, showing us the consequences before we see the causes. He does this pretty well, with the result that the reading experience closely approximates the mystery that is all of our lives.

Also, it’s the rare Christian novel that features a hit man, an e-mail spammer, and a drug addicted tattoo artist as sympathetic main characters.

We’re talking grace here, not works.

The story begins with Kurt Marlowe, a metal sculptor and sometime over the road trucker, who hears ghostly voices (he calls them “spooks”) in the used clothing he buys at estate sales. He does not respond to the voices, but uses their messages as inspiration for his art. Then one day he picks up a pair of shoes that put a picture in his mind more compelling than any he’s seen before. It’s an image so compelling it scares him. So he tries to throw the shoes away. But they keep coming back to him.

He meets a woman in a truck stop, who gives him a ten digit number written on a napkin, in a plastic bag. Then the story switches to her background, and passes from her to yet another character…

It all comes together pretty neatly in the end. The plot strains a bit at points, I think, but that’s almost inevitable in a tightly woven story of this kind. All in all, a very good read.

Recommended, with cautions for adult subject matter.

Blood and Thunder, by Max Allan Collins


Like the rest of the country, I’d seen in the papers that Huey had, on the floor of the Senate, accused FDR of aiding and abetting a murder plot against him; something about conspirators meeting at some hotel somewhere. But I’d really merely read the headlines, skimmed the stories. Nobody was taking it very seriously. After all, Huey made a habit out of such accusations. He was a wolf who kept crying little boy.

I’m delighted to have rediscovered Max Allan Collins’s Nate Heller novels. They’re textured and well-written, and something like George MacDonald Fraser’s Flashman novels in providing entertaining, excellently researched history lessons. I knew almost nothing about the death of Louisiana governor and senator Huey Long before I read Blood and Thunder, but now I do.

The novel starts in 1935. Chicago private eye Nathan Heller has been persuaded by Senator Long (who met him on an earlier visit to the windy city) to become one of his bodyguards. After a visit to the Oklahoma State Fair they return to Louisiana, and Nate is introduced to the continual circus that is Huey Long’s presidential campaign. Formerly a supporter of the New Deal, Long has broken with Roosevelt, and dreams of taking his populist wealth redistribution campaign to a national stage. He entertains visitors and reporters in his hotel suite dressed in green silk pajamas. He writes music. He parties hard. He has connections with organized crime. Heller has about had his fill of it all (in spite of an enjoyable affair with one of Long’s ex-mistresses) when Long is shot to death. According to eyewitness reports he was killed by an angry dentist who was then riddled with bullets by Long’s furious bodyguards (Nate is off on an errand at that moment). Nate goes home. Continue reading Blood and Thunder, by Max Allan Collins →

Moonlight Mile, by Dennis Lehane

I think the general consensus is that, of all Dennis Lehane’s Patrick Kenzie/Angela Genarro private eye novels, the most perfect, memorable, and troubling was Gone, Baby Gone, which was also turned into a very good movie that not enough people saw. In that story, the detectives, who were also lovers, nearly split up for good over the decision of what to do about a little girl kidnapped from a neglectful home. The conclusion of the book was heartbreaking and a real moral puzzler.

After more than a decade, author Lehane has picked up the story again in Moonlight Mile. Much has changed for the Boston investigators. Patrick, having barely survived a gunshot wound, has turned to less dangerous forms of detective work, doing contract jobs for a large firm. Angela is working on a graduate degree. They have a four-year-old daughter who is the light of their lives. Money’s tight, but if they can hold out until Angela finishes school, life ought to be good.

And then the past shows up. The aunt of Amanda McCready, the little girl kidnapped in Gone, Baby, Gone, who originally hired Patrick and Angela, approaches Patrick. Amanda, now sixteen years old, has disappeared again, she says. She fears it has something to do with the girl’s stepfather, an ex-convict and drug dealer with a record of sexual abuse.

Continue reading Moonlight Mile, by Dennis Lehane →

The Unseen, by T. L. Hines

I think I’ll just start my review by saying that T. L. Hines’s The Unseen is one of the most impressive thrillers I’ve read in some time—not just among Christian books, but among thrillers in general. I liked Hines’ first novel, Waking Lazarus, quite a lot. I was less impressed with The Dead Whisper On, his second. But this book—in my opinion—knocks it out of the park. It works on many levels, not only as a straight thriller, but as a cultural metaphor.

Lucas, the hero, is not strictly a part of the normal world. He makes a little money doing temporary, menial jobs, but he doesn’t need much money, because he’s essentially homeless. He moves from place to place in Washington, DC—abandoned buildings, service tunnels, even the sewer. He lives to watch other people, from hiding places he sets up behind walls and ceilings, “between the seams of society.” He’s not a voyeur in the ordinary sense. He doesn’t spy on women in dressing rooms, for instance. He watches people in public places, or at work. He imagines what their lives are like. It’s the only thing that makes him feel good, that calms the incessant buzzing he hears in his brain.

But one day he meets another man who’s a watcher like him. Through that man he learns of a whole organization of “creepers,” people who install cameras and make secret videos of people in their homes. They film acts of domestic violence and murder plots, but they refuse to do anything about them.

Lucas does something about them. Only the results aren’t what he expects, and the more he learns the stranger the mysteries grow, until he finds himself pursuing—and fleeing from—spies and counterspies and mysterious scientists who may hold the secret to his own forgotten past.

Aside from the originality of the concept, I liked the way Hines progressively amped up the tension (some of the action is kind of hackneyed, but it’s effective) and managed to make sympathetic a character who could have been pretty repellant. And Lucas’s watching obsession obviously mirrors various pathologies in modern society, from which (I suspect) few of us are entirely free. (Porn, anyone? Reality TV?) I suppose most readers won’t identify with Lucas as strongly as I did, but I think most will identify to some degree or another.

Highly recommended for older teens and adults. Well done.

The Undead at War, by Kevin Long

Kevin Long, who is the author of The Undead At War is the same person as the Republibot 3.0 who wrote Ice Cream and Venom, which I reviewed a while back (I note that he’s come out of the closet on that authorship now). I thought his work showed a lot of promise then, and I’m happy to report that he’s only gotten better as a writer.

Although there are some stand-alone stories in the collection, the bulk of the stories fall into two sequences—the Undead stories (which, in spite of expectations, are not about zombies or vampires), and the Redneck Universe stories, which culminate in the last part of the book, a novella called “Home Again.”

The Undead stories are actually concerned with the question of medical life extension. What if we could preserve the brains of people whose bodies have died, hook them up to a virtual reality scenario, and put their brain power to work? Plenty of moral ambiguities are explored, and the texture of the narrative is enriched by the fact that the narrator, one of the Undead himself, is not a particularly admirable man, and has every reason to wish to postpone his absolute death.

The Redneck Universe stories have a Heinleinian flavor, and concern a mass exodus from earth by a large number of people who form colonies—entirely without the support of any terrestrial government—on distant planets. The essential theme of all these stories is the alienation experienced by people trying to find a way to be human in environments no human has ever known before. The narrator of “Home Again,” the bittersweet novella at the end of the book, is further torn when, on returning to earth, he finds himself (because of the effects of relativity) subjectively only a few years older than when he left, but faced with a world where everything has experienced decades of change. Christians are likely to have trouble with the one religious scene in this story, and also with its conclusion, which is nevertheless dramatically justified.

If you’re a science fiction fan, especially one with libertarian views, I think you’ll probably like The Undead At War. Cautions for language and adult situations.

Will Sad Endings Sell?

Author and editor Nick Harrison asks if a book can be published, and if published, can it sell if it has a sad ending. “I like a sad ending that offers hope, but I think those of us who feel that way are in the minority,” he says. “A sad ending in a book for our market has an uphill struggle…”